Book Jacket

 

rank 427
word count 58058
date submitted 18.02.2011
date updated 05.03.2013
genres: Thriller, History, Harper True Life...
classification: moderate
incomplete

CAPE TORMENT (CAP TOURMENTE)

Richard Donovan

Based on a true story from the nineteen-forties, Cape Torment recreates the incredible events surrounding one of Canada's most infamous and diabolical crimes.

 

Quebec City jeweller, Marcel Gagnon, is desperate to be free to marry his stunning, teenage mistress, Therese Sainte-Angele. But divorce is an impossible option in his repressive Catholic community, and his frustration mounts when Therese threatens to leave him. Determined to get what he wants, he resorts to committing an unprecedented atrocity; one that wrecks lives and ultimately leaves the world a less trusting place.
Rita Gagnon is the loyal wife, fighting for the man who loathes her, swearing to honour her marriage vows to the end of her days.
Marguerite Laval is the coarse, small-time felon who dresses in black, and runs errands for the jeweller she owes money to.
Xavier Levesque - her crippled brother - is Gagnon's womanizing, clock-maker assistant.
And Liffey MacBaine is the pretty airline stewardess from Alberta, haunted by her past, and longing to be reunited with the daughter she gave up for adoption in the midst of appalling tragedy.
All of these characters are researched representations of the real people whose lives were forever bound by an unparalleled act of cold-blooded evil. Who will live and who will die is the question answered in this full length novel's climactic scenes.

Contact: richarddonovan@capetorment.com

 
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, alberta, ancienne lorette airport, aviation, baie comeau, betrayal, calgary, canadian pacific airlines, cap tourmente, charlevoix, chateau frontenac...

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                                        CAPE TORMENT

                                                             CHAPTER 1

 

 

Calgary, Alberta 

Thursday, September 21st 1946 

 

 

Liffey MacBaine’s labour pains started around nine that morning.  She was preparing

vegetables for the midday meal when she felt the first spasm deep in her belly; dropping a

half peeled potato into the sink and grasping the wooden work-top.  

   Kate was tidying-up the room, singing along to a tune on the radio, but she heard Liffey’s moan and turned to comprehend the situation with a look of alarm that matched the one on the face of the wide-eyed young woman clutching her swollen paunch.

   ‘Oh, my God,’ Kate mumbled and, pulling herself together, directed a louder voice towards the curtained doorway that led into the store.  ‘Mrs MacBaine,’ she called.‘Come quickly will you?!  It’s Liffey.  I think the bairn’s on its way.’  She switched off the music and helped

Liffey to waddle across to a chair.  She told her not to worry, and a moment later Tilda MacBaine was with her sons wives, calming them down and taking charge with her matter of fact, no-nonsense manner.

   This would be the start of a lengthy process, she told them, encouraging Liffey to relax and take some deep breaths. ‘The first one always takes its time,’ she said, checking her daughter-in-law’s forehead with the back of her hand. ‘So there’s no point in rushing you down to the hospital just yet.’    

   Liffey worked to control her breathing and the wave of pain began to subside.     

   Tilda told her they’d keep a check on her contractions throughout the morning, and Liffey asked her how long it was likely to be before the baby arrived.  

   ‘Well, Billy was my first,’ she answered. ‘And that little devil put me through more than twenty hours of it before he showed up.  Ronnie, though, couldn’t wait to make his grand entrance.  He started his business at seven in the evening, I remember, and popped like a pea from a pod just after midnight.’

   Liffey balked at the thought of both scenarios, and Kate, who was almost three months into her own pregnancy, visibly paled.

   ‘Oh, you young people want everything easy these days,’ Tilda scolded. ‘But let me tell you girls, having a baby’s always been hard work.  That’s how it was for our mothers and that’s just the way it is for all of us… nothings ever going to change that.  As Granny

MacBaine used to say, putting it in there’s fun enough, but getting it out’s another story. First you grin…then you bear it.’  Tilda chuckled to herself, but her tone was sympathetic as she reassured Liffey that everything would be fine.  ‘After all, it’s the most natural thing in the world,’ she said, moving to fill the huge copper kettle standing by the sink. ‘You’ll do

your share of puffing and pushing, that’s for sure, but come this time tomorrow you’ll have left all that behind and you’ll be bonding and…’ Tilda’s voice trailed off as she turned on the tap.  She cringed inside, wanting to bite her tongue off, thankful for the sound of water pouring into the kettle.  She’d been about to tell Liffey MacBaine that by this time tomorrow she’d be bonding and falling in love with the little bundle of life suckling at her breast; when, in actuality, they all knew that nothing could be further from the truth for the woman who’d married Tilda’s youngest son four months earlier.  The planned reality for her was to be very different from that enjoyed by most nursing mothers.  Tomorrow, or shortly thereafter,

Liffey’s new-born baby was to be taken from her and she would never see it again.

    Tilda stretched her time at the sink before carrying the over-full kettle across to the stove.  ‘We’ll keep a teapot brewed all morning,’ she said, water droplets sizzling and spitting on the hot black surface.  ‘We’ll be more than grateful for the odd cup or two as the day moves

along, believe me.’  She told Liffey she might feel better lying down and helped her out of her chair. ‘If you can climb the stairs, dear, I think you’ll be more comfortable up on my bed, away from everyone.’

   ‘No, no. That’s kind of you,’ Liffey said, ‘but I’ll be fine in my room…honestly.’ They moved to the other side of the living area and Kate hurried to open the door that swung into a poky little bedroom.  The space was barely wide enough to take the double bed in it, and natural light was meanly rationed through a skylight high on the wall.  Originally used as a storage area, the room had been hastily converted to accommodate Ronnie and Liffey, in time for their wedding day, last May.  It was far from ideal, having been hot and stuffy throughout the summer, but it represented a temporary solution to their current circumstances, and at least the two of them had some privacy at night when the rest of the family went to their beds on the upper floor.

   Liffey had left a waterproof sheet folded on the bed, and Tilda spread it out for her. Slipping her shoes off, Liffey eased herself up onto the springy mattress.  The old frame

squeaked while she settled herself and Tilda un-tucked some of the bed’s multi-coloured quilt to pull it over the young woman’s tummy and legs.

    Liffey grimaced with the onset of another contraction and grasped Tilda’s hand. ‘Should we get a message to Ronnie?’ she managed to ask through clenched teeth.

   ‘Not yet, dear,’ the woman answered, running her fingers through Liffey’s dark brown hair.  ‘We can leave it a while before we start worrying him.  Besides, we don’t want those men of ours getting under our feet until it’s absolutely necessary.’

   ‘He’s only working out by Langdon,’ Kate reminded her sister-in-law. ‘It’ll take him next to no time to get back into town.’

   ‘Can we call Aunt Helen, though?’ Liffey panted.  ‘She said she needed to know as soon as possible if she’s to get down here and organize everything in good time.’

   Tilda patted her daughter-in-law’s hand and promised she’d take care of it.

   The doorbell jingled out in the store and Tilda told Kate to look after Liffey while she went and attended to customers.   ‘Let me know if she has any kind of a show,’ she said. ‘And call me straight away if her waters break.’

   Liffey turned on her side, trying to find a better position, waiting for the cramp to pass.

Looking up at Kate, sitting on the edge of the bed, she realized that she was as scared as she

was herself.  She tried to smile and wanted to tell her that it really wasn’t too bad, but lost the notion instantly as the spasm peaked, making her cry out again instead.

   When the pain ebbed, Liffey levelled her breathing and calmed herself, holding on to her mother-in-law’s assertion that this was how it was for everyone, persuading herself that,

painful though it might be, she would do her best to muster her female resources and embrace the natural rhythm of the process.  She thanked Kate for staying with her and, remembering someone saying that a few lucky women were actually able to doze between their

contractions, closed her eyes, praying that she might be one amongst them.  

  ‘I’ll fetch a towel to mop your brow,’ Kate whispered; and, with her sister-in-law heading into the kitchen, Liffey found herself thinking about the way things had unfolded over recent months, appreciative of the close bond she’d formed with Billy MacBaine’s young Scottish war-bride.

  

   Earlier in the year, Kate had boarded the R.M.S. Aquitania, at Southampton, to follow her new husband across the Atlantic, and most of Canada, to join him and his family in CalgaryShe’d finally arrived late in March, and two months later Liffey had married Ronnie, and become the third female living in the MacBaine household.

   Liffey and Kate had hit it off straight away.  They possessed the same sharp sense of

humour, laughing a lot while they helped each other to adapt to their new surroundings and the ways of the close family they’d become a part of. Both women were dark haired and pretty.  They were of similar medium build and, despite some apparent differences between them, at first glance you might well have believed they were sisters.  They both smiled easily and shared the same brown eyes, but Kate’s lips were thinner than Liffey’s and, whereas

Kate’s nose was classically aquiline, Liffey’s was pert and more rounded.  Their voices were distinctly unalike; Kate’s being moderately pitched and rich with the unmistakable lilt of her Celtic homeland, whilst Liffey’s was clearly that of a Western Canadian.  When she spoke, the timbre of her voice was a little deeper than that of most young women, and its unusual huskiness made her sound a lot like Barbara Stanwyck.  

   Liffey recalled how she and the MacBaines had waited to greet Kate off the War-Bride

Special when it pulled into the city station on a wet Friday morning. 

   For days, the huge rail-road engine had hauled its precious cargo of immigrant wives and fractious infants more than two thousand miles from their original point of landfall, on the East Coast.  Singly, or in clusters, they’d spilled out of the train into the arms of their

husbands and unfamiliar in-laws, who waited for them on crowded city platforms -or lonely rural ones - all along the route. 

   By the time it arrived in Calgary, the train was considerably shorter than it had been at the outset of its journey in Halifax, but the remaining carriages were still packed with the European brides of Canadian servicemen.  And, with it coasting into the station, many of them had hung from the train’s open windows, desperate to catch an early glimpse of the men most of them had not seen in months.  

   When the whistle blew to herald their arrival, a band began to play, and a spontaneous

cheer had gone up from those gathered on the platform, echoing overhead and only

diminishing as the mighty steam-engine hissed its way to a lumbering halt and its brakes locked on.  

   Men had broken from their family groups to find their wives; some grasping at hands

stretched out from windows along the train, while others were fortunate enough to find their loved ones among the first of the women clambering down from the high carriages. 

   Billy could hardly contain his excitement, scouring the faces of those dropping down into welcoming arms.  All around him couples hugged and babies cried; and Liffey had been touched by the glowing expression of expectation on Billy’s face, craning his neck, anticipating the imminent appearance of his young wife.

   The queue of women leaving the carriages had dwindled to just a trickle of stragglers, and those who did remain on board, with tired, envious faces glued to the windows, were brides committed to continuing the arduous rail journey even further west, towards the train’s ultimate destination in Vancouver.

   Billy had turned to his family with a worried shrug of the shoulders and a nervous smile, but almost immediately he’d given a whoop of delight and raced off towards the rear of the parked train, where two young women were attempting to scramble down the steep railed

steps, struggling with suitcases and two squawking, red-faced infants. 

   Typically, Kate had waited to assist one of her exhausted travelling companions before

getting off herself.  But then both husbands had arrived simultaneously to lift them down; one to wrap his arms around his wife and children, the other to sweep his young Scottish love into his arms and smother her with kisses.

  

   The vivid imagery, running in Liffey’s mind like a romantic movie, flickered and

disappeared, lost to another wave of pain gripping her lower body.  When she opened her

eyes, Kate was back at her side, reassuring her, telling her to be brave.   

   Later, Kate fluffed up the pillows behind her and went to pour them both some tea. When she returned, Liffey was sitting on the edge of the bed with her head in her hands.   She was trying to speak, but her shoulders heaved as if she were about to break down and cry.

   ‘Oh, Liffey, Liffey,’ Kate said, sitting down beside her, gently pulling her hands from her face. ‘Whatever is it?’

   Liffey’s gratitude for her friend’s kindness was whole, but that generosity of spirit,

displayed so naturally towards her by someone she’d only known for a few months, had simply gone to highlight the obvious absence of her parents loving support; the thought of her mother triggering a crushing sense of loneliness within her and bringing an ache to her heart. 

   Kate drew Liffey into her arms and, in that moment, months of anxiety and pent up emotion finally found a physical breach, welling in Liffey’s eyes and flowing down her cheeks.    

   ‘Let it out, Liffey,’ Kate told her, holding her close, rocking her. ‘You’ve been through a lot…and something has to give.’

   ‘I want my baby,’ Liffey croaked through her tears. ‘I just want my baby.’

   Kate sighed, and stroked Liffey’s head.

    ‘I don’t know how I ever got to this point,’ Liffey cried. ‘But it all seems so unreal now.  I can’t believe what I’m doing.’ She wiped her eyes with her hand, and sniffled, ‘I’ve prayed every night that Ronnie would come around in the end and accept the baby as his own.’

   ‘We all have, Liffey,’ Kate said softly. ‘Ronnie loves you with all his heart.  There’s  no doubt about that…everyone can see it.’

    ‘But not enough to accept my child.’

   ‘He’s just a young guy, Liffey.  He doesn’t know how to tackle a situation like this. He

needs time.’

    ‘No, no. That’s not true at all,’ Liffey said, dabbing her eyes with the cloth Kate had given her. ‘We made our agreement ages ago and he was happy to latch on to the idea of us giving the baby up and telling the world it was stillborn.’ She placed her hands on her belly. ‘And as far as time’s concerned, you can see there’s very little left.’

   Kate regarded her sister-in-law thoughtfully.  There was something she wanted to tell her, but for the moment she hesitated.  Besides, Liffey had more to say. 

   ‘Oh, I know what you’re going to tell me, Kate.  You’re going to tell me that I should stop feeling sorry for myself and just be grateful for the fact that Ronnie ever married me at all.  You’re right of course. And you’re probably right, too, thinking what all of you think… that Ronnie’s a fool…that he must have been out of his mind to have ever gotten himself involved with a faithless little tramp who had the seed of another man’s child planted in her belly when he came back to her from the war!’

   Kate turned Liffey to face her full on and, with a stern tone of voice, said, ‘Now, just you listen to me, Liffey MacBaine.  What you’ve just said is absolute nonsense and couldn’t be further from the truth.  Do you honestly believe you’d have been so warmly received by this family if it were?   A lot of girls finding themselves in your predicament would have lied to a boyfriend and tried to convince him that the baby she carried was his rather than someone

else’s.  You didn’t, because you’re far too honest a soul to have even thought of that.  You’re nothing less than a decent girl and don’t you ever forget it. There’s not a single person in this household who sees you as a tramp, so you can get that daft notion right out of your head.’

   Liffey absorbed her friend’s words, but she felt worthless and the tears kept on falling.

   Kate cast her eyes to the ceiling, before taking Liffey’s hand and saying there was

something she had to tell her.  ‘I might well be wiser keeping my mouth shut, because I really wouldn’t want to give you false hope at a time like this. But on the other hand, as your friend, I don’t want to keep anything from you either.’

   Liffey’s eyes widened.

   ‘Billy’s told me, how recently, he’s noticed a big change in Ronnie’s attitude towards the bairn.  I don’t know if you’re aware of it too, but it seems that Ronnie’s been talking to Billy as if you were both thinking of keeping it?’

   Lifey looked baffled.  ‘That’s the first I’ve heard of it, Kate.  He’s certainly said nothing along those lines to me.’  Thinking about it, she added, ‘In fact, we’ve barely discussed it at all since we made our decision months ago.’

   ‘I’m simply telling you what Billy believes,’ Kate said.  ‘You know how close the two of them are, and Billy’s quite a shrewd person don’t forget.’

   ‘But what has Ronnie actually said to make him think that?’ Liffey asked, her mind racing.

   ‘Well, for a start, Ronnie’s been talking about the apartment you’re moving into next month.  He told Billy he thought that a one bed-roomed place was far too small for a family.  And, down at the bar the other evening, he started going on about what sex the bairn was likely to be.  He even mentioned some names he fancied.  Seriously, Liffey, Billy’s convinced that he wants you to keep it.’

  

   Kate’s words were like a blessed song to Liffey’s ears, and the salty tears reappearing in her eyes were ones of early relief.   Could it really be possible, she asked herself, that Ronnie had changed his mind at the eleventh hour; that the man she adored was truly prepared to spurn his youthful pride to recognize her child and join her in bringing it up as his own?  Had

heaven finally heard her prayers and pardoned her after all?  Liffey’s mind reeled with excited optimism.  Even as her body tensed with the onset of another griping spasm, her lifted spirits seemed to lessen the pain; and she held on to the inspiring idea that if Ronnie had now been blessed with enough understanding to show her his compassion, then might it not be too much to expect an eventual, similar forgiveness from her mother too?

 

   Douglas and Billy MacBaine had set off for market at seven o’clock that morning and 

on the way home they’d spent an hour or so with a motor trader, out at Cochrane, haggling over the price of a new truck that was badly needed for the family’s growing business.  Father and son hauled their boxes of fresh produce into the store at midday, pleased as punch with them-selves for the bargain deal they’d finally struck for the replacement vehicle, and looking forward to a hearty lunch waiting for them on the living room table.  Putting his last box down on the counter, Douglas crept towards his tiny wife with his shoulders hunched, like Groucho Marx, fluttering his fingers round an invisible cigar.  He grasped a reluctant Tilda round the waist and said, ‘I say, I say, my little chickadee…what gastronomic feast awaits these starved and worn out men-folk of yours, this fine September day?’

   Tilda tut-tutted and slapped his hands away, po-faced and totally under-awed by her

grinning husband’s rather confused impression.  ‘There’ll be no lunch served in this  restaurant today,’ she told the laughing pair.  ‘Just beyond that curtain there’s a baby battling its way into the world.  So, unless one of you took a midwifery class on your way home this morning, I suggest you take yourselves off to Dawson’s Diner for the next couple of hours.’  Her words wiped the smirks straight off their faces, but Tilda came close to laughing herself, watching them making their white faced, scared-rabbit retreat to the door.  ‘Don’t go taking more than a beer each, either,’ she called out after them. ‘One of you’ll have to drive Liffey down to the hospital when her time comes.’

  

   By mid afternoon, Liffey had moved into the second stage of her labour; the contractions advancing to the point where they were coming continuously, making her moan all the more and wearing her down.  

   Kate hated seeing her friend in such discomfort; fearful, too, in the knowledge that a similar ordeal was waiting just around the corner for her.   She was shaking her head, wondering just how much a woman was expected to suffer for the sake of human procreation, when Liffey suddenly grabbed her arm and announced her awareness of a warm dampness spreading

beneath her.

   When Kate hurried into the shop and nervously whispered the news into her ear, Tilda 

MacBaine decided that now was the time for action.  With the cool authority of a general

implementing a military strategy, she got her act together.  She finished serving the customer standing at the counter, and carried the woman’s laden grocery basket to the door, bidding her a polite good day.  Turning the displayed open sign to closed, she instructed Kate to go and fetch the men from Dawson’s.  Then she pulled down the blind and, leaving the door unlocked for the others, went to make her call to the hospital.

                                                         

 

 

 

 

 

 

 

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JPK wrote 392 days ago

Richard,

This is simply stunning. It is one of those books that from the opening lines you just know its terrific and truly gripping. This is one of my fave genres and as I was unfamiliar with the original background it made it a really good thriller for me. I worked in the field of true crime (forensics .... photography) back in the 70s / 80s and I love the writing and atmosphere that you have created. I also appreciate the research that went into this as a writer myself ..... its all in the research .... that minute fact .... that description of something real ..... I spent time in Italy with my published books on St Clare of Assisi and St. Gemma Galgani of Lucca so I know the pains you went to. What you have researched and put down is also so visual. If I were a publisher or filmaker I would drop everything for this. Well done .... by far one of the best reads on Authonomy

John-Paul ("In Violet")

FRAN MACILVEY wrote 418 days ago

Dear Richard

I have read some of the praise that "Cap Tormente" has received, and I have to say - I agree. This is spellbinding writing , full of emotion - mainly anguish, from what I have read so far - but very readable, despite some glitches with presentation.

Despite sorrow and anguish not being my favourite topics, I just find this so readable. There is something in the fluency of your style, the sadness of the story unfolding - youngest son Macbaine dying, just like that - that just begs to be read. Perhaps because it is based on true events. perhaps because your unsentimental delivery gives the account truthfulness. There is so much to like, about the story, its presentation and the way you write.

For such an awesome package, with such reach and ambition, there is only one place for this. On my shelf asap. Meantime, would you accept my WL, top marks and a small apology?

Wonderful.

Fran Macilvey, "Trapped" xx :)

CMTStibbe wrote 771 days ago

Cape Torment is a great book. I am not sure whether a book has been written before on this topic and I applaud you for its uniqueness. The lawyer’s point of view is emotionally conveyed as he watches an execution. He is inwardly thwarted by the proceedings since there is nothing more he can do. The prologue is poignant; it will take a few tissues to get through. As I read on, I realize this is no ordinary book. It is powerfully charged with a pitch that pulls a large audience. Research has made your characters vivid and authentic. I say it’s a winner and I have rated it highly. Claire ~ Chasing Pharaohs.

Bill Carrigan wrote 806 days ago

Hello, Richard--I started to read "Cape Torment" when I saw the words "Quebec City," which I've found delightful. Much impressed with your heart-wrenching prologue, I continued reading for ten chapters and then skipped ahead, impatient to learn more about the crime. I was disappointed to find some chapters unavailable, but it served me right for trying to save time. I'd already read enough to judge the writing superb. The characterizations are perceptive and the descriptions vivid. Emotions are conveyed with gripping intensity. The scenes employing the "universal author" are well handled, many with clear, realistic dialogue. In short, this is a fine novel, professionally executed, and I would buy or recommend it without a moment's hesitation. It will be on my virtual shelf today--and best of luck to you.

Bill Carrigan
"The Doctor of Summitville"

Joe Bloggs Esq. wrote 154 days ago

What a great story! The first book I look at on this site and it grabs me by the throat. Fantastic! Can't wait to read more.

CATHERINE SHAW wrote 154 days ago

Brilliant pitch and exciting, detailed, well researched writing. Top stars and on my watch list.

Cathy

Seringapatam wrote 154 days ago

Richard, a very deep story. I have enjoyed this beyond words. So well written with some humour which I really like. I wish you luck int he future.
Sean.
if you get a chance have a look at B.A.O.R...

YGPAC wrote 181 days ago

Wow! Nicely written and discriptive all the way. What can I say, its deep story even though I haven't finished read it, but very interesting with a few humours parts I found. Great work, can't wait to conclude this

Neville wrote 212 days ago

Cape Torment (Cap Tormente).
By Richard Donovan.


Absolutely brilliant writing!
The prologue for me is exceptional, capturing the sadness of the whole spectacle.
The sense of despair is taken over by acceptance of the punishment—there’s no way out of this.
If this was a dream then the sleeper would wake up covered in sweat…the finality of it is frighteningly penned.
The scene of the Nuns and the Priest, trying to bring comfort to the condemned, the helplessness of the lawyer as he oversees the final minutes.
For me this is a most compelling read with a striking feel of reality about it.
I truly hope that this book will be published…Why?...because you won’t get any better than this.
Six stars!!

Very best wishes,

Neville. The Secrets of the Forest – Cosmos 501.

Tod Schneider wrote 261 days ago

Arggh! The software ate my comment. Richard, this is really gorgeous writing. It has a powerful pull to it, and a poetic aura. You serve up a great mix of description and spare dialog that works quite well. This book should see great success! Best of luck, and if you're up for some children's literature, please come visit the Lost Wink.
Thanks!
Tod
http://authonomy.com/books/40646/the-lost-wink/

Maria44 wrote 267 days ago

I liked this.

A lot of show, little, if any tell. The finality of the woman's last moments and her acceptance of her fate are very moving. Only criticism is the spacing of some of the lines but I got used to it. Not a fan of present tense but the writing was so good it swayed me enough not to realise until near the end of the first chapter.

Nice going.

Maria

Sue50 wrote 364 days ago

Awesome story! Happy to Back your work. Hope you have a chance to check out Dark Side by CC Brown.
Sue50

Lena M. Pate wrote 371 days ago

One of the best books I've read so far on this site. Gripping, great read, easy to follow, characters are well rounded, just plain interesting. Plan to come back and read much more. No recommendations at this time. A real page turner I plan to put on my bookshelf.

F. Glass wrote 371 days ago

Quite a great effort. well researched and well written

fictionguy wrote 373 days ago

I don't understrand why you used present tense in the prologue like directions in a script. However, you changed that starting in the first chapter and it worked well. I am a sucker for mysteries and have one being considered at a publisher, so I am giving it four stars and will be back to read the rest to see how it ends. I may put it on my shelf then.

Karamak wrote 375 days ago

This is truly excellent, from the beginning you grab the read by throat and run with it, superb read. Karen Faking it in France.

maretha wrote 376 days ago

Dear Richard A friend on Authonomy recommended your book and I read the introduction and couldn't put the book down. I'm on ch 20 now.
I wanted to propose a swap initially but rather put the cart before the horse.
If you would still be interested my book has 25,000+ words and I really would appreciate a read,comment and if warranted a rating?
I have Cap Torment on my watchlist for the time being. Hope to hear from you in nearby future.
Kind regards
Maretha African Adventures of Flame Family Furry and Feathered Friends

Wanttobeawriter wrote 389 days ago

CAPE TORMENT
This book has a dramatic beginning: a woman waiting to be hung. I like the way you go from there back in time to explain how a woman got into that predicament. Liffey and Kate are both good characters; I identified with Liffey right from the start (I’m assuming she’s the woman on the scaffold but wish you had given her name in the first chapter so I could be sure). You describe well the difference in childbirth between the 1940s and today (really makes me appreciate that epidural). Your writing style is good for historical fiction: you’re adept at writing enough detail a reader can picture what is happening; not so much you bog down your story. Highly starred and added to my shelf. Wanttobeawriter: Who Killed the President?

Cyrus Hood wrote 390 days ago

Richard,
i read five chapters straight off. this is great, just great. The first is just desperate and graphic and drags the reader down a one way street. Your style and the pace are pitched just right but i find the formatting pretty eratic - that might just be the Authonomy download.

i could find no fault other than 'Packhard' - should be Packard

Well done- a fist full of stars and on my watch list

regards

Cyrus

JPK wrote 392 days ago

Richard,

This is simply stunning. It is one of those books that from the opening lines you just know its terrific and truly gripping. This is one of my fave genres and as I was unfamiliar with the original background it made it a really good thriller for me. I worked in the field of true crime (forensics .... photography) back in the 70s / 80s and I love the writing and atmosphere that you have created. I also appreciate the research that went into this as a writer myself ..... its all in the research .... that minute fact .... that description of something real ..... I spent time in Italy with my published books on St Clare of Assisi and St. Gemma Galgani of Lucca so I know the pains you went to. What you have researched and put down is also so visual. If I were a publisher or filmaker I would drop everything for this. Well done .... by far one of the best reads on Authonomy

John-Paul ("In Violet")

James Dalton wrote 394 days ago

Your writing is terrific, as I’ve found are most authors on this site. Your novel is on my watch list, ready to read in its entirety as soon as I can. Six stars; and will back when I can. James Dalton.

zrinka wrote 412 days ago

Wow! This should be published. Don't wait for this site to put you on ED only to get rejected. My publisher would love to have this. Contact them.

FRAN MACILVEY wrote 418 days ago

Dear Richard

I have read some of the praise that "Cap Tormente" has received, and I have to say - I agree. This is spellbinding writing , full of emotion - mainly anguish, from what I have read so far - but very readable, despite some glitches with presentation.

Despite sorrow and anguish not being my favourite topics, I just find this so readable. There is something in the fluency of your style, the sadness of the story unfolding - youngest son Macbaine dying, just like that - that just begs to be read. Perhaps because it is based on true events. perhaps because your unsentimental delivery gives the account truthfulness. There is so much to like, about the story, its presentation and the way you write.

For such an awesome package, with such reach and ambition, there is only one place for this. On my shelf asap. Meantime, would you accept my WL, top marks and a small apology?

Wonderful.

Fran Macilvey, "Trapped" xx :)

Juno 66 wrote 424 days ago

I'm loving this and I need to read more before coming to a judgement. I think much of your writing is very good... but every now and again there are phrases that jar. For example, when one character says, "Seriously, Liffey..." it didn't ring true - not that one should try and write as people might have spoken in 1946, but that just struck me as too modern. Also, I know this is a true story... but would she have gone to hospital to have the baby? In the UK, most women had their babies at home during this period. If she's going to the hospital for a reason - because the baby is going to be taken away - then it might be worth mentioning that, to avoid historical accuracy antennae twitching!
In every other respect - a gripping story, and I'm keen to read more. And stories based on true historical accounts are often adapted to movies - so - good luck!

RB Ray wrote 425 days ago


Hi Richard

I've put your work on my watchlist. Don't worry if it takes me a few days to get back to you, it's just that I work silly hours.

If you have any spare time, is there any chance you could cast your eye over Motive Irrelevant to see what you think of it? it's a crime thriller with a few twists.

Regards

RB Ray

Rubyone wrote 426 days ago

I was only going to read the first few pages of this book but I was so caught up in the story I went well beyond that. Atmospheric, spine chilling, well written, certainly a page turner. A powerful story.

Wilma1 wrote 433 days ago

Cape Torment is an exceptionally good read and I would love the luxury of reading all that is posted but time does not permit I’m afraid. I like your writer’s voice and the pace that you write this story. From the dramatic prologue and into the first three chapters there is a lot to admire. This is professionally honed piece and needs very little work to make it a six star read.
I wish you luck
Sue
Knowing Liam Riley
One foot in the Jungle

Richard Donovan wrote 439 days ago

Dear Wee Timrous Mousie,

Thank you very much for your continued backing of ''Cape Torment.'' Your support and comments are greatly appreciated.

The point you have raised is a very valid one. It is absolutely appropriate, and only to be expected, that any reader of this book -based on a true story- would question the author's decision to change the names of all the characters within it. Friends have done so, and I'm really rather surprised that you are only the second reader to have asked me about it here. It's been a difficult issue, one that I've wrestled with ever since I decided to run within the novel the parallel story of the flight's stewardess, who I'ved named Liffey MacBaine. Initially intending to write only about the crime and its convicted perpetrators I had no qualms about giving those people their real names. Although researching their backgrounds was far from easy - little being documented really - I felt reasonably comfortable putting mostly imagined words into their mouths to recount a history I estimate to be approximately ninety-percent factual. However, I was concerned about inadvertantly glamourizing these sentenced villains, learning from my research - and from my own life's experience - that, in such cases, the names of the criminals involved are often remembered forever, whereas the innocent victims, who's lives they've destroyed, are usually forgotten. I decided to introduce the story of one of those people who quite innocently and through fate alone had found themselves caught up in the terrible tragedy and, for reasons too lengthy to go into here, I finally approached the living relatives of this young woman to see if they would agree to my including what they knew of her personal story in my book. Fortunately, they embraced the idea wholeheartedly and, after flying to meet them in Canada several times over the ensuing years, they have become good, personal friends.

( Continued below )

Richard Donovan wrote 439 days ago

Sadly, ''Liffey's'' parents had died years ago and, although we were able to gather a lot of information which would serve me well in conveying the essence of her personal story, I soon realized that I would have to rely upon my imagination to fill in areas we had no clear answers to. It is because I had to touch upon some very personal aspects of her life, describing her feelings and thoughts with my voice rather than hers, that I cannot claim to have done full justice to her truth in the end. That would be impossible. But I have attempted to write sympathetically and with sensitivity about a good human being, who one elderly school friend described as being beautiful on both the inside and the outside. I suppose on some level I have become emotionally involved with the person who gradually evolved to become the book's principle character; and it was only out of respect for her and her fellow, ill-fated travellers (most of who's relatives I was unable to trace) that I arrived at the overall decision regarding the name changes. Having consulted with those most directly involved, I feel it was the right choice to make. If I am ever fortunate enough to have a publisher take a genuine interest in the book, I'm sure they will pose the same fair question you have, and I can only hope that, just as I hope you will, having read my explanation they might begin to consider my action to be an acceptable one.

Many thanks again for your important comments and the support you have already given to ''Cape Torment.''

Best regards,

Richard Donovan

wee timrous mousie wrote 439 days ago

I watched the video trailer and I have to ask why you made up new names rather than use originals? I like the story and back it.

Richard Donovan wrote 440 days ago

For those who might be interested, I have recently uploaded a book trailer to YouTube. Enter ''Cape Torment'' or ''Albert Guay'' to view. Thanks, Richard

TDonna wrote 450 days ago

Richard, the prologue made me want to keep reading and I did. You have a good plot to start with, but succeeded to weave the emotional thread that brings readers emotionally into the story.I like your writing style. It flows well. Vivid descriptions.
T. Donna Robison (No Kiss Good-bye)

librarian wrote 453 days ago

I vaguely recalled seeing an old drama and a few minutes in the research section turned up Albert Guay. I'm puzzled why "these characters are researched representations of the real people " rather than the actual names, but that's not something I have control over. I do back it.

Elizabeth Buhmann wrote 458 days ago

What an interesting story! I am puting this on my watchlist so I can get back to it as soon as I have a chance, to read on beyond the prologue. The tension and high emotion are riveting, and the broad hints about the nature of the story make me want to read on. Looks very good!

Carolyn Brown Heinz wrote 464 days ago

Richard, This is a powerful opening chapter, and the second chapter (all I've read so far) maintains the forward momentum. Wonderful spare writing, all that's needed to tell a story as innately gripping as a woman on the day of her execution. And childbirth in the second chapter! I'm putting this on my bookshelf and watch list.

Good luck going forward.
Carolyn
Mage at Midnight

scargirl wrote 465 days ago

good writing. tough climbing the ladder here, but enjoy the journey...
j
what every woman should know

RoyEarle93 wrote 492 days ago

I read the start of this book up to about chapter 4 and was duly impressed with your superb writing style. But even more than that I admire your dedication in reviving events from so long ago. The way you manage to bring the 1940's to life in this book is something that most people couldn't do. This one is really a winner.

Good Luck!,

Roy Earle, "Bad Men and Bad Odds"

magog wrote 572 days ago

Richard,
I must admit I hadn't heard of the Albert Guay crime, so I read quite a bit on the Internet and found it fascinating.
I admire your dedication to bringing this story to a new audience.

Because some of the websites I looked at were in French, I couldn't be sure if it had ever been made into a movie.

Your account of these events gives a fascinating insight into the era and all your painstaking research helps bring the characters to life 60 years later.

I wish you all the best with this well-written novel.

Carole Pitt

Tom Bye wrote 607 days ago

hello Richard-
book-Cape Torment -

I read the first eight chapters and then some chunks more;
after reading the prologue when she is led from prison cell to the gallows, i had to read on; the premise is there for a great story;
And a great one indeed, you have written, the style of the writing, the characters and lots more, as you bring this true story alive again; all of it exiting yet disturbing.
to sum up-its compelling and makes for a most interesting read.

good luck with it.
tom bye
from hugs to kisses'
oblige an look at mine, although not of the same genre. thanks

lucky erin wrote 619 days ago

If this is the airflight bombing over Sault-au-Cochon, I don't understand why you used fictional names. If it's thoroughly researched, shouldn't you stand proud of that? It's not like the dead will sue if you have a small error.

This won't stop me from shelving it, but I can't give a full 5 stars. If I'm wrong, I'll gladly change my rating.

mick hanson wrote 636 days ago

Being English I don't know very much about the Albert Quay crime but I think that doesn't really matter - what does matter however is the manner in which you have interpreted the story. I think sometimes the most shocking of events when told in the simplest fashion drive home the point more and this is one such case. Would have liked to have known more about the condemned cell and the shock of the hidden door to the gallows - why for instance it was designed in such a fashion etc and a possible hint as to the crime she had committed maybe a sort of taster to draw in the reader? Well done - Wilfred (He Was a Most Peculiar Man)

Ian Walkley wrote 648 days ago

Great pitch and good start. Unfortunately the formatting is distracting from the content. Maybe get rid of some of the adverbs and use stronger verbs. All the best. Ian

Jesse Powell wrote 664 days ago

I like how you have tied so many subplots into this story!

Richard Donovan wrote 665 days ago

I like the book, but I'm not sure the diary like style with dated chapters quite works. The tension presumabely is supposed to be that we are getting nearer the terrible day when the horror happens.

But that should really be done by the writing and using the dates to try and set a deadline for rising tension, seems a little bit of a cop out.

Unless you had some other intention in using the time lime as a frame for the book?



Many thanks for your kind backing of ''Cape Torment.'' I greatly appreciate it, along with the comments you made.
With regards to the relevance of dating the chapters, let me try to explain. The book follows very closely the true story it is based upon, and the historic events described span a period of three years, playing out on both sides of Canada, with multiple characters and situations involved. To keep things as straightforward as possible for the reader and to avoid any confusion as to what was happening to whoever at a given time, and where it was taking place, a location and time indication seemed the most appropriate and sensible choice for me to adopt.
Thanks, too, for your message requesting that I take a look at your own book. I will be more than delighted to read it, and I plan to do so over the next few days. Best regards to you in the meantime, Richard

I like the book, but I'm not sure the diary like style with dated chapters quite works. The tension presumabely is supposed to be that we are getting nearer the terrible day when the horror happens.

But that should really be done by the writing and using the dates to try and set a deadline for rising tension, seems a little bit of a cop out.

Unless you had some other intention in using the time lime as a frame for the book?

strachan gordon wrote 676 days ago

Brilliantly done , I have only read the first chapter , but you have provided an immediate hook for the reader - a\t the same time leaving unknown the reason for the woman's execution ,which I think is right and will definitely get people reading your book. Clear, literate style it is ver capable when dealing with the dramatic.Just one minor criticism - there seem to be a number of inexplicable spaces between certain lines and paragraphs.This may seem trivial , but people take note of these things. Would you be so kind as to take a look at 'A Buccaneer' , about Pirates in the 17th century , with best wishes , Strachan Gordon

TMTHOMSON wrote 681 days ago

I can't remember the relevance of the hanged woman in Chapter 1 and we can't flick back and forth very easily on this site. Apart from not knowing who Barbara Stanwyck is, I found the first 2 chapters easy to read and intriguing. One to watch. Well done and good luck. TM Thomson Kiss the Candle Goodnight

markwoodburn wrote 689 days ago

This is a slow burning and well structured dramatisation of a notorious case from Canada's history. The prologue is a stunner and the early chapters set the scene nicely. The fact that you have gone to great lengths to research is a tribute to your dedication in getting this story known. I had to do a bit of research for my book but did not have to go as far as you did! This deserves success and I hope you achieve it. Starred, regards, Mark

stephen racket wrote 690 days ago

I've never heard of the Cape Torment crime and as this looked fascinating, read the first couple of chapters. Great prologue, very well-written and taut. Impossible not to get caught up in the emotion of the situation. I also enjoyed the first chapter. Liffey's predicament is heart-breaking, her optimism seems certain to be dashed. I thought the characterization was good and the dialogue realistic and believable. It's going to be tough resisting a Wikipedia search until I've finished reading this. No nitpicks come to mind. Well-starred and on my WL for further reading. Good luck with this.

katjay wrote 691 days ago

Hi Richard. This is an impressive book. You have seamlessly combined obviously exhaustive research with undoubted writing skill to bring this story to life. It is an enviable gift to be able to translate, dry facts, names and dates into real life, peopled by flesh and blood characters. The prologue is superb. Who couldn't resist reading on?
Have starred and you're on my WL, with a view to backing shortly.
Kat x Hens from Hell

Cecilia Williams wrote 707 days ago

I found the opening chapter interesting and will read more (Cecilia Williams, 'Emotional Integrity')

Rickie Bill wrote 722 days ago

Backing your work with pleasure! Hope you have a chance to take a look at Dark Side by CC Brown. Good Luck to you.
Rickie Bill

Gefordson wrote 747 days ago

Having read this Richard and found the story fascinating I don’t have much to say that will be particularly constructive (or that adds to other comments).
Great research, a story that deserves to be told, well written, intelligent, informative – I could go on.
I don’t really know what True Life editors are looking for by way of style but commercially speaking, if they like other editors and agents respond to the first page then that might need some work. At the moment the repetition of he, him, his, her in the Prologue feels awkward and slightly off putting – I’d be tempted to name your characters and get a connection established straight away. The pronouns had a distancing/alienating effect when I re-read it.
Anyway, as I say, I was happy to have this on my shelf and really hope someone likes it enough to take it on and help you shape it into a really successful book
Geoff

mrsdfwt wrote 766 days ago

Dear Richard,
I only read the prologue and chapter one of your work so far, but it brought me to tears and i know i will be backing it with pleasure, high rating it, and coming back for more.
Best,
Maria
"Dark of the Moon."

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