Book Jacket

 

rank 604
word count 101747
date submitted 23.01.2011
date updated 22.12.2012
genres: Fiction, Literary Fiction, Romance,...
classification: moderate
complete

THE MINE

A. J. BAVIN

The only time Steiger ever held a black man by the arm was when he needed to inflict discipline on him.

 

South Africa, 1985. Apartheid is rife - and so is the resistance to it. Against this background a black man and a white man find themselves trapped underground, the sole survivors of a mining disaster. The black has been blinded by the explosion and the white man is badly injured. Segregation or not, only if they can work together can they get out - but do they?

Just say that one escapes. What are the reactions of that survivor to the young daughter of the other - particularly when Apartheid segregates black from white?

Although this story starts with a mining catastrophe, it is of a greater catastrophe that I write: Apartheid - which was a disaster for both blacks and whites alike. Fiction it may be - but it is fiction woven around the framework of cruelty and oppression inflicted by white on black in an attempt to keep a strangle hold on a 'beloved country' that wasn't theirs to hold in the first place.

 
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afrikaans, afrikaners, apartheid, black, boers, civil disobedience, colour, colourbar, disaster, explosion, guerilla warfare, guerillas, mining, oppre...

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In Chamber 32, Kingsley Longfellow told himself that there was just one chance of escape – although for a man without sight it was a remote one. 

Deciding he was ready to reconnoitre, he started to crawl. Blind, crawling seemed safer than trying to grope around on his feet; and, feeling his way, sometimes he touched, sometimes he bumped head-on into the peripheral walls of the chamber – and sometimes he started, drawing back when he realised that the object he had come into contact with was a body.  Then, kneeling, he would try to straighten the poor fellow out, saying a short prayer for his soul before crawling on.

Bumping into his truck he slapped the palm of his hand on it in gratitude. It had saved him; and now, like the needle of a compass, it was telling him the direction he should steer for the tunnel that led to the lifts. 

Reaching the tunnel, at first he turned right, heading towards the lifts; but before he crawled very far he found his progress was obstructed by a solid wall of fallen rock. Even when he got to his feet and reached up, it stood taller than his reach. He knew his fears had been right: the fall had been close – too big and too close for comfort.

He turned round and crawled back. Crawling past Chamber 32 again, painstakingly he covered half mile or so until something told him that he had reached Chamber 33.

** 

In that chamber fine brown dust, like smoke, swirled in the opaque fog now enveloping Steiger. It settled on him and made him choke; and he wondered if it was would help his wound to coagulate or whether it would make it suppurate.

With the sound of the second explosion he was beginning to realise that now it was possible there was no way out. Such equipment as the company had could deal with clearing only the smallest obstructions: Certainly nothing on the scale of the crescendo stuff he had heard cascading down. If they couldn’t dig down to him there was a good chance that he was going to die down here.

But had he seen something move across the chamber – or was the blood he had lost making him hallucinate? 

He had been playing the beam of his lantern around, trying to pick out those objects that were bodies and those that were lumps of rock, when for a second he thought he had glimpsed some movement near the entrance. Then whatever it was he though he had seen vanished. Could it actually have been another person?

He tried to direct the lantern beam back, peering into the darkness. Yes, there is was! Faintly, at the extent of the beam he could see a man crawling; and the man, whoever he was, looked to be feeling his way, groping, finding his way by touch and not by sight…

He called, “Is anyone there?”

The figure halted; and, in the beam, he saw that he was looking at a black feller. A huge feeling of relief surged through him that he made no attempt to suppress. Whether the man was black or white, at least he was no longer alone.

“Where did you come from, Feller?”

The man raised his head, looking around as if trying to identify from where this voice had come.

“I’m over here!” Steiger called eagerly; and in the light from his lantern he saw the man looking right at him. He raised a hand, waving it about. “Here!” he said, “Over here! I’m waving at you. Can’t you see me, you stupid fucker?”

Shaking his head the man said: “Baas, I hear you good, but I can’t see you because I can’t see anything right now.”

The significance was lost on Steiger who still wondered why the man didn’t put his lamp on.

“Try turning your light on,” he said, trying to be helpful. He saw the light coming on, the beam sweeping the chamber. At one stage it was pointing directly at him before it moved on. Then the man’s words sank in: Hadn’t he told Steiger that he was blind?

You had your lamp directly on me, Kaffir. Are you telling me you couldn’t see me?” he asked.

“I can see blackness only, Baas.”

The man must have been blinded by the explosion. His first feelings were of pity: Black or not, he couldn’t think of anything more awful than to have suddenly been blinded. Then, remembering the predicament they were in, he asked himself if it mattered: If you were going to die, did it make a difference if you did it sighted or blind? Come to that, did it matter if you died with one leg or two?

He shouted across the chamber, “Just as well that we’re not going anywhere in a hurry, Man. Okay, you’re blind; but if you could see you would see that I’m missing half a leg. We make a fine pair!

Saying that, he began to laugh, wondering whether his nerves weren’t getting the better of him. “Pull yourself together,” he tried to tell himself.

But the man was sitting up on his haunches. He canted his head, listening.

Where are you, Baas?” he asked. I just heard you laugh but I don’t see you 

“Will you laugh again, Baas? I’ll listen and see if I can get closer to where you are… That is if you don’t mind my coming closer.”

Steiger didn’t come close to blacks, except to smack them one – not if he could help it. But now he found himself asking if it mattered? Wherever, he told himself, they were going, as sure as hell they were going together. He could hear more tunnels caving in somewhere in the distance; and he had to wait until their rumbles faded away before he could reply:

“I’m over here, Kaffir. And, yes, please come as close as you bladdy like but while we’re about it, for God’s sake please stop calling me ‘Baas’! Whoever is the boss and whoever isn’t the boss is going to be pretty irrelevant before much longer.”

Perhaps, blind or not, the man knew what a mess they were in. He didn’t seem to be awed of Steiger, but at least he was being properly respectful. Yesterday, he thought, he would have said that the only good black was a dead black – but if a black couldn’t be dead then he had to mind his manners and be subservient. Now the thought made him feel uncomfortable, knowing that this black and he were in the same pickle together – and it was he knew one hell of a pickle that they were in, too.

“Sorry, Man,” he said, “but I can’t think of much to laugh about right now.”

Hearing him, the man started to crawl again; but now he was heading off course. Steiger told him: “To your right, Boy, turn a bit further right.” He saw him change direction, crawling, drawing closer; and as he came into reach Steiger leaned out and grabbed him by the arm.

The only time he ever held a black man by the arm was when, on duty, he needed to inflict discipline on him or, when off duty and in a brawl, he felt a compelling urge to break the fucking thing – yet he found feeling the black arm strangely reassuring. “Here,” he said, dragging the man up alongside him and setting him back against the side of the chamber. “You’ve arrived, Black Feller – and all I can say is that I’m glad to see you.”

In the light from his lantern, Steiger saw he was looking at a big man. Had he squared up to him in the ring, they would probably have stood eyeball to eyeball.  But he could see that unlike himself, this black man was in great physical shape. Once they could have had one hell of a fight; but he knew that now, even if they both had two eyes and two legs, his companion would have easily put him on the canvass. Once – but not now.

He caught himself laughing again as he recited: “One fine day, in the middle of the night, two dead men got up to fight…”

“What you say nursery rhymes for, Baas?”

“Because it helps me not shit myself with fright, Man. That’s why!”

He pointed his lantern directly into the man’s face. He was blind alright. His empty eyes were looking directly into the beam of the lantern without blinking or flinching.

“I never thought I would hear myself saying welcome to a black feller – but that’s exactly what I am saying. Here we are: A black man who is blind and a white man with only one leg…

“One blind man to see fair play and one dumb man to shout hurray!”

Stop saying nursery rhymes, Baas. If you’re scared, then maybe you should pray that the Lord shall lead the halt and the blind out from this dark place and into the light!”

“I don’t think so,” Steiger replied caustically. “For me, I don’t hold with that sort of stuff…

And anyway, like I told you: Will you please stop calling me Baas! Man, if I ever get to heaven – which is not very likely – I’m not going to get there before you just because I’m white and you’re black.” He stopped, confronting his old self. “ Even if I did once think like that.”

“So what will I call you then, Baas?”  

Steiger considered this and then he said: “From now on, Feller, you had better just call me Don Steiger…

“And, although I’ve never bothered calling black fellers anything before, it might be better if I called you something other than ‘kaffir’. What’s your name, Man?

“I’m Kingsley, Kingsley Longfellow,” the blind man said. And if I could see I would be telling you that it’s good to see you too, Don Steiger Baas.”

All blacks were much the same to Steiger but, by his size and strength, you couldn’t fail to recognise this one. He had seen him often as the blacks came out of their lift and guessed he must be in one of the gangs working the other two chambers.

“Chamber 32, Don Steiger Baas,” the man answered his question, pulling his hand across his throat. No one else alive in there. Why God spared me?”

He seemed to be saying it as if, in surviving, he had done something un-acceptable.

Steiger replied harshly, Don’t ask me, Kingsley! Perhaps so you can keep me company. Do you know any good jokes? Perhaps we can tell each other jokes until we are too weak to laugh any more and fall asleep…

Let’s be honest, Kingsley: We’re done for aren’t we?”

He expected Kingsley Longfellow to nod in agreement; but the black man surprised him by shaking his head.

No? How come no?”

More emphatically this time, Kingsley shook his head again.

Now it was Steiger’s turn to shake his head – but this time in disbelief.

“Has God told you something that I don’t know then?”

Kingsley said,Don Steiger Baas, maybe I can’t see, but still I can think. I tell you, we not getting out by going back. Back all blocked up. We stay here and die or we go on.”

Kingsley must have sensed Steiger’s disbelief, for he went on: “Yes, Don Steiger Baas: You must believe. We follow the river down. It will be a hard thing. There is much water falling down – but if a blind black man and a one-legged white man help each other along then maybe together we get out.”

“You must be crazy, Man! We need to get ourselves up from out of this hole, not bury ourselves deeper in it… 

“And anyway they say the river flows all the way down to the bottom of the mine. You black fellers say it flows down to ‘Hades’, don’t you?”

“No, not Hades, Don Steiger Baas: Hadeles! He spelt the word out.

“Hadeles?” Steiger asked. “What’s that?”

“It’s name of a village,” Kingsley explained. “There, down bottom of hill, the river comes out.”

Steiger was wondering, ‘Hades, Hadeles or whatever the hell. How does this black man know that the river comes out there?’ He asked him; and, tapping the side of his nose, the black man said,Maybe, like you said, God told me the secret.”

Probing further wasn’t going to extract any more from Kingsley. There was nothing more inscrutable than a black who didn’t want to give a straight answer. So, shrugging, Steiger said: “Well, tell me this then Kingsley: Has God told you just how far it is that we have to go?”

Thinking, Kingsley held up three fingers and said, “About three miles, Don Steiger Baas.”

The man didn’t seem to be just guessing. But how, Don Steiger wondered, did he get to know things that even the bosses at the mine didn’t know? He was beginning to get the feeling that Kingsley’s head held a lot more knowledge about what went on in the mine than the man cared to admit to. 

“It’s a hard journey, Don Steiger Baas.”

Steiger knew that, at the far end of the chamber, the river’s flow quickened; and then it cascaded down over a precipice. He had tried to look over the edge once but had hadn’t been able to see the bottom. How far, he wondered, was the drop? And if they were to go down it, did they do it by climbing down the rock face, or did they just go with the flow, sliding over, carried along by the current?

He looked at the damaged leg and wondered how he could ever get down it with a broken leg with a foot that pointed the wrong way?

Dispirited, he told Kingsley:Okay then, Kingsley: If your God is telling you it can be done, perhaps you would mention that there’s a problem:  If you could see then you’d know how bad my right leg is broken. I can’t imagine myself crawling far, let alone swimming. Ask God what he is going to do about that, will you?

Kingsley shook his head and said, “You can ask Him yourself, Don Steiger Baas. He won’t bite you. Sure, I’ll ask him for you: but first, may I feel your broken leg? Maybe I can ask God to show me how to fix it up a bit.

“Carry on, old chum,” Steiger, directing the blind man’s hand to his tourniquet, told him. “But just you ask God to take it easy because it hurts enough like it is.” 

He watched Kingsley feeling his way, running both hands down the leg. He saw how he recoiled when he came in contact with the splintered bone. Kingsley was gently feeling all around the break and then he let his hands continue down the leg’s obscene misalignment until he reached the offending foot. He nodded and his lips moved as if in prayer; and the he crawled down to the bottom of Steiger’s feet. He turned round, sat up; and, planting both his legs firmly against the rock face, he pulled and twisted.

Steiger screamed and fainted.

Chapters

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Eftborin wrote 21 days ago

HFRG

Hi
found myself struggling through the first chapter. I had to re-read paras because of so many typos a n repeated words in sentences ('he's'). I began to note suggestions but stopped. for example: Why 'When, 1985,..etc' simply write 'When the Ochatingi Copper mine exploded in 1985,...etc'
Then after '...knew three things.' You write 'The first was that...'
'The second was that...'
'And the third was that...'
I suggest; 'Firstly, he remained barely alive; secondly. his position was precarious; so much so that a betting man (no need) ...etc; thirdly, although...etc'
I feel you have much work to do yet. Believe me, it will be worth reading through; you will realise my point of view.
Pat

Seringapatam wrote 31 days ago

Although this is not my bag, I thought I would read it. I am looking for books on Authonomy that I wouldnt normally read and this obviously fits the bill. its a good idea for a story and I think you tell it well. It also stretches across a number of genres too. Nice hooks throughout with a good pace to the book. You describe well in the book and keep the reader wanting more. I think this could do very well. Good luck.
Sean Connolly. British Army on the Rampage. (B.A..O.R) Please consider me for a read or watch list wont you?? Many thanks. Sean

donkeyjacket wrote 45 days ago

I found the early chapters had too much backstory - this needs to be paid out slowly as it impacts on the story



Thank you, Frances, for that and for taking the trouble to comment. When the dust has settled from blood andd bullets and packing cases and paint pots (we have just moved home) I will return the read and apply my mind again to 'The Mine.'.

You are by far from the first to have commented on the backstory; and I am going to have to give that serious thought. My difficulty is that I am trying to acheive a story set against an historical, political background. Yes, spread it out may well be the answer.

AJB

donkeyjacket wrote 45 days ago

I found the early chapters had too much backstory - this needs to be paid out slowly as it impacts on the story



Thank you, Frances, for that and for taking the trouble to comment. When the dust has settled from blood andd bullets and packing cases and paint pots (we have just moved home) I will return the read and apply my mind again to 'The Mine.'.

You are by far from the first to have commented on the backstory; and I am going to have to give that serious thought. My difficulty is that I am trying to acheive a story set against an historical, political background. Yes, spread it out may well be the answer.

AJB

FrancesK wrote 48 days ago

It's rare to find a novel set in South Africa, even rarer one that deals with mines. I enjoyed this book, though with the benefit of hindsight, now that apartheid is finished and South Africa is a democracy, it's less unsettling and uncomfortable than it should be. Your characters are drawn with warmth and understanding, but I found the early chapters had too much backstory - this needs to be paid out slowly as it impacts on the plot. The landscape, lifestyles and politics of the 1980s are well evoked. Beware of using cliched similes. Thank you for this human story.

Mooderino wrote 123 days ago

I found this an interesting premise. The pragmatic, does what needs to be done, white guy, and the spiritual, god-loving black man both stuck in a horrible situation.

I think there was maybe a little too much exposition and backstory in the first couple of chapters. Don’s assessment of the situation is all fine, but whenever he thinks back to how he got there or what life is like in South Africa in general it tends to lose any momentum you’ve managed to get going. There isn’t too much of that so it’s okay, but it is noticeable.

It’s far more noticeable in Kingsley’s first chapter. There’s a lot of explaining of his life, both in family terms and political terms. And a lot of names. Far too many to keep up with.

I appreciate that to give the story some grounding you need to give an idea of what kind of life these people live, but throwing dozens of names at the reader is not a very effective way to do it since after the first few none of them stick. I would suggest you need to be more selective and focus on the situation more than the backstory early on.

Not that I’m against backstory—I find stories that just leap into the fray shallow and confusing—but I think you’ve gone a bit too far in the other direction. And it’s especially something to be wary of right at the start of the story when you’re trying to draw the reader in.

When you do focus on the accident the writing is very strong and vivid. Once you get to what’s going on up on the surface the momentum picks up again and it moves along very well.

Patty Apostolides wrote 132 days ago

The Mine -
Historical Review Chapters 1-3

This is a powerful story from the very beginning. It starts with a lovely poem that almost feels surreal, because it is so beautiful and so different from the horrific mining incident that follows. Although 1985 isn't quite a historical time period for me, the story feels like it's timeless. The conflict between man and nature, and man's survival is very strong in these first three chapters.

Inside a mine, where blacks and whites are working, an explosion occurs, and unleashes a destructive force that kills several people. We get a glimpse of two survivors and their thoughts, as they struggle in the aftermath and darkness. One is white, and the other is black, blinded by the incident. The "boss" is outside with 200 other people, waiting to find out the news. He descends inside, only to find out the damage and carnage was great. He barely escapes as another explosion occurs, leaving five volunteers behind who did not live through the explosion.

The tension and emotional investment is immense as we identify with the survivors, and see their hopes, fears, and dreams.

Suggestions/Nitpicks:
I don't see hope around the bend, hope that buffers the shock of death, at least not for several chapters, something that would keep me turning the pages. I can only guess that from this disaster something good will come?

Highly starred and will keep on my WL for future reading.

Best,
Patty
The Greek Maiden and the English Lord

rikasworld wrote 185 days ago

I enjoyed reading this a lot and will try and get back to read on just for pleasure.
I like the character development and your writing style very much. I wasn't really criting I'm afraid but I did notice one typo at the end of Ch. 9 . You've written 'have' instead of 'hate'. Freudian slip I should think as the previous paras were about rape.
High stars

carol jefferies wrote 196 days ago

What a great start 'The Mine' is. I read the first four chapters, and it made me thirst for more.

Your writing makes compelling reading, and the characters, Steiger, as a tough, brutal white man, and Kingsley, a far more compassionate, black man are both very convincing, as is the setting. I especially liked the idea of Kingsley being blinded by the accident in the mine. ( I just hope he doesn't miraculously have his sight restored later.)

However, I would have liked your story to have been written in the present tense rather than the past.

Some of your writing could be reworked to improve the flow. Try and replace passive words like, 'that,' 'begins,' 'of the,' 'turned', 'some of the', 'was' and 'were.' I know because I have just done this to my work and it reads a lot better.

Best Wishes,

Carol

Abby Vandiver wrote 197 days ago

The writing is good and the story interesting enough. It was able to hold my attention and made me want ti read more. You seem to like semi colons. Gramatically they are used used differently than you use them here. I was somewhat confused on the flashback to the cause of the explosion but once I got it it read very well.

Good job.

Abby

Andrea Taylor wrote 199 days ago

Brilliant. Had me breathlessly reading. And this is not a subject that would normally catch my attention, so that says it all. Think this will get published, too.

donkeyjacket wrote 216 days ago

D/

In the words of Chas, in Cat Ballou, 'You are an absolute sweet little sugar plum - and, one day, somebody is going to come along and eat you up...' (A slightly o.t.t .way of saying thanks - but thanks.)

Looking forward to Leo & Rover.

AJB

Di Manzara wrote 216 days ago

HI AJ,

This to me looks terrific. The title and pitches are good, well-written. I've WL this for now. I'll come back soon to read it.

It's me,
D
LEO & ROVER: THE PURPLE MARBLE ADVENTURE

donkeyjacket wrote 260 days ago

Mick/

Thanks for that. The typos all done and dusted; and I will give careful consideration to your other comments. Showing, not telling, is a particular bete noir of mine: First, I think that the principle is greatly overstated; secondly, a soliloquy apart, it is really rather difficult for one character in one chamber to have much of a conversation with anyone; and thirdly, you can 'tell' in a single paragraph what has to take several pages to show - and the story already runs to 100,000 words as it is. 'Them' referrs to the mining community at large, which I had hoped would be obvious; and many Christians, black and white, presumably because they were Christians, fought against Apartheid - so, on those points, I stick to my guns: But grateful, none-the-less for your input.

AJB

mick hanson wrote 260 days ago

Using a mine disaster in the initial introduction of your characters is really quite unique. I think what seems to have happened with your writing is that these opening chapters are totally dominated by the narrator. In the first chapter it is at times difficult to differentiate between the narrator and the white foreman, because they seem to use the same language/accent as in "bladdy." "picaninni" and one or two other instances that have racial overtones. I think it would have read better if you'd have used the spoken word instead, thus showing the reader rather than telling. At one point you also seemed to switch to plural tense? "... water dripped down on "them" from the rock canopy above "them" ..." whereas before it had been "him" - also the dreaded typos that need to be pointed out I guess. "They didn't need (a) brain ..." chapter two "... unable (to) see the light..."in addition you've missed out a number of letters from some words so that, "that" becomes "tat" etc

Then you come to the black man in the second chapter, who for some reason is in chamber 32 whereas the white guy is in chamber 33? (are they connected?) The narrator's voice then changed and it seemed at times that I was reading something from Uncle Tom's Cabin, with regards to his religion, his sexual encounters, and his life-style. Also if he his a freeedom-fighter would he have the religion of the white man his oppressor, after all Christianity was taught to the African wasn't it?

The sense I got from the second chapter seems to place the narrator in the position of uncertainty. After all it is a white man writing about a black man. The thought did cross my mind that if you were black would you have written about a black man in this fashion? I know that you are laying the foundations for what is to come later, but I was hoping you would show the reader, rather then tell them. I think there needs to be more of a balance in order for the story to have greater impact.

This is set in a very crucial period in South African history, when the world waited. It is the time of Nelson Mandela and the ANC, where protesters were gunned down in the streets of Soweto and political tensions were at breaking point. I wish you well with this book, it is a very big story to tell, but feel you should let the characters take over and let them develop. Regards Mick "It Was a Kind of Cold, Grey Morning"

philip john wrote 260 days ago

I have dipped into this at random, partly because I do not have time to read every word but also because I like to see if the style and momentum of a book are maintained. So many people start a story well and then lose their way very quickly. But not you. This is very good stuff. Crisply written and drawing the reader along at just the right speed. Well done!

Philip John

Jacqueline Malcolm wrote 284 days ago

Hey AJ - I read the first two chapters. Firstly, I love the topic - south africa and the apartied will also be a point of interest to me so I was already sold on the story line. For chapter I enjoyed the feeling of the solitude that Don Steiger was experiencing once the blast had happened and his 'tough' character really came through very effectively in the descriptions. I thought you used the quietness following the blast really well in both characters as an opportunity to offer the readers some background information on both characters before it was time for them to meet. Your style of writing is very clean - beautiful afrikans underlying rhythm - very enjoyable and very well written. congrats :)

Andrew Esposito wrote 287 days ago

I found the The Mine to be a captivating read. The primary character, Don Steiger, appears via good description in the first few chapters. I liked his tough boxer background and his enormous size being humbled by his horrific leg injury due to the Ochatingi Mine collapse. The enormity of the Mine incident and the urgency of the rescue is captured well both above and below the surface.

Mike Cameron is another strong character that is embroiled in the world of apathied and segregation. I found the constant use of 'Kaffir' a bit disconcerting - although I trust that it is in keeping with the time setting of the novel.

Kingsley Longfellow is an interesting character, I like the cliff hangers at the end of each chapter, and Kingsley becoming blind was a good incentive to read on. The narrative is well written, analogies such as 'a dentist in hell' was both vivid and entertaining. AJB, I think you have crafted a good novel and expect The Mine to be popular on authonomy. I'm glad I found it and I've rated it high stars. best regards, Andrew Esposito / Killing Paradise

Marva G wrote 289 days ago

I read one and bit chapters - only time stopped me from reading on. Great writing style - wonderful descriptions, at one point I had to remind myself to breathe as the dust was only on the page! You also showed your skill at capturing different rhythms for the two main characters. High rating and watchlisted without trepidation.

R. Dango wrote 305 days ago

Very interesting story with a capturing opening of a mine scene. And, yes, a beautiful and heart breaking poem.
The story reminded me of the Apartheit days of South Africa (from what I knew from the medias), and the dark and risky atmosphere of a mine at the same time. It is especially interesting because we hear about mine accidents a lot these days. I will come back and read more.

r
The Forest of Vulcanus

writingbear wrote 325 days ago

A.J.,

I had to back your book. Very good! If you could take a look at my novel, DIFFERENT DIRECTIONS, your help will be appreciated. Good luck and happy writing.

Dwain-Thomas

Wanttobeawriter wrote 342 days ago

THE MINE
This is a story with a dramatic beginning: a cave-in at a South African mine. Steiger is a sympathetic character when he is first introduced but the more he describes himself I found him less likable than I thought he was going to be. I suspect he’s a character a reader has to grow into. Kingsley, in contrast, I found likable and sympathetic from the start; imagine what it would feel like to not only be trapped underground but be blind as well. I’m a little claustrophobic so either one of those things sends shivers up my spine. You’ve created a great setting for this story; and it’s clear from the start: this is not a story about two men trapped in a mine. It’s about the odd way we categorize people or choose our friends based on insignificant details. Highly starred and added to my shelf. Get busy spamming and asking for reads so this moves up the pile. It’s too good to get lost in the slushpile here. Wanttobeawriter: Who Killed the President?

Tarzan For Real wrote 344 days ago

Compelling characters, vivid account of the mine explosion, and a theme that still echoes loudly to many. I am a fan of this realistic writing. A few grammatical errors but in no way detract from this powerful story.

I agree on the voodoo reference and the research for South Africa needs a little work. Hammer out those minor details and this will roar even louder.

I'll get this on the watchlist when I get some space.--JL "The Devil Of Black Bayou

Camac wrote 352 days ago

AJ - I was living in Jo'burg in 1985, although not employed in the mining industry, so your story was one I particularly looked forward to reading. It doesn't disappoint - it's high-quality writing. The characters are well-drawn, as are the scenes both below and above ground.

I've read the first four chapters and made some notes:
In your pitch you write 'Apartheid is rife'. That is like classing it as something akin to famine or disease.
Bantu was an almost obsolete term in 1985.
Voodoo is not a word used in South Africa. SA blacks consult Sangomas or Nyangas when wishing to contact the spiritual world.
Machetes are known as Pangas in Southern Africa.
Slim Schmidt, presumably a white man, would not have called Cameron 'Baas'.
In ch 4 the continuous use of derogatory terms by Steiger towards Kingsley seems over the top given that we already know his feelings towards Africans. In his present situation surely he has more pressing needs.

I'll return to read more. High stars and I'll be looking to back it when space is available.

Camac Johnson
Hemingway Quest (I'd welcome your comments!)


Cariad wrote 353 days ago

Saw this recommended on the forum and came to have a look. The issue of aparteid will always be one - blatant or not, I think, sadly. Your book will therefore always have something to address. I don't have much to say really - no obvious typos or bits where I got confused or whatever - just a fairly seamless read - the story sucked me in really quickly. Like your characters - something likeable about the white guy - a product of his time and circumstances more than an out and out racist - a human character, and the black guy also. Both seemed to be fully rounded, believable people even in a small space of writing, and the images of the church and the mine also well drawn. I shall give you some stars and keep reading, and definitely a shelf space when one comes free.
Cariad.

donkeyjacket wrote 367 days ago

God bless you, Lady! I wish I was enjoying writing it just now - but we all have bad days. Helped by your kind comments, I shall pick myself up, dust myself down, tear up my last chapter - and start over!
thanks,

AJB

Sharda D wrote 368 days ago

Hi AJ
a return read for your kind support of Mr Unusually's Circus of Dreams. Thanks again for that.

This is wonderful. A gripping situation, some wonderfully well-judged writing, two interesting and contrasting characters set against the backdrop of a country trying to hang on to an abhorrent political regime. Don't think you could write a better premise.
The execution is wonderful too. There is some powerful description - the pool of dark blood, dismembered limbs etc. Each character's voice and POV comes in through the narration seamlessly.
I am seriously impressed by this.
6 stars for now and a future place on my shelf.
All the best,
Sharda.

Karamak wrote 370 days ago

I enjoyed this book, you hooked me from the start and with the blacks did what he bladdy told them I got the feel of the narrative straight away, a bold choice to write about but I like to be contraversal so why not? High stars Karen Faking it in France.

donkeyjacket wrote 386 days ago

Thanks, tons. You know, if it's not going to provoke debate, evoke memories or raise a few eyebrows, I can't see it's worth writing. What astounds me is that it is doing so much better than my first, 'So Sour the Grape'. Maybe your first book is like your first love – you never forget it; but, to me, that one says so much more than this one ever will.

Missus' birthday tomorrow - nobody likes hitting certain numbers, but after we've all jollied each other along and ended up on Alka Seltzers, 'Inside Dead', I promise, will receive my undivided attention (unless it happens to be fine enough to play golf – when it will be the day after.)

AJB

patio wrote 386 days ago

you are brave to take on provocative subject. but i like that

Kenneth Edward Lim wrote 386 days ago

A.J.,
Your book starts out with a mining accident and expands from there, the threads spanning outward, connecting with relevant scenes, backstory and characters. Don and Kingsley are sympathetic players one can only cheer on as they face overwhelming odds. Your pacing is brisk even as you touch on the historical and political reasons for the events taking place. Thanks for the intriguing read.

Kenneth Edward Lim
The North Korean

Kenneth Edward Lim wrote 386 days ago

A.J.,
Your book starts out with a mining accident and expands from there, the threads spanning outward, connecting with relevant scenes, backstory and characters. Don and Kingsley are sympathetic players one can only cheer on as they face overwhelming odds. Your pacing is brisk even as you touch on the historical and political reasons for the events taking place. Thanks for the intri8guing read.

Kenneth Edward Lim
The North Korean

fledglingowl wrote 388 days ago

A.J.,
You've really started with a bang. Clean, powerful writing. Such a great man's story. Like Steiger, love the truthfulness in your writing, your not trying to be politically correct. A period piece only reflects real history if it is told in the language and social awareness of its time. Hope you get away with it when you are published.
Caught a couple of little errors. Listing them only because I can never find my own and love when people point them out for me. If they annoy you, ignore them.
or had it came from above -- come from
He knew he had lost ... but he didn't how many -- didn't know how many.
The limited light it gave enabled to see --- enabled him to see
Really, that's all I saw. The writing is good, the flow and intensity great. High stars. Keeping you watchlisted until I can read more.
Good luck on your writing,
Janet
The Milche Bride
Clarissa's Kitchen

fledglingowl wrote 388 days ago

A.J.,
You've really started with a bang. Clean, powerful writing. Such a great man's story. Like Steiger, love the truthfulness in your writing, your not trying to be politically correct. A period piece only reflects real history if it is told in the language and social awareness of its time. Hope you get away with it when you are published.
Caught a couple of little errors. Listing them only because I can never find my own and love when people point them out for me. If they annoy you, ignore them.
or had it came from above -- come from
He knew he had lost ... but he didn't how many -- didn't know how many.
The limited light it gave enabled to see --- enabled him to see
Really, that's all I saw. The writing is good, the flow and intensity great. High stars. Keeping you watchlisted until I can read more.
Good luck on your writing,
Janet
The Milche Bride
Clarissa's Kitchen

fledglingowl wrote 388 days ago

A.J.,
You've really started with a bang. Clean, powerful writing. Such a great man's story. Like Steiger, love the truthfulness in your writing, your not trying to be politically correct. A period piece only reflects real history if it is told in the language and social awareness of its time. Hope you get away with it when you are published.
Caught a couple of little errors. Listing them only because I can never find my own and love when people point them out for me. If they annoy you, ignore them.
or had it came from above -- come from
He knew he had lost ... but he didn't how many -- didn't know how many.
The limited light it gave enabled to see --- enabled him to see
Really, that's all I saw. The writing is good, the flow and intensity great. High stars. Keeping you watchlisted until I can read more.
Good luck on your writing,
Janet
The Milche Bride
Clarissa's Kitchen

Jojober wrote 396 days ago

you have captivated the peoples minds by your vivid narrations.keep it up.sure to back you after reading.
all.
JK

uncas wrote 409 days ago

This is a very interesting book indeed. It creates a sense of presence in a way that is both colourful and realistic. I like the down to Earth writing style and the subject matter, while perhaps already understood by many, is brought to life in a way that will be revealing to many more. Well done AJB - this is a notch or two above average and deserves to do well. I wish you all the very best with it.
Regards,
Uncas

Su Dan wrote 419 days ago

good subject and setting...good solid writing style that brings your book to life///
l will back...
read SEASONS...

donkeyjacket wrote 480 days ago

Jane/

You are too kind - and that came when confidence was at an all-time low and self-doubt ruled, OK.

Political Correctness? I have often wondered about that - and have hitherto concluded that, today, anything goes. Perhaps it might be more accurate to say that today, whilst one (and count me out) may be as lewd, licentious and sexually explicit as one wishes, with politically correctness, step one inch over the line and one will pay the price. Two unfortunate remarks by Jeremy Clarkson when on the One Show bear me out: The one about suicides in front of tube trains impeding his journey home; and the other about shooting striking civil servants in the street in front of their families. Interesting, the furore that the latter caused, even if on no account could it be taken literally - whilst the former, really offensive and insensitive in my opinion, went almost totally unchallenged.

I try not to do the sexually implicit (unless I am being inane) but I have, hitherto, tried to tell the story as it was. Maybe I am going to have to think about that harder.

Thank you, anyway.

AJB

jlbwye wrote 481 days ago

The Mine. Your pitches promise an interesting story, which covers the problem of race in Africa in a different manner from what I have attempted, and I am intrigued.
I make notes as I read, but dont pretend to be an expert.

Ch.1. Well written and well crafted. I am impatient to discover what happens next, but interested in the mining details you provide, and the introduction to the MC's background and character is skilfully done.

Ch.2. A small nit: you repeat 'switch' in the 4th paragraph, and 'almost' is a word best left out. In fact, if you deleted 'almost immediately' I think you'd agree the sentence would be tighter.
The contrast between God-fearing Kingsley and Don the epitomy of apartheid is authentically portrayed. In reality, of course, the difference would have been much more pronounced and all sorts of forbidden words used. I commend your skill in achieving your aim with offence for modern readers. It is not an easy path to tread.
I dont think you need to tell the reader he experienced a moment of considerable fear. You show it well enough. And would it be better just to say that lying still, Kingsley gave thanks...?
Again, I admire your technique in introducing Kingsley's back story as thought-wanderings as he comes to grip with his dire situation. So natural.

Ch.3. Another scene, and more characters are introduced in a way which is easy for the reader to follow without confusion. Masterfully done.
But with the sensitivity of modern readers in mind, you might have to think of alternative ways of referring to 'blacks', and 'whites', 'kaffirs' etc.etc. I know in those days the words were bandied about freely... but in my quest for a publisher for Breath of Africa, I've had to be so careful - and I still havent found one!

I can see you're an accomplished writer. Your work needs some refining, but we all have to do that. You know how to develope characters, and a plot. But I wonder about the publishability of your book in its present state. The language is authentic, but I question whether the world is ready yet (or will ever be ready) to be exposed to it.

Multi-starred for quality and courage!
Jane.

Pam B wrote 518 days ago

It's so refreshing to read a well written story especially just after reading one that wasn't!

However, I haven't read much as the subject matter & genre are not ones I would normally read. Having said that I think your opening is excellent, as it draws the reader into the story whilst making the lead character someone who is interesting, that is with the potential to change or develop either for good or bad.

I would appreciate a return read with constructive criticism, if I get the time I will be back to read more; as it is I have given yours a rating well deserved, of 4 stars.

Best Wishes
Pam Balsdon
The King's Blessing

a.morrison712 wrote 519 days ago

THE MINE

As I tell everyone, take what rings true and pitch any advice you think is bad. Only you know what is best for the story. I’m also not too great at grammar, so I’ll steer clear of that for the most part. Below are my comments:

CH 1

Okay you throw us right into the action. We find ourselves in a predicament with your MC. Trapped in the mine. No working our way up, here we are right smack-dab in the middle of the good stuff. I like your style already. Dropping us in the middle of the action.

You say “over seeing the black fellers...” This makes me wonder what time period this is in? Still early in the story, but I’ll be looking for hints why your MC would use this word choice.

I like the description of “durra” being the sound of the drill.

Nice hook at the end with the realization that he is also deaf. You just added another layer to the story and I see a ton of potential about where this can go. I’m going to say I was pleasantly surprised by this first chapter, at certain points I found myself just reading to read, and forgetting to crit. I’ll admit, I saw you were a lawyer and thought the prose might be a little dry or lack emotion. I’m happy to find that this is not the case!


CH 8

I think I would resonate with the line, “I think that’s when I became a bit of a monster...” If it would be changed to, “That’s when I became a monster.” It reads stronger and leaves the reader with more of an impact. This was a really nice paragraph though. I’m empathizing with the MC.

I do have one question. You mentioned that your MC finds Kingsley in the mine, blind, etc from an explosion. I’m naturally wondering how long Kingsley has been down there, how a blind man has been able to survive for so long, etc. I’m sure these are things that you will resolve but I just wanted to point them out that they should be addressed ASAP, so that the reader/publishers/agents aren’t thinking that this isn’t believable.

“...same journey to heaven or hell” stopped me in my tracks. I love that line! Kingsley is really an interesting character and I like him already. There is something endearing about him. Good job with his characterization.

I’m assuming you may be from England? I see a statement here that has a totally different meaning in the U.S., than what I think you are trying to convey. “That, Kingsley, is why I hate fucking blacks.” Just take a look at that, if you are from the States you’ll see what that means by reading it over. The word, “fucking and hate” need to be flip-flopped to make this mean that your MC just REALLY hates blacks, otherwise it means something else, I think you can figure it out.

Anyways, I think this has A LOT of potential. There is suspense, drama, nice flashbacks, characters that have depth and real emotion. You get six stars from me. My one MAJOR crit is I don’t think your short pitch is doing your book justice and that it could attract more readers. Especially if it was just something along the lines of letting us know a man is trapped in a mine. In my mind, simpler is MUCH better for the short pitch. Good luck with this!

donkeyjacket wrote 574 days ago

Thanks - pissing it is!
AJB

micksands wrote 574 days ago

Great first chapter. It pulled me right in. My only comment is that I can't imagine a big, rough bloke like Steiger saying 'peeing'. Surely it would be 'pissing'? Looking forward to reading more.

Best,
Mick

Nightdream wrote 612 days ago

The poetic words in the beginning was a nice read. It sounded great reading and coming off my tongue. The beginning of YOUR story was good. I like how you stated the three things that Don knew: nearly dead, nearly dead (no man would bet on his survivle), and nearly dead (his leg was pretty much gone). I was thinking: Was he stuck beneath some rubble? Was he buried underneath the remains of the mine explosion? All this was great because it makes me want to read on (even though its only the first couple of paragraphs LOL but I find small things like this a good pull further on the slingshot).

GREAT intro. Starting with a bang I say. Your writing flows in a way that makes the read double it's normal speed. I'm not a fast reader but I felt like I was with your first chapter. I love Don, he's easy to relate too, I felt for him through all of this especially when he went deaf. That was definitely a good spot to finish the chapter with. 6 stars for the flow, story, and Don Steiger. Though he was 52 years old he reminded me of who I am. I just changed my entire shelf so I can't add you now. But hopefully in the future I will get you up there.

Your writing is actually really good and like I said you are a funny guy.

I don't know about using Steiger in your narration. I think it be better to just use Don.

strachan gordon wrote 617 days ago

An interesting account of an era which is not very well known in England in terms of the way people actually lived in Soutrh Africa , the Apartheid system was easy to understand as a principle , but hard to really understand how it actually translated into every day life. The mine with its structural faults could be a metaphor for the system I don't know if that was your intention . Clear , incisive and very well-written . watchlisted and starred . I wonder if you would be able to look at the first chapter of my novel 'A Buccaneer' set amongst Pirates in the 17th century ,with best wishes from Strachan Gordon

Walden Carrington wrote 632 days ago

As the author of historical fiction, I can appreciate the research that went into this account. The problem of Apartheid in South Africa is complex and this is a fabulous way of educating the public about it. The dramatic story of a mining catastrophe with the historical flashbacks illuminates problems that have been going on for years which are rooted in deep-seated racism. THE MINE gets six stars for this brave approach to bringing to light a troubling situation of concern to people around the world.

Walden Carrington
Titanic: Rose Dawson's Story

RossBrodie wrote 636 days ago

I really like the idea of the white and black man trapped within a mine. The physical incarceration at the beginning paves the way for the ideological restrictions and prohibitions that place this story, which from the contractors of apartheid and repression, stand upon a drama, upon a well born stage of turmoil and terror. I have made a cursory browse through up to chapter 12, seems to be an epic journey. Actually liked the inclusion of police inspectors and the back story of the boxer which, through the physicality and the race relations, contributes towards this massive fictional, quasi fictional essay and critique of race relations. I wonder what your thought when you saw blood diamond at the cinema or on DVD? As perhaps this too has a similar engaging drama with respect to the white and black characters having to co-operate but at the same time been at odds with each other. I think to write a book like this would require extreme concentration and very very keen faculties of the mind, a concentrated sense of perspectives and history. I could never accomplish such a thing myself!

donkeyjacket wrote 639 days ago

Lovely! Thanks! A lot of people, on first 3 chapter sites, criticise the back writing and the history - but I'm not trying to do a Wilbur Smith or a Jack Higgins, but a novel based on a historical record of a subject about which I knew next to nothing when I started out but which now consumes me. I still need an old and bold South African to check out a lot of my detail. I will put "Snow Tiger" on the W/L right now and will try to pick it up when I get home, It sounds fun.
AJB

Nina Boal wrote 640 days ago

I hope you get this finished quickly. Your book brought me in right away, with the issues about Apartheid. I will be happy to back this book for you.

If you happen to have a chance, could you check out my own book "Snow Tiger"? It's quite different, a Japanese historical fantasy. Thanks.

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