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rank 431
word count 34246
date submitted 07.04.2010
date updated 21.10.2012
genres: Romance, Non-fiction, Biography, Co...
classification: moderate
incomplete

From Hugs to Kisses

Tom Bye

Stephen Bauer's journey into puberty is recounted to the air "Ring-a-Ring-a-Rosie, as the light declines, I remember Dublin city, in the rare oul times!"

 

The narrator, uses his native Irish colloquialisms and brogue to perform a retrospective on his youthful experiences. He portrays them colourfully through his protagonist Stephen. The dialect, the myths, the religion, the crazy quirks of real people is what make this a memorial to days gone by - and all seen through the trusting, innocent eyes of an emerging young man named Stephen Bauer.

The chapters are interlinked by Stephen looking toward his angel "Nimberely Nobody" to guide him through his encounters. His life revolves around his aunts, a matriarch, a mystic woman, the banshee, the devil, an abuser, a teacher , a trip to heaven, his fear of capture by Hitler and tortured (his dad being a Jew,) a twelve-year-old's heartbreak, and who to marry? This book is a sociological study of Dublin at that time, and is illuminated by the boy Stephen's unfettered innocence.



It is a delightful collection of interlinked stories.

A childhood reflection of bygone days - Dublin '40s

"It is very good, great dialogue,like a film script" - Jim Sheridan, Film Director.

--

 
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a post modern, a roman a clef, banshee, boy, boyhood, catholic priests, childhood, coming of age, dark, dublin, fantasy, germans, guardian angel, happ...

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PROLOGUE

 

My dear ones make yourselves comfortable and hear my story. My name is Stephen Bauer, and I will now tell my story, in my own voice, with my Dublin accent and modes of expression that may not be around for very long more.  So bear with me.  I promise you laughter and amusement, but most of all engagement with the truth of how it was for us not so very long ago. So switch off your phones and social networks and hear my tale about Dublin in the Rare Auld Times. Picture the following scene and stay with me to hear what followed.

 

The boy that my two Aunties had reared, my Dad, since he was seven years of age, and unnoticed by either of them, had  become a man. He was now to tell them, that his girl friend Christina, my Mammy,  was in the family way. It seems; Christina was going to have the baby by hook or by crook. To make matters worse, my Dad had to tell them, that Christina was a neighbour’s daughter, who lived in one of the blocks of flats at the back of the complex.

      The Aunts themselves walked around the corner, and on to the main road on the way to the church in Rathmines, rather than take the short cut up the side lane and out through the middle of those flats, as Auntie Kathleen was to be heard saying many a time-

    ‘The Corporation put the scum of the earth, all together back there, riff raff the whole lot of them.’

     They spent many a night, running backwards and forwards to Father O’ Connor, to talk about the impending scandal, which was to descend upon them: and asking his advice on how best to keep this a secret and away from the prying eyes, looking out from behind closed curtains. The good Father had suggested that Christina could be accommodated in a convent in the west of Ireland, and that he would take care of everything with the Mother Superior. He had done this sort of thing many times before and that not a soul was any the wiser.  He drove girls there himself, straight from the presbytery, and had blinds fitted to the back windows of his little Ford Prefect for that purpose. These blinds were kept down, until he escorted the mothers-to-be, through the convent gates. He was heard to say in his broad country accent-

    Shur-ra!tis no problem to me, I have been on this mission many times before.

He had told them, that Christina herself would work in the Magdalene Laundry, until the baby is born, and that if their nephew was not prepared to do the honourable thing and marry the girl, he’d see that she was kept on, and that it would be a home-from-home for her.

    ‘I know that this problem is scalding both of your hearts, and that both of you deserve it and might I add! I know that your nephew was not the instigator of this immoral deed; he’s a fine upstanding man. 

   He went on to say; that the benefits to the child, when it came along, were greater by far, than if it was to be born into a life of dirt and squalor. He told them that the nuns have a list of rich Americn couples, who were prepared to pay any price to adopt a child from a land of saints and scholars.

They’re very proud to be associated with the Irish over there; shur-ra, Boston is full of them. There’s the Ancient Order of Hibernians, and not to mention the numerous Irish Clubs and of course, the chief of the police, Patrick McGillicuddy; Surr-ra! He’s from me own neck of the woods in County Kerry, Scartaglen, it’s just outside Castleisland. I’ll leave you both now to ponder for awhile on the matter in hand; remember, God is merciful, and full of compassion.’

     He told them that this was a matter for their conscience, and if they weren’t happy with that idea and because they were both upstanding Catholics, he could make arrangements for a marriage to take place. But it would have to be at least three months before the baby was born, and to keep the whist of the scandalmongers quiet, they would have to be married in a church in the inner city.

     He had made it know in his sermons at mass on Sundays, how he was fed up to his teeth with the amount of shotgun weddings he had to contend with and didn’t want them in his church anymore. Annie had suggested that perhaps his mother, Molly should be told, but Kathleen wouldn’t hear of it. In her mind she felt that she had abandoned the child. He went on to say that because of the circumstances, the ceremony would have to take place on the side altar, with only the immediate family present and that Christina would have to wear a dark colour frock, because she was a virgin no longer.

    ‘They have both dirtied their bib you know; it’s shocking the carry on some of these young people get up to; there’s just no restraint, but then most of those families around there have twelve or thirteen kids, and there’s always one to let the side down.

     Saints and Scholars how are you! I tell you Father, there’s none of them around the back of this place, heathens and illiterates would be more like it,’ muttered Kathleen under her breath.

     To all accounts and purposes a great day was had by all; the ceremony itself in Saint Kevin’s church was over and done with in twenty minutes. They got the number twelve bus from outside the church door back to the Auntie’s flat where they had roast beef, cabbage and potatoes, with a glass of wine to celebrate the occasion. The happy couple walked down to the railway station in Ranelagh, to get the train to Bray, where they spent their honeymoon night in Saint Mary’s guest house on the seafront. When they came back Christina was pampered and waited on hand and foot as she counted down the days to the big maternal moment.

 

  

+***************+

 

 

Chapter 1 - BABY; the Crux of the Problem

 

 

Mammy told me the story about everything, from when I was a baby.  She said that the stork flew all the way down from the clouds, and dropped me in a basket into the bed beside her, so that she could give me loads of hugs an’ kisses.  This is what she said … 

     ‘I wanted you to be born in the ‘Liberties’.  That’s why I came to the The Coombe Hospital instead of the Rotunda in the middle of Dublin. I was so glad to have you. I wanted a boy to talk to, instead of a girl. Little girls grow up to be very cheeky; boys are quiet, and they don’t answer back as much. So God sent me my wish.

      I hardly had time to get to know you before Matron took you away from me. She sent you with the other new babies to be baptized. I was worried, because the church of Saint Nicholas of Myra is just down the road in Francis Street, but you were gone nearly a full day, before they put you back into my arms again. I was terrified, that some sort of an accident had happened to you in the horse and cart, God forbid,’ she said.

    Matron told her, that even though I was a bonny little boy, it was better to get things done her way, because there was always the danger that something might happen to me, and that I could end up in ‘Limbo’ for the rest of my life.

    ‘Where’s Limbo?’ I asked.

    ‘It’s up there in the clouds, with the fairies and the storks. It’s a baby’s nursery in the sky.

    ‘How did the stork know where to find you?’

    ‘That’s easy; you see the stork is under the guidance of heavenly intervention and Holy God has told him the name of the Mammy that the baby is for, and where to go. I’ll tell you more about that when you’re a big boy; you’ll understand about things better then.

    ‘Well then, how did he fly inta yer room in the hospital?’

    ‘He didn’t, I told you a fib. He left you on the grass outside the front door; your name was on a band around your wrist. When Bridie the nurse saw your name she brought you to me. She loved your dimple. She’s from around here, salt of the earth she is, and one of our own; you can trust people like that. Others might have passed you on to the nuns for a few bob; they sell babies for adoption to America.

    And she had more to tell; like when Daddy brought us home from the hospital on the back of his motor bike, and how we were lucky to be alive. She said that there were cows walking along Patrick Street on the way to the slaughter house, and one of them ran amok, and tried to jump up onto the bike as we were passing by. The noise and the smoke from the exhaust upset the poor thing, because when one runs wild the others take fright as well. If Daddy hadn’t swerved to avoid the poor beast, we could have been kicked by his hooves, and maybe trampled to death by the others.

    She told me that every time we went out on the bike after that, she held me tight in her arms, especially when she saw cows coming along, because she knew that the noise from Daddy’s banger would drive them mad as it did before.

    ‘It’s like waving a red flag to a bull, she said.

    ‘Please don’t wave the flag anymore when we’re on his banger, I said.

    She said that we had gone to live with me Daddy’s Aunties in Mount Pleasant Buildings. These were my Auntie Kathleen, and Auntie Annie. Mammy said we stayed there until they got tired of listening to me crying every night. She said how difficult it was, when four grown up people were getting in the way of each other all the time.  And how there wasn’t room to swing a cat in the scullery. She said the two aunts had to sit with their legs crossed before they went to bed every night, while they waited their turn to go to their own toilet. All because I had to have me warm bath and nappies changed.  She said I howled and screamed my head off when I was in the galvanized bathtub.

    ‘You were a handful.’

    ‘Was I hard to hold?’

    ‘No. You were a very cross little baby and the cause of many a row while we were staying with them.’

    She told me how Auntie Kathleen lived on her nerves, and said that I had caused her many a sleepless night, and how, each morning when she went to work in the laundry, she almost fell asleep standing up, she was so exhausted.

    Kathleen came home one night and told us that this couldn’t go on any longer, and that she would have to find somewhere else to live, or she wouldn’t be responsible for her actions. And then she told her sister, that’s your Auntie Annie, that she was feeling suicidal.  Sure your Poor Annie was mortified, and pleaded with her to calm down, and asked her to offer up a novena to Saint Anthony. 

    ‘If only for the Child’s sake, or God’s sake, just fight the good fight, for patience is a virtue,’ she told her.

    ‘What’s virtue? I asked.

    ‘Someone who can put on a bold face but has a heart of grace, they forgive and let bygones be bygones.

   I don’t like Auntie Kathleen’s face’, I said.

     Mammy said that they were lucky, that she herself didn’t have twins or triplets: ‘God only knows what Kathleen might have done if that was the case, she would lose the run of herself altogether.  There’s one thing for sure, we won’t be welcome up there again when I have my next baby.

     As I grew older and and sitting around the fire, she told me some more of the story. She said that things came to boiling point when Auntie Kathleen, who had been getting grumpier every day since the new baby came to the flat, failed to come home from work one night.  And more so, when a letter arrived in the post, to say that she would only come back, if and when,  my Mammy Christina, and me the baby Stephen, had found a home of our their own to live in. She said that Auntie Annie saw this as a sign, that the novena to Saint Anthony she had offered up, had now come to fruition. She told Mammy that although it was breaking her heart to say so, it would be better that we leave. She went out to the church on her own, on nine consecutive nights to offer up a novena to the Sacred Heart that we would be provided for in all our necessities. 

     On another dark night, Mammy told her sister Maggie and pal Fiona, more about how her earlier life had unfolded. They had come in from out of the lashing rain, as the breeze came whistling in behind them and drenched to the skin they were. I was ear-wig-in as I pretended to read my ‘Biggles’ library book. As they sat all cosy like, around the blazing fire that night. 

I heard her saying- ‘Listen! Only for for the grace of God, I could have spent my childhood in a convent……………..’

    There was dead silence when the story was over. When I looked up from me book, poor; Maggie was crying her heart out and Fiona had her arm around her shoulder.

     'How lucky you are to be here, Christina, you could still be there instead of here, and working your nails to the bones in their laundry, and for what? My God, them nuns have hearts of stone. It's an unnatural life they live’ Fiona said, as they got up to say nighty nightie, and went out.

        ‘Your Daddy searched for ages until he found us a room, that’s the one we’re in now;  Because there is only space for one bed, he thought it would be better for him, to stay on with his Aunties. Sure they doted on him!  Mammy said, as she walked to the window and looked out, with only a blank wall to look back at her.

     ‘Perhaps it’s better that the canal separates us; we live on the poor side, and they live on the rich side, even though it’s only a Corporation flat that they live in’ She said. 

    ‘Did Daddy not like me?’

    ‘Don’t be silly! Of course he did; it’s just that he likes a good night’s rest and he didn’t want you to come between us! He’s having a charmed life up there in his bed of roses and wanting for nothing’; I suppose he’s spoiled rotten and he doesn’t know it; it’s not his fault really. You are as you’re reared; leave it to him to find us a dump like this, but I suppose anything is better than living out on the Street,’ and then with a sigh.

      ‘If only he could have got us the room upstairs beside your Grand-dads, it would have brought a little ray of sunshine into our lives and here we are stuck with that blank wall outside the window; it’s a wonder we see any daylight at all.

     ‘I like it here, ’cos the people in the windas wave down to me when I’m out in the lane,’ I said.

    ‘They do, but we have no privacy; sure the whole world and its mother can see every move we make. That’s why I have to wait until it gets dark, before I can empty the slop bucket in the lav at the end of the lane.’

    ‘Who is tha’ woman who sits in the upstairs winda next door?  She doesn’t wave at me like the others do; she just keeps gawkin’ down at me through her specky four eyes?

    ‘Don’t be so rude; you heard your Auntie Kathleen making remarks about people like that, it’s not nice; you should thank Holy God that you don’t have to wear glasses.

    ‘I’m afraid of her, is she a witch?’

    ‘No! There’s no such thing, just don’t take any notice of her; sure poor Mrs. Staunton is as harmless as the day is long. She’s living on her own and she’s lonely, that’s why she sits in the window all the time.’

     Anyways, I liked all the things we had in the room, even if my Mammy didn’t like living in it. It was big as well. It took me six giant steps to get from one wall to the other.

    Me favourite thin’ in the room, was the Holy Mary picture tha’ was hangin’ on the wall, over the bed, ’cos no matter what corner of the room I was in, I could see her smilin’ at me. When I stood up on the chair to look inta the mirror over the fireplace, I could see her eyes lookin’ at me, an’ when I pulled out the two corner mirrors, I could see her three times at the same time.

     Mammy’s sister Maggie lived next door in a room alongside Fiona Cummiskey was. They both liked to drop in for the cuppa and have a chat with Mammy. The next time they came in, she brought them over to the china cabinet to show them all her favourite things. I held on to me Mammy’s skirt as she told the story-

    ‘They’re all my wedding presents. I got the silver teapot and the china cups from his side, and Grand-dad gave me the Toby jug. That’s where I hide the few bob I have. Oh! I nearly forgot, the two porcelain statues on top there, I got them from my own family. Just look at the delicate white faces, and the gold shoes, wouldn’t you think that they’re ready to go to the ball together and waltz the night away. Aren’t they nice?’ All the furniture we got in the pawnbrokers. That paraffin lamp on the table is a good one. It’s so bright I can read books with it, before I go to bed.’

    ‘I think you’ve done a lovely job with the room. We’re still living on the boards. My fellow drinks away the few bob, he gets on his army disability from the Brits,’ Mrs. Cummiskey said.

     << I didn’t really like the picture of Holy God hangin’ on the wall over the cabinet, ’cos he had a long face on him an’ he’s sort of sad lookin’, he never smiled at me the way Holy Mary did. His heart was in front of his body, with burnin’ flames all around it, other times when I looked up at him the flames weren’t as bright!.>> 

When I asked Mammy, how God could make things visible or invisible. She said-

      ‘You’re thinking about the Sacred Heart, that your aunties have on the wall up in their place; with the little red light that looks like a flame. Sure that’s an electric light. What you see is just a figment of your imagination love. What’s in that head of yours?’

 

      <<We were saying our prayers one night and had nearly finished the rosary, when suddenly there was a flash, and a bright light came in through the window. It covered me whole body from head to toe’, then a voice said:

    ‘Don’t be afraid; only you can see and hear me, I’m your special angel, my name is ‘Nimberley Nobody!’ an’ I live in the land of make believe’. Then there was another flash an’ the light went zoomin’ back out the window.  Appearinte me an’ only me, every time I asked for the light te come back; an ’tellin’ me I was a good boy an’ I would grow up to be a better one, if I gave me Mammy a helping hand around the room. Me first job was to start by killing all the flies and the other insects that crawled about.  I just nodded me head an’ said,        ‘Yes, Nimberley’. Tremblin’ an’ shakin’ with the frights I was>>

     The only other thing I didn’t like were those two statues on the china cabinet, ’cos when I threw a pillow at a fly on the wall, it hit one of the statues an’ broke his head off. When me Mammy came home from the cleanin’ job an’ saw the head on the floor, she went mad an’ took the cane off the nail on the door. She beat me on the back of me legs until I crawled under the bed to hide. I didn’t like lying under therecos the wires stickin out from under it made me face bleed, an’ the stuffin’ from the mattress got inta me eyes an’ made them sting, as well as tha,’ the cobwebs got stuck in me hair.

     ‘Can I come out again, please?’ I’d ask as I looked through the legs of the table at the fire as it blazed up the chimney.

     ‘You can if you promise not to be bold when I’m out at work the next time.’

     ‘Yes I promise, but please don’t beat me with the cane again, before I go to bed.’

     ‘Oh! Come on out and don’t be silly, I’ll give you a big hug and we’ll make it up.’

       Daddy smacked me with the cane as well when he came to see us.

      ‘What’s the matter with him? Stop that stupid stuttering and speak properly,’ he’d say, as he beat me on the back of my legs until they got real red. To escape from him, I’d run out the door and down the lane to hide in the lavatory, until he went home again. He only came down during the day time for awhile before he went home again to sleep in his Aunties.

    There was a photo of me in a picture on the mantelpiece, when I was a baby. Mammy told me, that I won the baby of the year award in the papers and that I won her five shillings.

It showed me sitting on a cushion on a table with me legs crossed. I don’t know how I didn’t fall off it, because there was nobody’s hand holdind me up. When Mammy showed it to Mrs.Cumminsky, she took it in her hands and with a smile said- 

    ‘Wasn’t he a little dote. Maybe it’s time for me, to forget about the safe period, I’ll give my own better-half the come on smile when I get back inside.’

    The lane was always full of horses, standing in a line and waiting to have their shoes mended by Mr. Stynes. He stood beside his furnace, banging them with his hammer until they were red hot, to straighten them out again.  Mr. Mulcahy, the horse doctor around the corner, gave these horses a bed in his yard if they were sick, until he made them better again.

    Our hall-door was always left open, it had no lock or bolt on it, and everyone else’s door was open as well, except the Johnston’s in the first house into the lane, because they were posh an’ didn’t want to know anyone else.

      I was in and out of our room, loads of times to play in the lane, but sometimes I had to run in again when O’Neill’s horse an’ cart came charging into the lane on the way to the stables in the yard.

    The black smoke twirled an’ swirled from the sausage making machine in the yard. It always seemed to find its way over the wall in front of our window, and making a pea-soup blanket of dirty grey fog in the lane. The smuts stuck hard to the washing, hanging on the clothes-lines, which ran from wall to wall down to the lav at the end.

      ‘I hope you haven’ put your dirty hands on the clean clothes, again, have you?’

      ‘I only ducked under them with me head to get into the hall quick,’cos O’Neill’s horse nearly killed me, and tha’ woman is starin down at me again’

      ‘Don’t be silly, I told you not to take any notice of her, but! If I find your hand marks on the clothes, I’ll ring your head through the mangle! 

                                                     

 

                                                   

+***************+

 

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Anthony Brady wrote 1101 days ago

FROM HUGS TO KISSES

Tom - Why this book in not with a publisher already baffles me. Obviously, I did not read the full 40 Chapters posted, but what I did read convinced me that your book contains all the ingredients of a potential commercial winner. Comparisons with Frank McCourt's - Angela's Ashes - a Memoir - and - T'is - will be unavoidable, but only among those not paying full attention; his books were set in Cork. Besides, although there is graphically illustrated poverty and deprivation in your book, it is saved from being bracketted among the "miserabilist" list within the genre. This is because you have woven so much antithesis throughout your story: grief/joy; sorrow/happiness; pain/relief; fecklessness/thrift; piety/sin, the sacred and the profane and so on. Your characters amuse, entertain, irritate, attract sympathy and are totally authentic. Their speech idioms do not in any way descend to "oirish" and are entirely true to character. Nowhere, do you authorially attack the Catholic Church - there is no need to - its abuse of individuals, its power, and its position and the crippling influences foisted upon its adherents is made manifest through the weaknesses and follies of their lives. Somehow you still retain against that Institution's malign controls, the redemptive healing force of Christian love. You, like Charles Dickens, by extension, bring grippingly to your fascinating page turner of a book, a most significant socio-documented life of Dubliners. Backed and re-Watchlisted.

Tony Brady. - SCENES FROM AN EXAMINED LIFE - Books 1,2 & 3.

Expert wrote 863 days ago

Hello Tom, I have just finished reading From Hugs to Kisses. I found this a well developed, well told story. Starting from your wonderful introductory Chapter 1, with it's clever prosaic structures and collloquial dialogues, I just had to continue on and on. Now I am just about to turn off my laptop with your beautiful closing lyrics in the last chapter humming through my brain, so before I do so, I just want to submit this comment. I loved the sense of 'PLACE' that you gave the boy Stephen. This contrasts so much with our mobile property dealing families of recent Celtic Tiger years. Your introduction of the superior dimensions with 'Nimberely Nobody,' who lives in the land of make belief, was an uplifting construct, that made me stop and reflect on the exigencies of life for the boy Stephen and his need for understanding. It is a story that in my opinion fulfils the very promise of fiction. It awakens curiosity about the humanity around us, speaking truth, as the lessons of Irish history echo down the years. Its themes are universal: familial relatonships, particularly mother and son; the price of poverty; the inhumanity of a rigid class system; and the horrific realities of even the threat of war. Tom reveals the story with humour. For example isn't this great ......<< She was a little better this time'cos as well as getting kisses, she let me pull her suspenders for a minute and play with the funny button. I had to push up the elastic in her knickers to get me finger on it; every few minutes she moved me hand away and said: 'Your pullin' them too hard, I just hope I haven't a ladder in me nylons, 'cos if I have, you'll have to pay for a new pair>>

This depiction of the sweet simplicity of youthful adventures seem light years away from the Dublin of today. This book is a sociological study of Dublin at that time, and is illuminated by the boy Stephen's unfettered innocence. It is written by a narrator of the same social class. He uses the same colloquialisms and dialogue voice as the boy Stephen. This to me, lends authenticity to the novel. I felt I was sitting by the fire, hearing the story from a bard of former times, or from a beloved old grandfather, stretched out in his armchair, wanting to pass on his story to me.

Chapter 39 gives a very good description of the plight of an innocent boy confronted by an ineffective police force, and malicious adults. Tom throws light on this predicament, while making it a humourous and entertaining read. This chapter could prove to be an ideal education and enlightenment for young boys of every nationality and era.
May I add that some chapters still need a lot of grammatical and syntactical editing. However, the substance and creative imagination is all there. From Hugs to Kisses should definitely bring rewards to publishers, agents etc. However, for sheer story telling and imagination I will give this book 6 stars.

Cherry G. wrote 969 days ago

Hugs and Kisses.
Stephen is a colourful, lively character who feels very real. I can see him asking his "Mammy" questions and playing with the cats, sitting in his bed squashing the fleas and watching the girls play their skipping game.. Entertaining and with many other colourful characters who bring the era to life again, these short stories also reveal the poverty and hard living conditions people endured at the time. There's mice, rats, fleas and thread worm sharing Stephen's bedroom and the furnture is from the pawn broker. Horses are still used in the street and religion and the influence of the church is never far away.
But many things feel familar to me as well. Sparks flying from the fireplace, bullseye sweets in a bag and the turn of phrases used. Some of the word and phrases remind me of elderly people I knew as a child . It was England, not Dublin, but many of the expressions were the same."Eg "blessings in disguise." I had no problem at all understanding the dialect in the dialogue and it seemed to fit in well with the characters..
The conversation between the aunties and the Father was amusing at one level because of the dialogue (very convincing) but behind it there was the tragedy of the unmarried mothers taken in secret to the convent and working in the laundry . And then if the father of the child won't marry the girl, remaining in the convent with the child. The mother appears to have no say in this at all. The main aim is to save the aunties from embarrassment.. The comment by the Father that the man is not to blame jarred with my modern (ish) ears!
I liked the story of Stephen going to pay the rent. First how his mother avoided Mrs Hickey on the Friday and then when Stephen had to deliver the envelope. It was intriguing to see his reaction to the bigger houses and later to the electric light, but the interaction between Stephen and Mrs Hickey was also fascinating. It really was as if they were from "different breeds" because the awkwardness and misunderstanding meant they could barely understand each other. But I sensed that although Stephen was nervous and thought her a witch, and Mrs Hickey was cautious (especially after he sneezed in her face) she did try to be kind to him in her way..she patted his head (that hurt him) and gave him sherbert fizzes!
You've captured an age which has passed and it's good that you have written it down for us al to see, especially as you haven't tried to clean it up ....the outside lavs and the bathtubs by the fire are included!
Just some puctuation nits I noticed:
You tend to miss out or misplace punctuation in your dialogue. Eg in Chapter 1: move full stop before quotation marks where the dialogue finishes with "America."
Put full stop after "banger."
Put comma before quotation mark after "handful,"
Question mark before quotation mark in "Was I hard to hold?"
Fullstop before quotation mark in "..stayin' with them."
Chapter 2; Just a few nits: "sisters doll " apostrophe so "sister's doll"
When in bath tub "look there ridin' by on the floor..." "there" should be "they're"
Hope this helps a bit.
Entertaining and I loved Stephen, but it's also an important record of life in Dublin in the 20th century. BACKED
Cherry G.
The Girl from Ithaca

Sly80 wrote 1083 days ago

The account of them going home on the father's motorbike is typical of the humour in this charming and nostalgic story. The dialect and the mannerism are a delight, 'scalding both of your hearts, 'sure he's from me own neck of the woods', 'gawkin' down at me through her specky four eyes'. It's a typical Irish life back when times were hard and attitudes simpler ... then Nimberly Nobody pops up, and we're in a world of Stephen's making, a boy whose best friends are cats. I had to laugh at his question about butterflies. Gee, and now he's talking to the flies. The trouble is, even the flies make a lot more sense than most people.

The religiosity, the social mores, the poverty and morality, the gossip and make-do bring alive a time and place in history that is unique and memorable. Add to this the fanciful imagination of a young lad with little else to amuse him, and the humour and fantasy take this to a whole new level. Lovely writing too ... backed.

Possible nits: 'bigger then [than] life'. 'he doesn't no [know] it'. It's better not to have large chunks of italics if possible, as they are harder to read, though I can see the necessity at times such as the cat talk. Another method might be to indicate a change of scene / speaker via a blank line with some sort of marker on it, e.g. ***.

InquireTheOrigin wrote 110 days ago

I love non-fiction. This really does entail so much about how real life really is and what reality can do to alter who you are. Also, the comedy is a great plus as well. Evening out the romance and biography, the humor does add on to this lovely novel. I just finished your book and might I add, it took me a little while to really look over the pages, but I found nothing but love and another one to add to my favorite. Your way of writing is very controlled and your voice is well spoken. Definitely high stars!

With Love & Best Of Wishes
A.D. Reid

Seringapatam wrote 134 days ago

Tom, this is really amasing. It had me caught hooked line and sinker right from the word go..You have such a natural flow that melts between the lines of each and every paragraph and suits this book so well. The characters you describe but without describing them if that makes sense is a magnificent skill and once we know all about them you then use them to raise and lower the pace of the book whenever needed. I loved this. So well done. I score this six stars.
Sean Connolly. British Army on the Rampage. (B.A.O.R) Please consider me for a read or watch list wont you??? Many thanks. Sean

LCF Quartet wrote 134 days ago

Hi Tom,
I got back to your book, hoping that you've uploaded some more chapters, and I'm glad to see that you did.

I've continued my read from Chapter 8 to 12, and I can easily say that you are a master of dialogue. I loved the way you moved the plot with some well-thought-out, clever conversation between your characters.

I'd suggest you to delete the << equations and use the regular ' quotation instead, as they may be confusing. This is the only critic I can give, as I haven't noticed any other issues with grammar, syntax or punctuation.

By the way, 'my mother married a black" was a very creative piece, and your characters rock!

6 stars remain and still in my Watch List for further comments. Will you upload the rest of your book soon?

Best wishes,
Lucette- Ten Deep Footprints

DDickson wrote 159 days ago

I think that your pitches need work. The short pitch didn’t make total sense referring as it did to an air that we couldn’t hear. The long pitch seemed a little cold. It’s a sweet story with a real human side to it, there are quite a number of threads on the forum where people will pull your pitches to bits and then offer great help on how to rebuild them. Why not give it a go.

Of course this did put me in mind of Angela’s Ashes and I enjoyed the glimpses of life in Ireland. The small reference to the Magdalene Laundries chilled me to the bone and I wonder if there was any opportunity there to go deeper into that great injustice in some way.

The characters are endearing and well-illustrated and the dialogue is lovely. I think you handle the brogue very well, the rhythm was great and it wasn’t overdone and therefore still easy to read. Yes all in all a sweet story of times past which I think always have a niche in the market. I can’t say much more which will add meaningfully to what has already been said and so I will wish you good luck with this and shower it with some stars.

LCF Quartet wrote 173 days ago

Hi Tom,
I had your book in my Watch List for a while, and thought it would be a perfect read before the New Year. I just finished reading the first 8 chapter in one sitting. Your writing style is very original, and I loved your sense of humor which is injected in between the lines, and, all throughout the pages. Kudos!

Your descriptions grabbed my attention immediately, and the dialogue parts kept me reading. In my opinion, Hugs and Kisses is a well-written, delicious piece of work with a lot of food for thought.

Highly starred,
Lucette- Ten Deep Footprints

*I'd like to invite you to read a portion of my book as well. I'm not sure if it's one of your favorite genres for a read, but I'm sure it's for everyone. I'll be on the lookout for your feedback:)) and thanks in advance.

evermoore wrote 191 days ago

Tom...what a charming body of work. I loved the feel of it. The way you fleshed out your characters and made me smile as you did so. I bet you're a lot of fun to know, for you'd be a great storyteller, to be sure. I'm tickled to add six stars and hope they get you to the desk reaaaaaaaaaal soon!
Linda
Daniel Simmons Journey
and
Children Walking with Jesus

Andrea Taylor wrote 192 days ago

Gosh, this is lovely! The Irish voice is so clear and authentic, as are the descriptions and the people. What more can I say other than why on earth isnt this book already out on sale?
Andrea
The de Amerley Affair

Patty Apostolides wrote 197 days ago

Review From Hugs to Kisses -

I read the first four chapters of this lovely, charming story. It was written from the viewpoint of a young boy and his imaginative world, with many questions, simple explanations, and heart-warming actions. His mother was a good person, from her actions, but his father's character was questionable and I could not warm up to him.

Overall, an enchanting story. I did not see much in the way of changing anything.

Just one error that stood out:
Ch. 1 -
"Only for for the grace of God." Remove the extra "for"

Highly rated and on my WL to finish off later!

Best,
Patty
The Greek Maiden and the English Lord

Deebie wrote 200 days ago

Recommended to me by Bea Sinclair, high stars and backed with pleasure.
Deebie

Celine Zabel wrote 205 days ago

Loved it. Telling history through the eyes of a young boy, is great. Loved the dialogue. Loved the "native Irish" tongue. Enthralled with the family who helped shape Stephen's world. Fantastic.

Celine Zabel
Lives Shattered: One Mother's Loss at the Hands of the Legal System

Kate Buchanan wrote 238 days ago

Hi Tom, Greetings from Canada! I've backed your book Hugs to Kisses. Firstly, it's an Irish story and that always catches my attention. Secondly, I read chapter one tonight and can't wait to read on. I love it when people write in their native dialogue and local expressions. That always brings the story to life. - Kate Buchanan (born in Scotland)

Mrs G wrote 239 days ago

Love any read about Ireland...wil enjoy starting on this...my own story features County Mayo and of course Dublin.. take a look at it if you get chance...good luck
MrsG
The Grafter

Abby Vandiver wrote 258 days ago

A story telling of stories. Smart concept. The writing was good, and I didn't have a hard time with the dialect. I found it enjoyable and would read more.

Good job.

Abby

patio wrote 272 days ago

I read to chapter four but had to stop. It was too painful to continue. ...

I know what its like not to be hugged or kissed by your parents. Chapter 4 hit nerves but thanks for sharing this story

high stars

Natalie1 wrote 288 days ago

A delightful narrative, Tom, which gives depth to the main character Stephen. I enjoyed the Irish voice you gave to the text and the inevitable exaggerated drama which peppers all Irish conversation/explanations - spot on with that! I thought perhaps Chapter 1 was a little long? I felt this would work wonderfully well as a concise book revealing Stephen's story with sharper and shorter bursts of action throughout to move the pace along a little - but that is just my opinion. I love this book, probably because I am very familiar with the Irishness of its content! High stars and a backing as soon as I have space! Well done and very best wishes to you! Natalie (The Diary of John Crow)

gingerknucklehairs wrote 290 days ago

This is a charming and very funny story full of childhood nostalgia and snippets of history. There is an underlying sadness that does not distract you from Stephens imaginative mind.
Hi again Tom.
Listening to flies and cat's speaking to him, the author has got right inside of a child's head. Well done.
The cutting remarks from Stephens father made me recoil. Stephen bounces back. It is clear he doesn't like his father, but he doesn't seem to be to unsettled by it. As long as he stays away.
The story will probably take a turn for the worst for Stephen. I hope it doesn't. He's a great little character.
Highly starred. I spotted no typos or anything to speak of.
Jesamine.
'Northampton, Lime and Time Alone.'

Maevesleibhin wrote 298 days ago

This is lovely.

Kerrie Price wrote 375 days ago

Hi Tom,
I enjoyed reading some chapters of your book, especially chapter 10, though I won't be buying any of Mr Moody's sausages! You have a unique style of writing, as I'm sure you realize. Coming from Australia, the lifestyle you portray is so alien to me. However, it's most interesting and enjoyable to read about a whole different lifestyle. I'm not sure how big your audience would be, but I am giving you five stars, as you certainly deserve them.

Kerrie Price
THE GOD PLEASERS 40 day Study Guide

fictionguy wrote 376 days ago

The first thing I look for in a book is the prose, how creative is the narrative and then I go to the dialogue and finally the heart of the story you are telling. You got As on everything. I can see you have been writing a while. I am giving Hugs to Kisses five stars.

Salwa Samra wrote 379 days ago

Tom, what an enchanting book thus far. I've read up to Chapter 6, and I absolutely loved that you've written this book from a young lad's perceptive. I also thoroughly enjoy reading the aspects of the Irish culture, what a beauty that you've shared in expressing the view of Ireland and its people through the eyes of a young boy. Im hoping to read on, however, time hasn't been too kind to me, therefore, I wanted to send you a message and let you know that From Hugs to Kisses is surely a book worth reading. Salwa :)

Wanttobeawriter wrote 381 days ago

HUGS & KISSES
What a fun read. I read the first chapter, then skipped and read the one about the wicked Salvation Army and then the one about Veronica. It took me a bit to get used to the accent in the dialogue, but after I mastered that, this is just pure fun to read. I love the innocence of your characters: the idea being Catholic is the epitome of living . . . the thrill of young love . . . it’s all good . . . an inside look at coming of age in Dublin. I think you’ll find a wide audience for this among readers who’s had the same experiences as well as those like myself who enjoy Irish stories (my great grandmother came from Dublin and I remember her talking about the Portobello bridge). Highly starred and added to my shelf. Wanttobeawriter: Who Killed the President?

Shelby Z. wrote 382 days ago

Creative and unique for sure.
Well written and fun title idea.
Grand work.

Shelby Z./Driving Winds

P.S. Please take a look at my pirate adventure Driving Winds.

Debbie R wrote 389 days ago

Read from chap 11 as you suggested, although have not got to the end.

This story has a great sense of place and time and I love the way it is told through the eyes of Stephen. It flows well and has a good pace. Your dialogue is wonderful and your characters are fully rounded.

As well as a wonderful story, I am learning a lot I never knew about the war in Dublin. Some fascinating insights.

I can understand why this book is doing so well - hope it carries on doing so.

Am starring it highly.

Debbie

daveocelot wrote 392 days ago

Hello Tom,

Returning your read. I looked at Chapters 36 and 38, as you advised. I enjoyed what I read. I'd say 38 was my favorite - those first, sticky emissions of love/lust, but 36 prefaced it well. I liked that I was able to drop into the book at random chapters and not have to worry about what I'd missed - both chapters felt like fully formed vignettes in their own right.

I thought I saw a couple of typos, but was never entirely sure if they were just uses of vernacular, i.e.: "hunches"/haunches? or "scapered"/scarpered?

It's very evocative throughout, in the imagery (the cats lying on the bread in the baker's window was my favorite) but especially in the dialogue which has the whiff of authenticity about it. My only negative would be that some of it could be pared back a little - the banter between the lads, amusing as it was, sometimes derailed driving the chapters events forward. But that's nothing that couldn't be rectified with a bit of an edit - maybe an outside party would be better in this instance, as I sense this is obviously a project of great personal significance to you.

Other than that, a pleasurable read. Good luck with it, Tom.

Dave

Patricia Laster wrote 406 days ago

Brilliant, beautiful imagery and dialogue - I love the dublin dialect. As a writer, you are very, very skilled at pulling the reader into each scene through your descriptions and use of local linguistics. A warm, triumphant story of a little boy's hard life with a complicated monther/son relationship, extreme poverty (very vivid imagery of rats, fleas, bugs, and a kitty cat). Stephen is such a well drawn, fully believable character - adventurous, questioning, spiritual, and extremely resilient in his growing-up years. The violin instructor is a nasty character even though I wasn't able to understand all that she said, I found myself wanted to vanish her from ever teaching another child. This is an excellent book and I truly wish it the best in the world of publication. Blessings, Pat

Brigitte_2 wrote 407 days ago

Hi Tom, I have read chapter one and twelve as you asked me to do. As I am ignorant of all things Dublin and Irish in general other than loving McCourts' Angela's Ashes, tis and Teacher Man, chapter 12 took some getting used to for me, but once I got into it, I admired your skill of writing dialogue which drew me into the conversations flying around.
Chapter 1 was more familiar with the stork bringing babies. I believed that for a while and still look with nostalgia at chimneys covered with stork nests.
Your storytelling gift highlights my lack of it. Must read more especially the mystical references to angels and Banshees (?) what are they? Back soon and four stars until I have read more. You are on my watch list.
Brigitte
You will dance again!

patio wrote 408 days ago

"Come on pussy pussy". If one were to say that in public others may think they're vulgar but pussy is a name which attaches to cats.

Anyway, the point of mentioning the above is that your book has plenty of punches to grip and hook readers.

Sharda D wrote 416 days ago

Hi Tom,
returning your read of Mr Unusually's Circus of Dreams. Thanks so much for that.
I read chp 30 as you suggested. I loved it. Your ear for dialogue is phenomenal, I only wish mine came anywhere near it!
When reviewing at Authonomy I seem to leap from non-fiction to Fantasy to Crime to YA and back again, like some crazed time & space traveller. Sometimes I am disturbed, sometimes I am impressed, but sometimes I find places I love. I think the difference is that good writing tends to come from an honest, thoughtful place, a place with heart and soul. I think your writing has just that. It also makes me feel connected to place and people in a way which is all too rare in this strange world of ours. Your writing has all these indefinable characteristics that make talking about it in forensic detail mildly ridiculous. It is beyond 'POVs' and 'narrative style'. It's just wonderful.
6 stars from me and a spin on my shelf in the future.
All the best,
Sharda.

irelandsmemories wrote 417 days ago

Hello Tom, Where do I begin??

I grew up in Ireland so I definitely understand the local dublin wit and dialect. The characters are mirror images of families from all over Ireland. The religious aunts, the bias school-teachers, the teenage boys innocent, dating habits (french letters in the News of the World) just hilarious, the complicated mother/son relationship and finally Stephen himself, an innocent, spirtual, curious and adventurous boy...

Your own spirit and passion is jumping off the page, pure authentic, pure soul, humorous and a pleasure to read...

I can see your published book stacked on the center table in Eason's bookstore and I will definitely pick it up.

Thanks for sharing Stephen's life and dreams with us.
FC

Famlavan wrote 425 days ago

The last time I read this I was on a race to the desk and did not have time to do it real justice - Now I have time to revisit and re-engage. Tom this is a brilliant story, brilliantly told - Gladly re-back this if it will help and I rate it fully, it's impressive - Ian

Adeel wrote 426 days ago

A nice, descriptive and well written book. Your writing style is very impressive, dialogue are realistic with vivid charachters and narrative is at great pace. Highly rated.

Ellen Michelle wrote 427 days ago

Ive just read the first page of your book and i like it, i have to read more so i will be doing later, and what i have read its written great.
Ellen Michelle :)
'A Model's Summer'

Lesley Bonney wrote 428 days ago

Just popped over for a read. I've been to Ireland a couple of times and love it. The idea for the book is different to anything else I have encountered and I love the opening - made me soooo smile and the further explaination. I'm not surprised it's been taken on. Lots of luck for the future.

Greenleaf wrote 434 days ago

This is great storytelling. I've read the first two chapters so far. I love that it's autobiographical (even if the character is only modeled after the writer). It feels genuine and colorful. I love the colloquiolisms. I don't always know what some of them mean, but that's part of the charm. Great details, too. I could visualize the setting and scene as if I was watching a movie. The insects and worms and cats eating rats was unpleasant but added tension and context--great way to show instead of tell. Now I can appreciate all that Stephen lived through as a boy growing up in Ireland.

I'll be back to read more after I get caught up on my other reading. Highly starred.

Susan/Greenleaf (Chameleon)

Nick Goulding wrote 434 days ago

'From Hugs to Kisses'
I love the voice of this wonderful autobiographical style novel. The natural narration reminds me of taped life stories, told warts and all, with dialect and quirkiness. I was taken straight into each scene, feeling like I was sitting with the family. The innocence and confusion of childhood set against the hidden knowledge of adults was so well brought out. I was impressed with the way dialogue and action from the outset break up the sections of 'information' - more showing than telling.
I enjoyed the details, like the catching of fleas (took me back to my own childhood with cats). This book is important in capturing a way of life long since lost, for good or ill. I would hope it reaches a broad market when published, as I expect it to be.
A favourite book here.

Nick
'Where She Lies'

katemb wrote 435 days ago

Original, witty and true - that's what springs to mind! You have an ear for language and a clear gift for painting characters. All books should have maiden aunts in them.
Loved this!
Kate
The Licenser

Rose Tulip wrote 443 days ago

I'm Irish so reading this is very interesting. I wasn't born durning the troubles but my mother lived close to the boarder so your story reminds me a lot of the tales she used to tell me.

Pollyanna Pilsbury wrote 444 days ago

A wonderfully written book.
Great humorous tales throughout.
Also a grim sadness of the times.
I'm loving the read, I haven't finished it yet.
I did notice that in chapter nine it says 'promiseing', even though it's in dialogue, I don't think you meant to spell it that way. One tiny flaw, not bad at all. Ready for publishing I'd say.
Pollyanna.

Elizabeth Buhmann wrote 445 days ago

What a charming book this is! The different voices are very well developed -- the innocent, inquiring voice of the boy Stephen and the storyteller Christine. I often was amused at Mammy's droll ways of satisfying the boy's curiosity about things he was not old enough to understand. To us, Christine's stories reveal a whole world of complex adult issues that Stephen unconsciously relays to us, about Christine bearing the burden of the unsanctified pregnancy, of the father staying with his aunts so the baby won't keep him up at night... There is a good sense of nostalgia for the times, but a clear and honest treatment of the meanness of those days, too. Very well done!

Adeel wrote 446 days ago

A very committed book. On my WL and will love to read and comment.

rikasworld wrote 447 days ago

I read chapter 14 as you suggested ( was that because I come over as an authority on strange old ladies?) Anyway it's brilliant and should definitely be published. The voice is so skilfully done; the child's half understanding of all the stories and superstitions as well as the complications of adult motives. The poverty comes over but also the richness of the culture, the tales and ideas. Your language is so full of echoes, 'bewitched, bothered and bewildered'. Also you create pictures very economically; poor Mrts Staunton the traditional mad old woman probably a witch everyone thinks, not that old but not wearing well. I know just what you mean. The sense of menace the child feels when he goes into her room. He's just nosy but pretending she is making him come to her with a spell. Or is he only half pretending? I love the way her shadow is on the ceiling and wall at the same time. Scary, as is the ghost and crystal bowl. I'm glad nothing violent happens to her when she makes trouble. Love the irony at the end. The kid has been imagining doing dreadful things to the old lady and Joan comments on him being as good as gold. Will definitely back when I can and six stars from me.

J.S.Watts wrote 451 days ago

A detailed walk through the country of memory. A series of rememberances with considerable charm and obviously well loved characters. I have read this previously, but came back for a second helping.

I particularly liked the colloquialism of chapter two - somehow the writing seemed more free and comfortable than the prose of chapter one. I did notice a number of superfluous "that" s in chapter one. You might want to do an edit for them to see if it loosens up the text any.

Good luck with this.

J.S.Watts
Witchlight

gajs78 wrote 457 days ago

Tom,

After your kind comments on The Life and Times of Granny Bumba, I finally got the chance to read from 'hugs to kisses' today.
After reading this I am mortified by my paltry effort and immensely grateful for your kind comments.
Why this book is lounging on the shelves of authonomy is beyond me. It has everything, laughs, tears and plenty of of goings ons or should I say shennagans!
You're clearly highly talented and should be published. I honestly cannot believe this book is not in print.
It is up there with Angela's Ashes and from the number of shelves it has gained here alone, it proves it would have a huge market.I have awarded it a glowing 6 stars and wish you all the best here. I also wish you all the best for the near future when this becomes the best seller it is destined to be!

Thanks so much for taking the time to read mine, as a newbie I really appreciate it. It was a humbling read for me and showed me that I have a long way to go.

A huge well done
pps I want a signed copy lol

Big Daddy wrote 458 days ago

An authentic slice of life as experienced by the working folks of Dublin in the 40's. Dripping with character and detail, dialogue that is effortlessly natural: a remarkable achievement.

Ruth2904 wrote 462 days ago

Tom,
Found From Hugs to Kisses thoroughly entertaining, even though I've only read the first chapter. Will certainly be backing it as I don't want this book to escape my clutches. You deserve the ratings and backing now before I read the rest. Well done.

Ruth2904
To Dream Again

Christine May wrote 463 days ago

There is humor in the tragic story, you have a great knack for story telling, look forward to reading more.
Christine

Oriax wrote 473 days ago

The Ancient Order of Hibernians! I haven’t heard that mentioned for years. My Granddad Brennan was a member, and when my parents were burgled his medals were stolen and my mother was heartbroken. “Your Granddad’s medals went!” I can still here her voice breaking on the phone.
My Great Grandma’s memories went back to Easter 1916 and the tram being stopped when it got caught in crossfire. The driver jumped ship and my Great Grandma had them all kneeling down on the floor of the tram saying the rosary until they got the all clear. Great Granddad was stopped him on the way home the same evening and pretended to be hiding something inside his coat. The soldier shoved a rifle at him and asked him what it was. Great Granddad tells him it’s five pounds of gelignite and gets himself locked up for the night for cheeking a member of the armed forces.

Lovely work Tom, brings tears to the eyes. Thanks for the great read.
Jane

schild wrote 473 days ago

Tom,
I've read the first 5 chapters. The narrative is a finished product. The editing is meticulous. As an American, you've given me an insight into Irish culture and idiom. Your stories are an immense help for my characterization of Father O'Malley in The Next John Elway. I'll move you to my shelf soon.
All the best,
David Schild

Danehagen wrote 473 days ago

Tom, I felt so sorry for little Stephen when he was in school. You touched on an all-too-often true issue of abuse and how it affects a child. Of course Stephen had to have a make-believe friend! You have presented an terrible reality of life in a very real way. Good luck and many blessings to you. Elsie

JKass wrote 475 days ago

Wow this is worlds away from the Dublin of today in the news. Its good to see a once prosperous city in its original form rather then the strife and recession of today. It reminds me a lot of the city i grew up in, and its rather heartbreaking, though I know that is not the tone of the story.
Funny at times, adventurous for those not from the area, and it reads like a film. I don't know how it hasn't been published yet!