Book Jacket

 

rank 1050
word count 97340
date submitted 23.11.2009
date updated 06.04.2013
genres: Fiction, Romance, Horror, Crime
classification: moderate
complete

Annabella and Other Stories

Bill Carrigan

Annabella is a ghost, Annie a remarkable cat, Snell a mad scientist . . . Meet them and others on this varied palette of tales.

 

"Annabella." A playwright visits his little theater, long dark, where an explosion killed several performers. Beautiful Annabella, among them, was to become his love that fatal night. The actors materialize on the dim stage and play his play. Annabella reminds him that they have a date . . .

"Jani and the Pigeon Man." Jani, orphaned in Kosovo, finds shelter with an American couple in Nice. His parents' death left him remote and mute. Then a carrier pigeon, storm weary, rests on the couple's terrace, and its uniformed owner comes for it. Holding the bird gently, he tells Jani something that changes everything . . .

"Jekyll Generic." Miles Dawson, chemist, visits historic London houses to humor Paula, his fiancee. Finding himself in Henry Jekyll’s lab, he locates the formula for the transforming potion. He prepares some for limited trials. Paula first, then a friend accidentally drink it . . .


These and forty other stories, including several prize winners, are entered here as chapters. Read them in order or at random. See also Bill’s now-featured novel CALL HOME THE CHILD. Please comment.

 
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cats, circus, coming of age, crime, dark comedy, erotica, evolution, fable, family saga, ghost stories, heart surgery, history, horror, human interest...

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Wench

 

    It seems like yesterday, that sultry August afternoon when the boys came into the barnyard as Robby Beck and I were throwing knives at a tree. There were five of them, about my age or older—I was going on fourteen. Since I was new in the area, some sort of greeting was in order, but I saw at once that a friendly welcome was not on their minds.

    “What’s your name?” said the tallest, a redhead with a smirk and a calculated stance. He wore a baseball cap turned sideways and kept tossing a ball into a fielder’s mitt.

    “Chris,” I said. “Chris Taylor.”

    “Chris is a sissy name,” he said. Heads nodded.

    “Well, I’m not a sissy,” I replied.

    “He says he’s not a sissy,” said Red, and looked at the others.

    A dog that had followed them, mostly Chesapeake Bay retriever, ran up to me and stood panting. I asked, “What’s your dog’s name?”

    “Not my dog. He just lives around.”

    Someone supplied a name: “Scratch.”

    “He’s thirsty,” I said.

    I walked to the target, a giant maple, and withdrew my hunting knife. Then I stepped back a certain distance and threw it at the trunk. It bounced off.

    Red said, “You’re gonna have to prove it—Chris.”

    “Prove what?”

    “Prove you’re not a sissy.” Again the heads nodded.

    Now Robby spoke up. “Hey, I told you guys to give me time to get him in shape.”

    “Stow it, Robby,” said Red. “We’re done waiting.”

    Robby had predicted the confrontation, had used it as an excuse to grapple or pummel me in the name of training. This had gone on since June, when I became a boarder at the Becks’ farm. He said I was soft from living on army bases. Though tall for my age, I was skinny and no match for him or most of our visitors. I stroked the dog while weighing means of escape.

    Then Red indicated the boy beside him and said, “This is Sam. Sam’s gonna take you on.” All the faces were solemn.

    Sam was stocky, the heaviest of the lot. Thick neck, sloping shoulders, barrel chest. Sandy hair clipped short. He wore no sleeves, no ornaments, no shoes. No expression. I was slated to fight a gorilla.

    Again I threw my knife at the tree. This time it stuck. I thought of using it to defend myself. I could climb to my perch and ward them off, as I did when Robby came sneaking after my reading matter. But no, I had to meet the new-boy challenge.

    “Fight or rassle?” said Red.

    Fight, I could get a bloody nose or lose teeth. Wrestle, I could do my best until he pinned me to the ground and declared victory. But it wasn’t quite that simple. I dreaded the panic I felt when held down, a blind impulse to free myself. Even so, my choice was clear.

    “Rassle,” I said.

    Sam pulled off his shirt. I braced myself and wiped sweat from my eyes. We circled, groping for a hold. I tried a wristlock, but Sam’s thick forearm wouldn’t twist. I put a leg behind one of his and tried to trip him, but he didn’t budge. Then he seized me around the waist and squeezed. I was turning blue when he let up and somehow got me across his shoulders. Staggering around, he spun me until I was dizzy. I expected to suffer a few broken bones when he threw me down. To my surprise, though, he let me slide off his bent, sweaty back. As I lay on the ground, head still spinning, he placed a foot on my chest and raised a fist in triumph.

    “Shoulders!” someone shouted. “You gotta pin his shoulders!”

    Sam fell on his knees astride me and pressed my shoulders to the turf. Could I endure this without resisting? Don’t panic! Don’t panic! As I peered into Sam’s flushed, dripping face, I saw—what? I can only say what I didn’t see. No anger, no hostility, no gloating. He probably didn’t want to fight any more than I did, and he hadn’t really hurt me. It struck me, even in my torment, that Sam and I could be friends.

#

    What brought it all back, years later, was running into Sam aboard ship on our return from Vietnam. Over beers, we talked about action wed seen, he as a ’copter pilot and I as a photographer. Then we got to reminiscing. I soon realized I was skirting something and bluntly asked, “Do you ever think about Lil?”

    “I try not to,he said, and I could see he meant it.

    So I moved on to something else. But the memory, once awakened, stayed with me, a bittersweet reminder of bygone days. This is the story he avoided—the story of Sam and a wench called Lil.

#

    A few weeks after the wrestling match (if you could call it that), my parents rented a house on the outskirts of Alexandria, Virginia, not far from the farm. They and Jean, my twelve-year-old sister, had stayed with relatives since Dad’s transfer to the Pentagon. I rejoined them and started school.

    In time I was part of the local gang. Sam’s younger brother Lenny, of a large family named Tompkin, became my best friend, and Sam often joined our games and adventures. Now sixteen, he drove an old Chevy coupe in which Lenny and I often rode. The encounter in Robby’s yard was never mentioned.

    It was just after Halloween that Sam met Lily Cooper. Sam, Lenny, Jean, and I were doing a play: The Mystery of the Old Clock. The plot derived from a small, low opening in the rear of the Tompkins’ garage, which had once been a chicken coop. We had covered the hole indoors with a tall crate painted to resemble a clock. The master of the house opens the clock and winds it, then goes to bed downstage. At midnight a monster mysteriously steps out of the clock and stabs him.

    “Kid stuff,” Sam had grumbled, but he agreed to play the monster. When he proved to be wider than the hole, Lenny took the role and Sam was recast as the victim. Jean would find the body, scream, and call in the private eye—me. The rest of the plot was incidental.

    The play opened that autumn evening before nine or ten paying neighbors (a nickel a head). After Lenny murdered his brother, we dragged the body offstage to make room. Sam, no longer needed, joined the audience on the gravel driveway, sitting down beside Lily. No one noticed because Scratch had just come through the hole for a cameo appearance. All in all, the viewers seemed to enjoy our not-too-serious effort.

    Lily stayed in a tourist house on the nearby highway. I had seen her once or twice, a tall blonde in her late teens. I might have described her as voluptuous (a word learned from magazines I sold). I can’t say exactly what passed between her and Sam while our play wound down, but when I next visited the Tompkins’ house, she was living there. In Sam’s room. Since the house was crammed with family, Sam had moved to a cot on the side porch. Lenny and I wondered if hed lost his mind.

    The parents seemed indifferent to the casual traffic through their worn Victorian home. I, for instance, could enter at any time without knocking. Sam and Lenny had brothers and sisters both older and younger, all living there except for a brother in college. The parents were out a lot, and the maid, Ruby, did most of the housekeeping.

    It amused me in those days to give people nicknames. I liked the sound of Shanghai Lil, from an old flick. So Lily became Lil and it stuck. She didn’t object when others took it up. “You could call me Diamond Lil if I had the rocks to go with it,” she said.

#

    At first, Lenny and I rather liked her. We overlooked the paint and the bleached hair in ridiculous styles. Her background as well. Sam had asked her where she came from and what brought her to Alexandria.

    “Born in North Carolina,” she said, adding, “Rah-leigh.” She lit a new cigarette from the old. “Ran off and got hitched when I was fourteen. We came up here in Joe’s furniture van. But Joe drank too much and hit me once too often. End of story.” Sam had listened wide-eyed. I doubt that what she said appealed to him as much as what shed poured into her dress.

#

    Lil could be obliging when in the mood. One evening she was waltzing around to music on the radio, and Lenny said, “Lil, teach us to dance.”

    “Well, take off your shoes,” she said. “I just manicured my toenails.”

    Lenny obliged and went to her outstretched arms. Sam and I shed our shoes and waited. Lil showed Lenny how to hold her—close, which she preferred to the looser modes then in vogue. As she sang along with the popular “Moon River,” Lenny mastered the basics.

    It was now my turn. When I stopped looking down at my feet, I stepped on her sandaled toes. She said, “You’re no Fred Astaire,” but went on dancing and crooning. At one point she said, “I’m leading. Now you lead me.” That was harder, but I thought I did okay.

    When all this happened, I still found females to be pretty much of a drag, at best a curiosity. The absence of women in Treasure Island, Jim’s mother excepted, helped to make it my favorite book. As for Lil, I found the pressure of her breasts exciting, but her other charms—perfume, deodorant, whatever—offensive. Id just as soon have smelled a wet dog.

    Sam, on the other hand, two years older, was plainly enchanted by everything about her. He sat on the edge of his chair, eyes riveted. Presently he declared, “My turn.” But Lil let go of me and said, “Hey, that’s enough.” On her way past Sam, she tossed, “Learn to walk first.” Probably a slur at the way he dragged his feet. He took it with a lopsided grin, but I knew she had hurt his feelings.

    Nevertheless, we found Sam’s condition amusing enough to kid him. While riding to school one day, I asked, “How’s Lil?” Sam drove on in silence. Then Lenny sang out, “A woman’s a two-faced, worrisome thing who’ll lead you to sing the blu-u-u-ues in the night.” And I chanted, “A fool there was and he made his prayer to a rag and a bone and a hank of hair.” But we didn’t even get a smile out of smitten Sam, which put an end to such sport.    

    Lil was a beautician, part-time. One afternoon Lenny and I found her ironing a blouse in the Tomkins’ kitchen and asked her to cut our hair. She seated Lenny, put a towel over his shoulders, and snipped away with a professional air. Then I took the stool and we discussed my cowlick, which she said she could fix. Impressed, I asked where she worked.

    “Sometimes here, sometimes there,” she said, wielding her comb and scissors.

    “Where’s here?” I asked, and watched my brown hair rain on Lenny’s gold.

    “Rosalie’s Beauty Salon,” she said.

    “And where’s there?”

    “Morton’s Funeral Parlor, if you must know.”

    I didn’t mind the scissors, but had a creepy feeling about the comb.

    At length she shook out the towel, took her blouse off the ironing board, and left. Lenny swept the floor while I held a dustpan. “Messy,” he muttered. “Eats in her room, leaves a ring in the bathtub and greasy Kleenex everywhere . . . I wish she’d just go.”

    There were further reasons for Lenny’s attitude. One, Lil could spend hours dressing for an evening out. This meant applying hair bleach, curlers, makeup, nail polish; filling the bathroom with lotions, curling iron, wet towels; and all done in a flowing kimono worn over black underwear. For that, of course, we’d hang around.

    She wasn’t as guarded as the other females in our lives. Sometimes she’d even smile when we caught a glimpse. Lenny said, “Born to be a stripper.” She was different, though, with Sam—maybe because he was older and had ideas. Shed frown and snatch the kimono around her. Even so, she was careless enough to keep him in misery.

    Fueling his problem was her refusal to go out with him. While she primped, he would sit in her room and beg for a date. She seldom responded, like he wasn’t even there. You could see he longed to declare his love, to kiss her, to make out. And he let everything else slide: forgot his car, forgot family and friends, even forgot to eat.

    Matters got worse when she began to entertain a man late at night. He was about ten years her senior, the owner of Gorman’s Dance Studio on King Street. Sam was especially glum as we rode to school one morning. Trying to raise his spirits, I asked how he was making out with Lil.

    “I’m not,” he said. “But somebody sure is.”

    We soon pried loose the whole story. Sam still slept on the porch, now under a mountain of blankets. A window beside his cot was over the living room sofa. “I heard love-talk for about an hour,” he said. “Then it turned into moans and groans. I couldn’t chance a look, but I know damn well they done it. Not a doubt in my mind.”

    That evening I went home for dinner and back to the Tompkins’ to do homework with Lenny. An older brother and sister were out, the younger ones underfoot. Sam sat at the kitchen table drinking beer until we heard Mr. Tompkin drive up. Then Sam went out back and, cold as it was, sat on the steps drinking and brooding. Lenny warmed his father’s dinner and served it, as he often did, and we finished our homework. Sam was still outside when I left.

    We knew he was getting worse when he came home one night blind-drunk and drove half way through the back of the garage, bringing down the entire structure. Fortunately, he and his car suffered only minor damage. But I had a sense that more was lost than our thimble theater.

    At recess the following day, Lenny and I discussed the situation. We worried about what Sam’s obsession might do to him—maybe turn him into an alcoholic. We decided to take steps to persuade Lil to leave.

#

    Scratch followed us home that evening and I threw a brickbat for him to fetch. He was notorious for crushing bricks with his teeth. Also for harboring fleas, which may have earned him his name. As we neared the Tompkins’ house, I had an idea. The next time Lil went out, we’d put the flea-ridden dog in her bed. This wouldn’t be a final solution, but it could launch our campaign.

    That night, we lured Scratch upstairs with a big knuckle bone. Gnawing it, he sprawled in contentment, his head on Lil’s pillow. Lenny covered him with the upper sheet “to give her a double whammy.” After doing our homework, we put Scratch under the porch with meat and water. We did all this quietly, expecting no one to cheer.

    The following night we heard Lil bleat, “Sam! Come up here!” This was so unusual we figured it for the payoff. As Sam clumped up the steps, we went outside and mounted a ladder to the porch roof. Lil’s window was open a crack, so we caught the whole show.

    “Something bit me,” Lil said. “I found fleas in the bed and I’ve got a big welt on my butt. It itches like hell. I want you to take this salve and put it . . . here.” Their backs were toward us as she lifted her blouse, pushed down her skirt a bit, and moved closer to Sam seated on the bed. Lenny and I thumped each other and held back our laughter. We got a good look as Sam applied the salve—and kept on applying it, to Lil’s sigh of relief. Then we heard her say, “That’s enough. Don’t get carried away.”

    “Are there more bites?” Sam tried.

    “Yes, but not where you can go.”

    Sam must have left the room shortly, for he was in the kitchen when we entered by the back door. “Hey, Sam,” I said by way of greeting. In return he popped open a beer and slumped in his chair. The air was heavy with dejection.

    In our postmortem, Lenny and I agreed that the mission, though accomplished, could hardly be called a success if it drove Sam to drink more.

#

    Across the street from the Tompkins’ and up the hill a way stood the home of Mr. Doone, an old bachelor who made kids uneasy. I had no qualms about lowering his status in the neighborhood, and one day I showed Lil his lofty tower capped with a weather vane. “If you look sharp,” I said, “you’ll see the lens of a telescope.”

    She raised her shade more and peered out. The telescope was my invention, but a glint of sunshine on glass favored the illusion.

    “It’s focused on your window.”

    “Whatever for?” she asked, gazing at me with her bulging brown eyes.

    Ignoring the play of innocence, I said, “He’s an old creep. Maybe he likes to see you undress.”

    “Well, thanks for the warning.”

    “Once he tried to get me and Lenny to watch a dirty movie.” That was partly true. Doone had invited us to watch a movie, but having backed off, we could only assume it was dirty. “You’d better keep your shade down,” I added.

    “You bet. We don’t want to give Mr. Sicko a heart attack.”

    But the next time I saw Lil’s window, the shade was all the way up. Lenny commented, “I told you it wouldn’t work. She’s a stripper for sure. Let’s hope she doesn’t find out Old Man Doone had a stroke and lives downstairs in a wheelchair.” 

    She just didn’t get the message. “Maybe we ought to make a stink bomb,” I said.

    We racked our brains for another prank to make her uncomfortable. She kept to her room and it wasn’t easy to get at her in subtle ways. Then a weather report on the tube gave me a brainstorm. A cold wave was approaching. The house had a primitive heating system, and the upstairs tended to be chilly on cold nights. I thought of increasing the predictable chill of Lil’s boudoir. While she was out, I opened her window and Lenny drove a nail into the frame, low down, letting the head protrude. She wouldn’t be able to close the window completely, and the gap would free a lot of heat.

    That evening, Ruby spoke to Lenny and me as she gathered her own laundry. Her husband was waiting outside, but she paused to say, “Y’all better watch what you do. Miss Lil know somethin’s up.”

    “What are you saying?” asked Lenny.

    “Saying I had to douse her bed with Flit and wash her sheets twice this week. I heard you talk about serving her walking papers. Well, fleas and dog hair won’t do it. Mr. Tompkin gotta tell her to scat.” She drew the string on her laundry bag and bustled off.

    The following day dawned clear and cold, with snow flurries that called for full winter gear. I thought of Lil’s stuck window and shivered. Wed done a mean thing, but I told myself it was justified in light of her frosty treatment of Sam. Lenny was waiting on the porch. He had likely kept an eye on the night’s events.

    “Is Sam driving to school today?” I asked.

    “No, we’ll have to hitch,” he said. We cut through snow-dusted yards to the highway.

    “Don’t keep me in suspense,” I said. Lenny’s way of doing just that was not to respond for a while. We walked backward and thumbed. At length my curiosity took over. “Okay, Lenny. Did we freeze her out or not?”  

    “Yes and no. She got in late and undressed in the bathroom with the heater on. I had my door open a crack. Then she went in her room and Sam came upstairs to take a leak. When he came out, she was standing there in blue silk pajamas, shivering and rubbing her arms. ‘Sam, I can’t get the window down,’ she says. ‘I’m about to freeze to death. Come in here and warm me up.’ So he goes in and shuts the door.”

    “Yeah? Then what?”

    A car with a couple in front stopped and we climbed into the back. After a brief exchange with the driver, I turned to Lenny. “So he went into her room. Then what?”

    “Then—who knows? He’s still there.”

    “Still there! Wow! We didn’t see that coming. Now what happens?”

    “Depends.” Lenny lowered his voice. “Did she tease him all night or did he get in? That could change everything.”

#

    Well, it did. Sam spent nearly every night, half way through December, in Lil's bed. And he was now a new man—surfing the curl of the wave. Lil even condescended to ride in his car, her legs tucked under a blanket for lack of a heater. Sometimes Lenny and I went along. We froze in the back with its unclosable window, but had a good time—even rode into Washington one Saturday and caught a film, To Kill a Mockingbird. Sam sold his bike to buy Lil a Christmas present.

    Naturally, we wondered about her change of heart. It was Lenny who arrived at the most likely explanation. “She suspects us and wants Sam on her side.”

    Then, twelve days before Christmas, it all came crashing down. Lenny told it like this: “She’s knocked up. I heard her tell Sam, and she swears it’s his. He’s about to croak.”

    “Cripes! What’ll they do?”

    “Nothing, I guess. She won’t go to a doctor—says they’re all butchers—and he’s not old enough to marry her. Worse, she’s turned cold as a witch’s tit. Says it was all Sam’s fault. She’s dating other guys again and Sam’s back on beer.”

    There seemed to be no solution, either to her problem or his. Would she stay on at the house? Have her baby there? What would the parents do when they found out? Sam was too shattered to talk about it and just moped. I spent Christmas with my family and couldn’t make myself go near the Tompkins’ place for days.

    Then Lil surprised us again. She told Sam and Lenny she would give a party at the house on New Year’s Eve and make an important announcement. Lil and some girls from the beauty parlor brought decorations, and Lenny and I pitched in. Sam, however, stayed clear. “You don’t need me around,” he said. We knew he felt responsible and rejected, but totally helpless, and was trying to cover his pain. He disappeared and we wondered whether he’d even attend the affair.

    He was present, though, on New Year’s Eve, wearing his suit and a colorful tie. Lil wore her hair loose to the shoulders, dyed platinum, and a black strapless gown that displayed her cleavage. I guess she acted out of habit in offering Sam an eyeful, as if he wasn’t frustrated enough already. I took it as a sign of returning strength that he ignored her and danced with his little sister standing on his shoes.

    Among the guests were Mr. and Mrs. Tompkin, other family, neighbors, Ruby and her husband, and several people I didn’t know. There was a buffet table and a bowl of spiked punch called glogg. It wasn’t a lively party, with the older folks present, but it wasn’t stiff either. I was glad no one suggested games.

    One of the guests was the man Lil had seen before Sam. When the party was well under way, she tapped on a glass and said she had an announcement. To the hushed gathering, she said, “Friends, for those of you who haven’t met him, this is Fred Gorman, my fiancé. You’ll be the first to know we’re getting married tomorrow.” Applause drowned out her next words, “A new year and a new beginning.”

    I can’t imagine the storm of emotions Sam must have felt. Picture someone not quite dead who hears clods falling on his coffin. In the months to come, he kept to himself and drank constantly, then gradually pulled out of it. He was never much with words, but you could see a change in his manner. He attended the funeral when Lil, close to term, lost the baby. Boosting his age, he even tried unsuccessfully to join the Marines. Still, it wouldn’t be a stretch to say he became a man at sixteen.

    Lenny and I, on the other hand, experienced something a whole lot simpler: deep, deep relief.

 

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PATRICK BARRETT wrote 1133 days ago

Bill - these short stories are beautifully written and you certainly have a way of capturing the reader like a spider does a fly. The plots are perfectly laid out and the characters so life-like. You are certainly talented and your book made for a very enjoyable read. Backed with pleasure - congratulations on a great book - Paula - How mean is my Valley?

Jason Morte wrote 1020 days ago

Very professionally done. Polished as well as anything on this site. I've read Annabella so far (it reminded me of Hemingway's early shorts) and plan to read more. I love short stories because the reader doesn't have to sit through hours and hours of reading in order to get to the end. In this day of short attention spans, you'd think that short stories would become popular again. Sadly, however, the short is almost a dead art. Aside from you, me, and a couple of others, nobody on this site seems to do short stories. I enjoy yours immensely and endorse them with pleasure. Nicely done.

andrew skaife wrote 1016 days ago

A highly crafted piece of writing and the very definition of writing that is polished, sculpted and ready for publication.

BACKED

Sly80 wrote 1233 days ago

Checked the other two stories you suggested, Bill.

21 Losing it: 'To spare her from a lifetime of hardship without him' I snorted with laughter there ... such irony. In fact, you manage to make the whole messy business funny given how useless McHenry is. The humour vanishes when O'Rourke appears. This is a man not to be messed with. But even he is tempted by wealth and beauty. Fate deals well with both men. (Some formatting problems, but that's authonomy for you.)

27 Pillar of Truth: This one just had me totally enthralled from the get-go. Clever plotting with another satisfying ending, though not without some cost to the MC. You describe the underworld and corruption exceedingly well.

Popping Annabella and Other Stories on my shelf for a while.

Christine May wrote 25 days ago

Bill, I have read many of your short stories, One through seven, twenty one and twenty seven. What is so interesting is that they are all very different. This book will keep me entertained for a long time.
I still think we have met in Orlando at an Art show.
Christine

Christine May wrote 37 days ago

Hi Bill,
I read your first two short stories. The first a work of art, the second delightful.
will return.
Christine
I added a sixth story if you are interested.

Susanna Clayson wrote 45 days ago

Just a great collection of stories that gripped me from the start. Very well written and crafted. You deserve to get these in print. Best of luck

Susanna

Susanna Clayson wrote 46 days ago

Just a great collection of stories that gripped me from the start. Very well written and crafted. You deserve to get these in print. Best of luck

Susanna

Seringapatam wrote 87 days ago

Bill, Spot on. Not my genre and not what I would read at all. With that said, I loved it. You have a fantastic hypnotic narrative voice here that dragged me right into this book from the word go and smacked me all over the book before spitting me out when I had to put it down before I lost my job! So well done for this. Magic pace, flow, descriptive voice, stick to this genre at all costs. Loved it and big score.
Sean Connolly. British Army on the Rampage. (B.A.O.R) Please consider me for a read or watch list wont you? Many thanks. Sean

Andrea Taylor wrote 94 days ago

Beautifully written, very elegant, mature writing, stories that hold the attention; what more can the reader ask.
Thoroughly enjoyable and no criticisms at all.
Andrea
The de Amerley Affair
I'd appreciate a return read if you have time

Cyrus Hood wrote 258 days ago

Great stuff- just the right length

Mark

Cyrus Hood wrote 258 days ago

Hello Bill,
Actually Annabella reminded me of Capote, the style is entirely right for the genre and the pace measured- a well crafted piece. Only one niggle 'the foreboding alley' doesn't quite work for me but that is probably down to the language that separates us. Nice writing.
onto the next one....
regards

Mark

julia rush wrote 264 days ago

Dear Bill:

A very charming story about Annabelle. I think Annabelle and you could sustain a novel or novella. I was enchanted by your descriptions of the theater and acting and the the beautiful actress. I am starring and I will try to shelve if the system will let me. Good Writing! Good Luck!

Simone Marie
My Rhapsody

celticwriter wrote 581 days ago

Hi Bill, re backing this delightful work.

blessings!
jim

klouholmes wrote 784 days ago

Hi Bill, The stories I've read so far, Annabella and Born Again, are fantastic. The atmosphere is so well established in both and then the unexpected happens, putting another dimension on that atmosphere. I recommend Born Again, number 5, to anyone else who doesn't know what it's about - the conflict, debate, and revenge between a scientist who drowns rats in experiments and an animal activist. It's really well-written from the scientific point, I think, and an excellent read. I'm shelving because I'd like to read more of these, a few at a time. Katherine (The House in Windward Leaves, The Swan Bonnet)

kendra ann ziems wrote 789 days ago

i would have to say the same as some of the other comments; beautifully written, well crafted, polished. going on my bookshelf! if you have time would appreciate any input on my book that you could give.

Benjamin Dancer wrote 929 days ago

I'm taking notes as I read 32. I'll post them once I'm done so you can see my reaction to the story.

The no feet makes a great hook for this story.

The tension is great. I'm on the delivering of the baby to his wife--and the unanswered question about the feet holds suspense.

I hang on every word of this story.

When we get to the mother's possible ancestry--the opening suddenly clicks--her reluctance.

I loved the Colt 45.

Fine ending. Good story about decent people who mess their own lives up like every decent person does. The weight of it, its implications for the mother. The empathy. Really solid piece.

A couple more notes in your messages.

Pia wrote 931 days ago

Bill -

Annabella and Other Stories - Oh you are right, this collection of yours was neglegted. I loved Doctor of Summitville, one of the first books I read here. But with these short stories you do something different. They are jewels, brilliantly deep. Tonight I enjoyed no 35, Salesmanship, a random choice. I was in fits ... I thought of panties but decided not to press my luck ... subtle, erotic, ironic, and the twist at the end, such skill. Your wit is delightful. This goes on my WL - to be sitting soon on my shelf, for some time, because I now have an appetite to read the whole collection of stories ... Pia ;)

paperbat wrote 1010 days ago

Wow. Some marvellous short stories. Where do you get your great ideas from? Annie is certainly a remarkable cat! Your on my shelf as I read more of the stories.
PAPERBAT

andrew skaife wrote 1016 days ago

A highly crafted piece of writing and the very definition of writing that is polished, sculpted and ready for publication.

BACKED

Jason Morte wrote 1020 days ago

Very professionally done. Polished as well as anything on this site. I've read Annabella so far (it reminded me of Hemingway's early shorts) and plan to read more. I love short stories because the reader doesn't have to sit through hours and hours of reading in order to get to the end. In this day of short attention spans, you'd think that short stories would become popular again. Sadly, however, the short is almost a dead art. Aside from you, me, and a couple of others, nobody on this site seems to do short stories. I enjoy yours immensely and endorse them with pleasure. Nicely done.

mvw888 wrote 1055 days ago

Hello Bill,

I think that I have been to your page now three different times, to read three different books. We seem to travel the same routes here on authonomy...often I see your name when I'm visiting a book I like and of course, thrice now I have been circuited back here. And I always find good books on your shelf.

This is another example of expert prose. I wanted to applaud out loud your use of -- in the first paragraph. Time and again I caution against its use (perhaps a personal bias but I just can't see justification for it in most cases). Here, a perfect usage. Your tone here is so different from what I remember from your other work (Dr of Summitville?); more wistful, almost elegaic ("as I had done before Hell opened, when she promised to be mine"). And of course, poetic at times, perfectly matching the theme of theater in stanzas and perhaps lost love... Wonderful, humbling writing.

---Mary
The Qualities of Wood

Marija F.Sullivan wrote 1055 days ago

I read Ch.17 as you suggested. Very warm story, beautifully told. The story of home coming pidgeon reflected the destiny of the poor child. Strong writing voice plus a great story, the winning combination.
Backed with very best wishes,
M
- Weekend Chimney Sweep
- Sarajevo Walls of Fate

Maria K. wrote 1063 days ago

Bill this sounds right up my alley! Backing and putting on my book shelf. Reminds me of the not-scary-but-spooky-yet-lovely ghost stories of old, like Priestley's story of Jenny Villiers.

Rosemary Peel wrote 1077 days ago

Read Annabella and Annie. Will, if I get time, which is unbelievably scare now that I've found authonomy, I will return to read more. Enjoyed both stories. A very nice read. Best of luck with the book.

Su Dan wrote 1114 days ago

i love short stories and these do not disapoint. the first two i read are nicely compact and read well...omn my watchlist...
su dan...[read SEASONS]

Kidd1 wrote 1127 days ago

Wonderfully compelling and imaginative stories that show a masterful grasp of the short story genre. Well written in a unique voice. Backed.

PATRICK BARRETT wrote 1133 days ago

Bill - these short stories are beautifully written and you certainly have a way of capturing the reader like a spider does a fly. The plots are perfectly laid out and the characters so life-like. You are certainly talented and your book made for a very enjoyable read. Backed with pleasure - congratulations on a great book - Paula - How mean is my Valley?

SusieGulick wrote 1152 days ago

Dear Bill, Well, I backed your other 2 books, but can't find where I backed this one. It is very excellently written, just like your other 2. I love that you use rhyme, dialogue, & short paragraphs for an easy read. Could you please take a moment to BACK my unedited version, "Tell Me True Love Stories." Thanks, Susie :)

Salude El Dia wrote 1224 days ago

Let's see, I read #34, "Rube's Revenge", and #19, "Lenz's Way". Both very different, both well-written, with #19 something of a surprise, with seemingly in-depth knowledge of the state of "atomic" research in the 1950's. Pleasant surprise, displaying the type of versatility of subject that most authors only dream about. Backed.

Sly80 wrote 1233 days ago

Checked the other two stories you suggested, Bill.

21 Losing it: 'To spare her from a lifetime of hardship without him' I snorted with laughter there ... such irony. In fact, you manage to make the whole messy business funny given how useless McHenry is. The humour vanishes when O'Rourke appears. This is a man not to be messed with. But even he is tempted by wealth and beauty. Fate deals well with both men. (Some formatting problems, but that's authonomy for you.)

27 Pillar of Truth: This one just had me totally enthralled from the get-go. Clever plotting with another satisfying ending, though not without some cost to the MC. You describe the underworld and corruption exceedingly well.

Popping Annabella and Other Stories on my shelf for a while.

Linda L. wrote 1260 days ago

I am impressed with the three stories I read. The first, Annabella, is eerie. (I noticed the name of the narrator isn't until mid-story. Did you want it that way?) The Good Times's Robert is, in my opinion, not likeable but definitely interesting, and the witty dialogue kept the story moving. Rovers had two sympathetic characters and even though it takes place in the Great Depression, I think it say a lot about our times today. Excellent work. Backed.

DDickson wrote 1260 days ago

Really smashing - I was enthralled and a little puzzled which is I am sure is the absolute reaction that you would look for with a ghost story. Very well written which makes it very easy to read. I congratulate you and pop you on my shelf. good luck with this - Diane (3 things that might have happened) Could I be a little forward and suggest that if you have time to look at my work you look at two or three - I think that they may appeal to you more than one and I have had a lot of very helpful feedback already for James. Thank you .

John Booth wrote 1261 days ago

Hi Bill,
I read Annabella and Salesmanship. They were superb - shelved.

I can't help you with either as I thought they were brilliant.

John

Jupiter Echoes wrote 1267 days ago

Short stories are so difficult to pull off, yet you do so beautifully. All have a life of their own... well, the three i read anyway. You bring characters to life and carry us along at a good pace.

BACKED

Clare Hill wrote 1270 days ago

I read Salesmanship, Puppy Love and A Place For Discord. I agree with Andrew, the characterisation in these stories is superb, as is the dialogue. In Puppy Love, Terra is a puppy - you make me believe. The guy in Salesmanship was a bit sleazy but I still felt kind of sorry for him. In A Place For Discord you capture so many levels, from their developing relationship to the disagreements in wider society about the war. Discord has its place, indeed, as do these stories: on my shelf.
Nitpick: Discord (28) has some formatting issues, some of the text is grey.

Andrew W. wrote 1272 days ago

Annabella and Other Stories

Hi Bill,

These are very different from each other, I have read three now and what impresses me is the characterisation. The dialogue is well handled, these people speak in a way that is not only natural but adds a dimensionality to their personality as much by what is not said as what is. Your also have a gentle and considered way of putting us in this place, nothing showy or pretentious, but lines like the fireflies couldn't quite wait for sunset conveys much about the air temperature, the light levels and the scene generally. Accomplished and enjoyable writing, Stephen King once described a short story as a quick kiss in the dark from a stranger, I think that's what you've given us here, a surprising and pleasant experience that leaves us thinking about it long after it is over. Best wishes and good luck with these.

Andrew W
(Sanctuary's Loss)

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