Book Jacket

 

rank 4278
word count 63069
date submitted 24.10.2008
date updated 18.06.2011
genres: Fiction, Romance, Science Fiction
classification: moderate
incomplete

Connected Obsessions

Neil Mavrick

How far would you go to save the woman you love?
Beyond the boundaries of science?
But what if you had never actually met her?

 

Rachel Starr is a wannabe actress. Ever since she realised there were such people as movie stars, she’d set her heart on joining them.

She has been in Hollywood for two years, but she is not alone. There are hundreds like her, and many face dangers from those who would entice them into the world of pornography, prostitution - or simply into bed.

The story follows the life of Rachel Starr from the age twenty-two, when we first meet her. It is a life that holds many emotions. Love and happiness certainly, but also heart-ache and sadness, and more than a hint of jealousy. A life of contrasts, too, and one that reveals an intriguing mystery along the way, culminating in a revelation the shock of which penetrated even into her soul.

Paul Lander is an enigmatic character, possessing an intimate knowledge of what the future holds for Rachel - unless he can use his three obsessions to intercede on her behalf.

Three connected obsessions.

 
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climate change, global warming, the ecology

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Chapters

21

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Book II - Paul Lander

 

 

 

 

Memories.

 

The LA offices of the Lander Institute were located at the top of a high block in the city centre.  Two rooms only, one of which led out onto a roof-top terrace.

Paul was sitting at his desk, looking out through the glass doors that led onto the patio, though he was seeing nothing. At least, nothing of LA. The gala had brought it all back; he was in another world, that of his youth -- or more specifically his early twenties.

A local newspaper lay on top of the desk, opened to reveal the glorious picture of Rachel as she ascended the steps at the gala, though for the moment he was oblivious to it being there.

Paul couldn't recall ever feeling so emotional. Or so relieved.  He'd managed to achieve the impossible.

He laughed out loud. The impossible? If only people knew.

With some difficulty he forced himself to concentrate on his surroundings, and fumbled for his keys. Then he unlocked the bottom drawer of the desk and extracted a large envelope, placing it beside the newspaper.  He smiled. Did he extract the contents? If he did so, without doubt he'd be transported yet again to those early years.  He always was.

He reached out and picked the envelope up again, opened the flap and slid out two newspaper cuttings; two from all of the cuttings that had adorned the walls of his study all those years ago, together with a number of posters depicting Rachel's movies, including Honeymoon Alone.

Paul unfolded the first item carefully; his hands were shaking. It was a copy of the picture in the newspaper, or at least looked like that at first glance. Rachel was wearing the same gown and climbing the same steps in an identical pose, but the expression on her face could not have been more different. The captivating smile of the picture in the paper was simply beautiful. In the cutting her face bore a disturbing, haunted smile.

Immediately, Paul was back in his youth, letting his stool swivel slowly, and surveying the walls of his study as they passed before his eyes until they settled on that picture.  The one that had started this crazy obsession. Then he would notice the item that hung beside it.

He began to unfold the second cutting, though he was only partly aware of doing so, and lay that beside the two pictures.  He didn't need to read it, he'd done that so many times he knew it all by heart. The report of the death of the actress Rachel Starr on 12th November, 2007, aged just twenty six, and of the final note she had written in total desolation before taking the overdose.  Whenever he looked at that he felt the familiar surge of anger at the unfairness of it all.

In August 2002, whilst attempting to break into the competitive world of the movies, Rachel had been subjected to a violent rape, and was unable to trust any man thereafter, gradually becoming increasingly confused and lonely.  And wracked by guilt.  There was no justification whatsoever for the guilt; that was all within her mind, but she'd never been able to reveal what had happened to anyone, until writing that final despairing note. In the end it had killed her.

Paul wiped a tear from the corner of his eye as his thoughts came back to the present. When had all this been? When he was twenty-one, in 2189. The year in which he had fallen in love with Rachel, though how can you love a girl you have never met and who died almost two hundred years ago?  He'd asked himself that question on countless occasions. Obsession?  What else could it be?

He closed his eyes in thankful prayer. Thank God he'd discovered the connections.  Thank God he'd been able to save her.

-----------------------------------------------****-----------------------------------------------

By 2189 Paul was already well immersed in his theory, not that any of his superiors paid much attention. In the field of Metaphysics and Existentialism he was considered far too young, even in an age when the technology of subliminal education could create university graduates by the age of twelve, and he was then already twenty-one.

Nevertheless he had persevered, never for a moment appreciating what the impact of his theory would be.

His theory.

Time and space do not move in straight lines but in parallel dimensions, with intermittent folds that can cause one time or place to cross another.

There would normally be no effect at all when this occurred, but if it so happened that an object at one of those specific locations and times was surrounded by a strong enough magnetic charge, that object could move from one era to the other.

Despite Paul's confidence in the theory, it had nevertheless seemed implausible -- until that day.

-----------------------------------------------****-----------------------------------------------

By 2190, the time had come to give it a try.

Paul had calculated and recalculated the co-ordinates and then repeated them again and again; the result was always the same, pinpointing the location on a dirt track some ten miles away from where he lived at the time.  That had been an extraordinary stroke of good fortune; the connection could have occurred anywhere on the planet.  He'd also calculated and recalculated the time of the next connection goodness knows how often.  In exactly two minutes and fifteen seconds.

The protective suit he was wearing was restrictive. Hell yes. Those darned suits; a reminder of his other obsession, but that was another story. He smiled at the memory. He'd somehow managed to place the packet in the correct area; no need to be too precise, there was some leeway.  Thank goodness satellite navigation aids were still in operation even though there was no longer much use for them in those days.  Then he waited impatiently.  If his theory was right...

The last few seconds took an age to tick by; five, four, three, two, one, zero. Then, despite the cumbersome suit, he literally leaped into the air with a loud cry of 'Yes!'  The packet had disappeared.

That, of course, was all in the past.  Well, in his past.  Once you have proved that it is possible to step through time and have taken that fateful step, the past, present and future become more than a little confusing, but it also opens up incredible opportunities.

Reflecting upon that period now, Paul could remember so clearly how the idea had started to germinate. The fact that no one would listen to his theories had been intensely frustrating. As a result he had returned to his obsession with Rachel to take his mind off it all. It had certainly worked. Then he had suddenly realised the full significance of what he'd discovered as far as Rachel was concerned, and what he might actually be able to achieve.

-----------------------------------------------****-----------------------------------------------

The fact that Paul might be able to save Rachel from her fate, hit him with stunning clarity one night. Perhaps he'd dreamed it, he really didn't know, but he'd latched upon the idea immediately.

His subsequent calculations, however, were a huge disappointment.  These connections were relatively few and far between and there was only one suitable connection he could possibly use, but that was in two years time, in 2192,  and would mean he'd arrive much too late. None of the intervening links helped.

However, the more he worked on the problem, the more plausible it all became. He could use a series of connections, moving to one era and waiting for another suitable connection, and so on. By doing so, he reckoned it  would take him twenty two years to finally reach Rachel's era, in 2000. He'd be in his early forties by then, not that that mattered so long as he reached her in time. But everything depended upon him being fit and well throughout those years, and there was no way he could possibly guarantee that. But he could at least try.

What had he got to lose?

Life in the late twenty-second century, but  that was not exactly idyllic.

He might miss one of the connections and find himself stranded at whatever time he had reached.

He'd no real idea what effect moving through the connection would have, nor even if he'd actually survive; he believed he'd be OK, but that had to go down as a minus.

On the plus side?

He'd have one hell of an advantage, knowing what the future held -- as long as he didn't abuse that knowledge.

But if it all worked, he'd be able to rescue Rachel. Amazing.

Even as he weighed up the pros and cons, Paul knew he had no choice. He would have to try.

-----------------------------------------------****-----------------------------------------------

So far all had gone well, though the connection Paul had used to arrive in the year 2000 had not gone quite as smoothly as he would have liked, though admittedly it had been even more of a shock to one couple, the Saunders.

Considering how much of the world's surface was covered by water, it had come as no surprise that some of the connections occurred in inconvenient places.  Mind you, the same could also have been said of the first, and that was over land.

The 2000 connection -- Paul always tended to think of these in terms of the year he arrived in, rather than the year he'd just left -- was located in Venice, and despite being in a city, inevitably occurred over water on one of the canals that led to the Grand Canal.

Making the connection was always unnerving. Always?  Paul laughed inwardly.  Anyone would think he'd done this numerous times.  They'd be wrong of course, this one would only be his second.

The first had been the most worrying.  Well, a slight understatement there, it had been absolutely terrifying, but under the circumstances that was hardly surprising. Although he'd calculated and recalculated the co-ordinates countless times, there had been no cast iron guarantee that it would work and that he would arrive at the place and time he expected.  On this particular occasion he knew for a fact that he'd succeed, which obviously helped, but even so...

Then he recalled hearing the voices of his companions soon after the connection had been made, and for a moment he was there again, reliving it all.

-----------------------------------------------****-----------------------------------------------

"What's happened?"  The woman sounded worried.

"I have absolutely no idea, my darling." Her husband's voice reflected that concern.  And their unmistakable English accents.

Paul could just make out their expressions in the dim light.  Difficult to judge, though. The eerie reflection of moonlight in the canal waters was casting a shimmering glow across their features.  No doubt they were stunned, but that was understandable.  One moment the woman had been close to falling from the bridge into the polluted canal in mid-afternoon, then, as soon as he'd managed to get both her and her husband safely into the boat, they'd made the connection. The area was now bathed in the pale moonlight.

"I'm sorry, Mr and Mrs Saunders.  You're safe enough --”

"How do you know our names?" the husband interrupted, his voice now more incredulous than concerned.

Paul smiled. He doubted that either would see his face clearly enough to notice, but he wanted to reassure them, or at least try to.  However, when they knew the truth that might prove difficult.

"I was expecting this to happen.”

"You were?"  Still incredulous.  Then the concern returned.  "What exactly has happened?”

Paul gave a slight laugh.  "Quite a lot."  He paused momentarily. "As they say, there's good news and there's bad.  The good news is that you're both safe and well.  Had you fallen into the canal, Mrs Saunders, as you're no doubt aware, it would not have been good for your health.”

"That's for sure," commented her husband.  "And we really are most grateful for your timely intervention."  After another brief pause he quietly asked, "And the bad news?”

"We're not exactly where you think we are.”

"We're not?"  Paul watched as Mr Saunders looked around. The  boat was still approaching the Grand Canal as it had been earlier.  It certainly looked like Venice.  The man looked back in Paul's direction.  "I'm sorry, but I'm not with you.”

"Well, it's not so much where, as when. If my calculations are right -- and I'm sure they are...” and he told them.

-----------------------------------------------****-----------------------------------------------

The Saunders, once Paul had explained what had happened, were shocked. Well, astounded and incredulous was perhaps a more accurate description.  However, they had experienced the event; in the end, they'd accepted reality, especially once Paul had told them all about himself, and his reason for doing this, hiding nothing.

Considering the circumstances Paul reckoned they were incredibly unfazed -- a typically British reaction, now he came to think about it. That was no doubt helped by the fact that, through a stroke of good fortune, the couple had no relatives who would miss them, just each other, and as long as they were together, they were happy. And Mrs Saunders thought that Paul's endeavours to save Rachel Starr were so romantic.

As a result, they agreed to work for Paul, although it would require a change of name for him to get them into the US.  They wouldn't object to Mr and Mrs Anderson, would they?

-----------------------------------------------****-----------------------------------------------

Paul came back to the present with a jolt. That was enough reminiscing. He had things to do. He carefully folded the cuttings and slipped them back into the envelope. That he replaced in the desk drawer, which he then locked.

Paul had earlier contacted the photographer who had taken the newspaper photo, and asked him if he would let him have a print, for Rachel.  He'd been only too happy to oblige and Paul was about to go and collect it so that he could have it framed.  He'd find some suitable occasion upon which to give it to her, later.

If he didn't get a move on he'd be late. Even so, he lingered on at his desk. Concentration was difficult. Too many memories, and questions.

The question that was uppermost in his mind was whether or not he should tell Rachel the truth. Or to be more accurate, when? She'd have to know one day, that was unavoidable.

It would simplify things if she knew, and avoid the kind of slip he'd made the other day when he described that darned gown before she'd even bought it. Idiot.  Luckily he'd gotten away with it, but would he always? Or would he for ever have to be on his guard?

On the other hand, he still had one more connection to make and that gave him a massive head-ache.  If he didn't tell her, she'd be distraught.  If he did, but something went wrong with the final connection, she'd be equally distraught. A no-win situation.

Ah well. He didn't have to decide right now. It could wait. He really must get going and collect that photo. And he had to contact the woman who had won that goddamned auction for a dinner date.  Why had he ever agreed? What had Rachel gotten him into now?

Chapters

21

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Kevin Alex Baker wrote 971 days ago

Neil,

Wow, this is a mind-twister in the best possible way! You do a wonderful job at blending dreamy romanticism with science fiction, and I'm curious to see where you take this!

Nice job! Backed! Looking forward to your thoughts on Head Games!

Kevin Alex Baker
Head Games

M. A. McRae. wrote 804 days ago

Well written and a gripping story. Polished - no typos that I saw in the first four chapters. Very well done, to be backed, Marj.

Bradley Haynes wrote 860 days ago

The story is full of mysterious intrigue, the characters are interesting with lots to unravel and the opening chapters are thoroughly engaging ensuring a promising read.
Regards.
Bradley Haynes (Tricia)

missyfleming_22 wrote 963 days ago

This is the kind of science fiction that really makes your mind work overtime but in a good way! Its brain candy! I think you have a wildly original storyline and exciting characters. It grows and grows and doesn't seem to let up. I would have read on for sure!

Missy
Mark of Eternity

Kevin Alex Baker wrote 971 days ago

Neil,

Wow, this is a mind-twister in the best possible way! You do a wonderful job at blending dreamy romanticism with science fiction, and I'm curious to see where you take this!

Nice job! Backed! Looking forward to your thoughts on Head Games!

Kevin Alex Baker
Head Games

Barry Wenlock wrote 972 days ago

Hi Neil,
I read the first two chapters and enjoyed them. You write well and I didn't spot any typos.
I liked the opening with 81? year old Paul remembering when he was 21 and what happened. A good intro.
Then, we meet Rachel and sam and Annie in the burger bar. Rachel starts to develop as a strong character and her thoughts as she climbs the stairs is well handled.
My one thought that was in the sentence, 'She doesn't sound all that enthusiastic, thought Rachel, perhaps she's had a bad day', you have switched to Rachel's thinking at that moment. ie her inner voice, if you see what I mean -- it felt odd as i don't think it had happened before. (just a thought)
Anyway, backed with real pleasure,
Best wishes,
Barry
LITTLE KRISNA AND THE BIHAR BOYS

Johanna Kern wrote 995 days ago

Neil,

This is a truly good read: heartfelt, intriguing, and very well crafted!

I am not an expert on depicting grammar - forgive me for not concentrating on that - every book needs an editor anyway :). What I can, however, comment on is your stunning ability to tell a good story. Not just with your truly excellent style (which I love!). But also with the images and feelings that you use in such skillful and compelling way.

It is not easy to tell a good story. Many know how to use beautiful phrases and proper grammar. Not so many know how to tell a story that would keep the readers on their toes. And you certainly can!

I was reading this with such great pleasure, feeling connected with your protagonist from the start: loving his sensitivity, huge heart, wondering thoughts and the story he lives.

Excellent writing! My complements.

Thank you so much for the exchange read - what a fine piece of writing your book is. And I wish you the very best of success from the bottom of my heart.

Back with the utmost pleasure.
Johanna Kern
Master and the Green-Eyed Hope

Ariom Dahl wrote 1011 days ago

I've read two chapters and want to read more, so this is shelved.

Pride wrote 1014 days ago

Hello Mavrick
Just a few points in no particular order of your chapter 1.
In the first part of your chapter 1 you keep using the word they, who are they,family, friends, acquaintances, who. instead of "ascending some steps," how about "ascending a flight of steps". You write, "but her haunted smile" this puts me in mind of somebody being petrified, being a little picky here as your main character is remembering her try "but her haunting smile". Regards Pride

Telegraph wrote 1022 days ago

An awesome read with intriguing charcters and mysteries that lie just below the surface as if reaching out for someone who wasn't there. Yey always has been. C W

Telegraph wrote 1022 days ago

An awesome read with intriguing charcters and mysteries that lie just below the surface as if reaching out for someone who wasn't there. Yey always has been. C W

Telegraph wrote 1022 days ago

An awesome read with intriguing charcters and mysteries that lie just below the surface as if reaching out for someone who wasn't there. Yey always has been. C W

homewriter wrote 1025 days ago

What a tender start with him looking at her sleeping. Beautifully done! You will make it to the Ed's desk for sure! Backed. Gordon - The Harpist of Madrid

lynn clayton wrote 1027 days ago

Neil, your pitch is excellent. I've read the first fours chapters and I think you've got a winner of a book. It's well-written but light, exciting and even - dare I say it - commercial.
The plot as it unfolds at the beginning, with Rachel lured under the promise of an audition into a situation where she is almost raped is something which could well happen in Hollywood. It could probably happen in England now, with Equity undermined.
At first we're certain that the casting director is the man who's been watching Rachel in the burger bar. Then it turns out that he's the hero of the situation. A clever twist and suspenseful. I'm sure this will do well. All it needs is a dramtic cover. Backed. Lynn

Caroline Hartman wrote 1028 days ago

Neil,
I liked this, a lot. You have the tension working, the mystery. I saw no nits. You have the story line, the dialog, the narrative, it all works. I feel as if I'm a fly on a cloud watching the unfolding of a strange tragedy. I need to write more.
Caroline
KC Hart
Summer Rose

klouholmes wrote 1029 days ago

Hi Neil, The person watching Rachel absolutely captured me into the story. And Rachel is inviting, going about her dream in a strong way while her worries about Vanessa and porn point to the weak end of the system. The dialogue furthers the story well and I liked the character descriptions. They come in at an appropriate time, without delaying. Shelved – Katherine (The Swan Bonnet)

JD Revene wrote 1030 days ago

Neil,

Good atmospheric prologue. One thing you might look at, though, is the beginning of paragraph four: that first sentence threw me a little, still does when I look back at it (maybe I'm having a dense evening).

Chapter one also starts well, though in the first scene I felt there was a little too much exposition about Sam, the scenes with Rachel worked well, as do the short cut scenes to the observer.

The opening to the next chapter feels slightly awkward, as if the description of the outfit is there soley for the reader's benefit, but the dialogue is good and the relationship between Ness and Rachel is building nicely.

Then the chapter ends on a good hook.

There's a strong story here, well told with a good sense of tension. The odd spot, for me anyway, the story bogs down in extraneous detail, but there's potential here for sure.

Backed.

Sly80 wrote 1032 days ago

The start has the rare quality of telling us that whatever happens, Paul (it is Paul?) will finish the story as a happy man. Not many novels can get away with that, but once in a while, it makes a pleasant change.

'The strangest feeling that someone was following her', sounds sinister, but is it? I think not. The Friday evening appointment with the casting director looks more suspicious. Turns out so, 'she turned the handle. The door was locked'. Hm, what happened there? Paul ... and Sam and Annie. 'Hopefully, we'll find sufficient evidence to hand over to the authorities'.

'She needed to discover how this complete stranger had known she was in danger', so does the reader. Paul Lander, one step nearer. Alice has a sense of humour which is just as well after Rachel calls her PA Medusa. Shocking news about the suicide though.

This is a puzzling story, Neil, warm and entertaining, often amusing, but always mysterious. The chapters are a nice size for a page-turner, and the plot will keep them turning to find out how Paul knows what he knows. The pitch also hints at even bigger things, but I suspect at the heart of this is whether Paul and Rachel will ever find romance together. A refreshing change from the more hard-edged stories ... backed.

Possible nits: 'over the Saturday / Sunday night ... on the Sunday/Monday', why not just, 'over the Saturday night ... on the Sunday night'?

Daniel Manning wrote 1041 days ago

Paul Lander inbetween rescuing a young actress from being assulted, and warning of possible bush fires over a real estate deal, has pioneered the Lander Institute. Concerns about the worlds ecology has him on current affairs programes in the company of senators. Paul Lander connected obsession seems to work, on the principle of interconnecting strings, the actress he rescued needs an agent, he is owed a favour by an agent, he saved from getting stung in a real estate deal. Connecting strings because the actress becomes a big star and some impressionable youngsters, especially ones with an illness, can be inspired by. Is it coincidence Paul Lander knows just such a child.
Paul Lander is truly a mysterious character completly banal upon first impression and then tranforms into a miracle worker of epic proportions. Wonderful premiss in the someone watching over me vane so for that reason ' Connected Obsessions has my backing.
Daniel Manning
No Compatibility.

Craig Ellis wrote 1047 days ago

Sci -fi and romance have been elegantly combined in your story. It is a great premise, with well defined characters and an easily visualized world. A great read! Backed with pleasure!

Craig Ellis
The Sun and the Saber

name falied moderation wrote 1058 days ago

Dear Neil,
Just absolutely loved this read, loved it. CONGRATS. Wow how does one find these wonderful gems in their heads. CONGRATS. Characters that are so real they want to move in with me, and certainly wont leave my head. Original storyline, and so well crafted.
BACKED by me for sure.....My book is a different genre but crossing over gave me the opportunity to comment and back your talent. Please take the time to comment on mine so I may improve my skill, and if you feel so back it.

Best of luck
Denise

SusieGulick wrote 1058 days ago

Dear Neil, I got so excited when I saw that you had backed, "He Loves Me, He Loves Me Not." :) Thanks so very much. :) Since I have already backed your book, I will put your book on my watchlist. Could you please take a moment to back my completed unedited memoir version, "Tell Me True Love Stories?" I'd be ever so grateful. :) Thank you. :) Love, Susie :)
authonomy quote: "Every time you place a book on your bookshelf, your recommendation pushes the book up the rankings. And while that book sits on your bookshelf, your reputation as a talent spotter increases depending on how well that book performs."
Here is the response I received from authonomy concerning backing:
When you back a book, it only improves the ranking of that book, not yours. However, the author whose book you are backing may decide to back your book also, in which case yes, your ranking would be improved."

Doggonline wrote 1064 days ago

An entertaining and intriguing read that certiainly piqued and then kept my interest.

Andrew Burans wrote 1065 days ago

You explore inner emotions and feelings very well. The dialogue is well written and realistic and your predominate use of short paragraphs keeps the pace of your story flowing nicely. I like your inter-woven story plot and how you smartly build the characters of Paul and Rachel. Your descriptive writing makes your novel a pleaure to read. Backed.

Andrew Burans
The Reluctant Warrior: The Beginning

Mooderino wrote 1068 days ago

The writing is very polished, reads well and the pace and flow are very good. The story has a lot of tension and her near rape and rescue are all very intriguing. Thinmgs don't develop in an obvious direction (which is good) and the mystery of Paul is nicely handled.

Overall a very good read. Backed.

DP Walker wrote 1069 days ago

Hi Neil
This is great stuff - at one point I had to scroll up to check whether it was fiction or non-fiction. I see it is fiction, but it is written so visually, it feels really credible. It's all so current as well with fame and people's obsession for it being so well documented all the time. This has so much more to it than meets the eye once you delve deeper. Fascinating.
DP Walker
Five Dares

SusieGulick wrote 1072 days ago

Dear Neil, I love the feelings that you depict of your struggling heroine, as if I was right there - well done. :) I thought my life was bad - I guess it could be worse. Your pitch is excellent, so set the hook for me to read your book. :) When you use short paragraphs & lots of dialogue, it makes me want to keep reading to find out what's going to happen next. I'm backing your book. :)
Could you please take a moment to back my TWO memoir books? Thanks, Susie :)

This is information from authonomy (so beware of any other untrue information you may receive that is spam & not quotes of authonomy):
"When you back a book, it only improves the ranking of that book, not yours. However, the author whose book you are backing may decide to back your book also, in which case yes, your ranking would be improved"...authonomy quote.
"Every time you place a book on your bookshelf, your recommendation pushes the book up the rankings. And while that book sits on your bookshelf, your reputation as a talent spotter increases depending on how well that book performs.

Burgio wrote 1072 days ago

CONNECTED OBSESSIONS
This is an interesting story; not only because of the relationship between Paul and Rachael but because it’s an inside look at what being a potential star in Hollywood must be like. I like the way you’ve written this in third person; tht’s a much more sophisticated style than the first person so many others use here. Makes this a good read. I’m adding this to my shelf. Burgio (Grain of Salt).

Melcom wrote 1072 days ago

You have an easy writing style that is a delight to read. Very flowing no wasted words, what I call very rounded work all the writing disciplines covered expertly.

An excellent read that should be far higher in the chart.
Melxxx
Impeding Justice

yasmin esack wrote 1077 days ago

Dear Mavrick
I found your book impressive and more so, you connect well with the reader. It is stimulating and provocative in content. Your style of writing is a cut above the rest. Your main character is vastly appealing. It was indeed a pleasure to read it.
Backed
The Lord of the Dawn.

carlashmore wrote 1087 days ago

this is a very intriguing pitch. I liked your profile a great deal but it was with chapter 1 Audition where I really got into your prose. You have such a punchy writing style and I mean that as a compliment. Very short, simple sentences, uncluttered with flowery descriptions that can often ruin good page turning novels. Your dialogue is slick and perfectly propels your narrative. I couldn't anything to nitpick in what I read.
Backed with pleasure.
Carl
The Time Hunters

Babyeddieuk wrote 1421 days ago

Great prologue - no mucking about with the opening lines, and the character is immediately accessible as an obsessive. By the end of the prologue we want to know what happened to him and the actress, and are instantly drawn into the story. Great stuff and shelved.
Ed (Mutant Toe)

JANVIER wrote 1421 days ago

Hello Neil,

Your title caught my attention, the pitch made me want to read the story and the prologue got me hooked. Reading chapter 1-3 confirmed my best expectations. This is a well-written story full of insights and amazing characters. Rachel distinguishes herself wonderfully. The setting made a big difference and you did a great job describing the different emotions of the characters. The compelling plot gave further credence to the quality of the story and the pacing made it a page-turner.

A pat on the back for a job well done.

all the best.

Janvier (Flash of the Sun)

Z.M.Noah wrote 1427 days ago

This is a real page turner. A very interesting read. Like how you give little away, which makes the reader want to read on to find out what happens. Really like the prologue, got me wondering who the girl in the bed is.
Backing this book.

ChrisX wrote 1430 days ago

Mavrick
This is an interesting premise although you give little away.
From reading the first chapter, I see you start in plu perfect. If you can write without "hads" you'll pull the reader in more.
Delete "had" from the opening line, because it flows better without. The had in italics, I'd change to "he'd" however I think you should switch to past tense.
Another thing to avoid if you can is "that" because it tends to make sentences read awkwardly. Read your line starting "No sooner..." I'd recommend restructuring this sentence avoifd the dreaded word.
I would cut the last line. It's unnecessar and feels hackneyed.
Start chapter 2 with "Wish me luck" - Its more active and, again, will pull the reader in.
In "Later that evening.." delete "that evening"
The last line.: Try "You pig," Rachel shouted as she jumped on Vanessa and tickled her. Vanessa's laughing cries of, "Sorry! Sorry!" rang through the house.
Quite a bit of work to do I think to make this promising story easier on the eye.
It's on my shelf to help you on your way,
Chris (I Dare You)

PATRICK BARRETT wrote 1433 days ago

Fascinating idea and very well written. I didn't read the synopsis and I was happy to be led into the tale. On my shelf to continue reading. Patrick Barrett (Shakespeares Cuthbert)

Paolito wrote 1437 days ago

Bummer! I've finished c.5 and do so want to read more but don't have time. It's so rare that I want to read more than a partial....

Could I critique the writing? Probably...I tend to be a real nit-picker. So, I'll only say that, like all of us, you should read and re-read all the books on the writing craft.

But (insert appropriate swear word here) I couldn't stop reading. Absolutely marvelous narrative drive. What starts as an ordinary and too common story about an aspiring starlet quickly turns into something with more meat. Please let me know when this one is published.

Shelved without a qualm.

Cheers,
Sheryl (read mine? Backing optional.)

TomW wrote 1438 days ago

Comments on Chapters 1-4...

You have a good little mystery building here. There's a couple of instances of "telling", when you end up "showing" soon after. For instance, when we first meet Vanessa, you tell us about her attitude to men, then you show us through her dialogue and actions.

Paul at first seems like a 2d sicko, but he's starting to take on some third dimensions by the end of chapter 4, so I'm really wondering what he's up to! I almost feel like you could dispense with chapter 1 (the prologue), because it feels like you're giving us a bit of a hint of what he's up to, whereas the opportunity is there to keep the mystery a bit longer... Just a thought.

Nevertheless, it's good enough for a run on my shelf.

Best wishes with it.

Regards,

TomW

sperber1 wrote 1439 days ago

The Hollywood cattle call. I have seen it in action myself. You can't help but feel sorry for the long line of young girls outside the studio doors, made up to appeal to insecure former nerds and dorks who once wouldn't get any of their attention, but now have power over their careers. A sad commentary.

And you draw Rachel Starr sympathetically in this light, which is right. She is naive, ambitious and likely to get taken advantage of. Her character comes through fine. Also, the obsessive man -- his character also comes through, but the prologue gets the reader thinking whether there is some time travel here -- is the older woman sleeping in the bed an older Rachel? That hold my attention.

One area you may want to look at -- your verb tense, which is unnecessarily passive. In your first paragraph of the prologue, for instance (and I am on chapter 2 now, so unfortunately I cannot re-open it without losing what I have written here so far), you use the word "have" or "had," as in "had done," when an active past tense verb would have done the same thing, but had more impact. Here's an example from this chapter: "This was the first time he had seen the girl in the flesh and so closely." You could just as easily write, "This was the first time he saw the girl in the flesh and so closely."

But that is a quibble. I like your book -- your story is compelling and obsession is always a good topic to use as a theme. Shelved.

Bob Avey wrote 1446 days ago

An intriguing premise and down-to-earth characters pull this story along nicely. The story of the waitresses at the burger bar, all wanting to be actresses but none actually making it rather reminds one of authonomy, doesn’t it? It’s on the shelf.

The POV switches bothered me a bit. Perhaps better transitions from character to character would help. Just something to think about.

Bob Avey

Elaina wrote 1447 days ago

Hi Neil

Ok, here goes. First your pitch drew me in. Your prologue is brilliant and had me turning the digital page. I admit, I kind of got stuck right at the start of chapter 1...uh-oh, I thought, romance, Hollywoodish...for me, a no-no. However, I had promised to read, and thus continued. And now I am glad I did. Punchy scenes, swift action build, and the mysterious man in the background who comes to the rescue.

I am mightily intrigued. Is Rachel the woman in the prologue? Who is Paul? Where is this leading?

Very well done- you got me, after all!

Happy to shelve for a time!

Elaina
Gathering of Rain

edquinn wrote 1449 days ago

Hi Neil

Enjoyed the start of your book, whereby you give the reader a glimpse into the mind of Rachel and the world of auditioning in Hollywood. You build up the relationship with Rae and Ness well.....you do not go any deeper with Ness's lack of enthusiasm at Rae's audition news. I liked that, as sometimes it is best to allow the reader to interpret ....was Ness jealous?...was there something later in the story that would be revealed?

To be honest, i wasn't expecting the audition from hell, to be exactly that. I didn't feel comfortable with what was possibly going to happen to Rachel....that was your goal i suspect....but felt relieved when she was rescued. I was caught up in the tension you had incorporated into this scene.....a scene that can so easily be written, but yet so easily forgotten...yours is the exception. Brilliantly done!!

I read on to the point of Rachel being returned to her apartment by Annie et al....your writing makes me want to read on...which is a difficult thing to accomplish.

I have no hesitation in backing this Neil.

Intrigued to finding out what happens later in the story.

On my shelf.

Ed Quinn (Donkeys kill more people)

balkowski wrote 1449 days ago

Hi Neil,

What an interesting concept...your pitch hooked me right away, but the prologue kinda threw me for a loop. I kept on however and found chapter one enticing. I like your dialogue...it seems easy and realistic. A couple of times I did feel that you lapsed into tell mode (like in telling us Sam and Annie had no kids etc and therefore felt responsible for their waitresses), I'd have liked to see it in dialogue. Perhaps Annie wondering to sam why they always worry when their girls leave and he saying "because you haven't any of your own to fuss over..." Something like that I think would keep the pace moving right along and flowing naturally. I think your dialogue is your strenght. Obviously just my opinion - you know best where you are going with this!

Am on my way to chapter 2 now...enjoying immensely! Shelved.

Johanna
Scream Out Loud

Cas P wrote 1450 days ago

Hi Neil.
Yours is an intriguing premise and I wasn't disappointed when I started to read. The prologue was fascinating, leading the reader to wonder whether the woman in the bed is somehow the girl in the poster. Rachel is a well drawn character, her aspirations familiar. Her struggle to find work, her relationship with Vanessa, all are entirely credible. You even give us the sadly forseeable predator, and the scene with Loweski was brilliantly tense. But the resolution of that scene was totally unexpected, making me revise the preconceptions I'd formed from the prologue. I liked that.
My only slight crit would be that despite Rachel's trauma, I'm sure her first question on being rescued would be how Paul knew she'd be in danger. Following chapters will address this, I'm sure, but I think she'd have wanted to know at once.
But that's only my opinion. I thought this was well written, tense and exciting, with a splash of mystery that made it intriguing. I'd definitely want to read on and so this is going on my shelf.
I would love to get your honest opinion of KING'S ENVOY.
All the best,
Cas.

Alecia Stone wrote 1450 days ago

Hi Neil,

This is very well written. The pace is quick and the sentence structure is perfect; it flows with ease. The story and the characters jump off the page. Rachel’s a wonderful character and Paul’s a mystery.

Mr. Loweski is a right arse, and the sad thing is there are many of him out there.

Really enjoyed reading this.

Shelved!

Shinzy :)

kgadette wrote 1451 days ago

Suspenseful. Well written, had me going through 4 chapters.

"the concept was way removed from current thinking" way removed sounds like teenager speak, out of sync with higher thoughts of metaphysics, etc.
"for ever changing" should be "forever changing"
The roommates tickling each other is a bit juvenile. That activity doesn't seem believable for two adult women.
You write the audition scene well, including the makeshift table. The small portion of the script, you call it a "mini-script" is actually referred to as "sides," as in the casting director handed me the sides. (I'm an ex-actress.)
Great ending to Ch 3 with the locked door.
Smart, in that the opening chapter, you don't mention names. I went back to see if the narrator was Paul, but you've kept him a mystery. Which will definitely keep your readers going.
All best with this. Shelved.

mattrogers wrote 1453 days ago

Hi Neil,

Sorry it's taken me a little while to get to this. I'm impressed with what I've read so far. The writing is strong and moves along at a good pace. The opening chapter has a strong enough hook to keep me reading, and I'm intrigued by your premise, especially since I also deal with an obsession in my own manuscript. A small tidbit in the opening chapter: "that it could take his breath away" is a cliche term. And that's all i noticed, engrossed as I was in the story, so that's a very good sign. Placing this on my shelf for sure. Thanks for the opportunity to read this!

Matt Rogers

Corinna Turner wrote 1453 days ago

One thing has just occurred to me - if Paul planned to get her away from the director before he could lay a finger on her, why would he be so very worried about her not ending up with a strange man? Esp. since presumably the delay to fetch the O'Brians almost had very serious consequences... just a thought.

Corinna Turner wrote 1453 days ago

Hi, i'm really sorry to have taken such an extraordinarily long time to get to this. Unfortunately my authonomy reading had to come to a complete halt for 2 months during lambing, and i'm just getting back to my watchlist! (You commented on my book 'Witch Child' back around Christmas time.)

Intrigued by how the pitch will connect to the tags!
Effective prologue
I enjoyed chapter 1 (authonomy 2)
Good cliffhanger at the end of chapter 2 (3)!

Chapter 3 (4)
The actual attempted rape scene is effectively written, but i couldn't help finding the director's behaviour rather unlikely.
Ah, i thought the thud in the back was the director's body being loaded!
'watching themselves usurping their power over women' – this didn't make sense to me, i can't help wondering if 'usurping' is exactly the word you mean.

This is a very enjoyable read and it draws one along at a good pace. I see you're billing it as romantic sci-fi. There seems to me to be a strong element of the classic suspense thriller to it, despite the sci-fi aspects. This is an observation, not a criticism, i would like to emphasise.

I probably should mention that I'm feeling more connection to Paul than to the heroine. This is probably largely due to the first person aspect but my main suggestion might be to get a woman to read and comment on your female characters with close attention. I don't want you to take that the wrong way, though, because i do think it's very good as it is, but it's perhaps an element that you could make even better.

Especially with the hints of future environmental plot elements as well as romance and sci-fi i think it promises to be an original and entertaining read and I'm only sorry I'm unlikely to have time to read further.

maitreyi wrote 1457 days ago

love the first chapter. improve your pitch to do justice to your writing. happy to shelve this.

xx
maitreyi
BLOGSPOT

maitreyi wrote 1457 days ago

hello neil
pleas bear in mind when you read my comments that i am the critic from hell (very fussy) BUT i am trying to help. these things are only my opinion so do ditch everything i say if it makes no sense to you. remember your pitch is what they see first. they may look no further.

Pitch :
'But what if you had never actually met?' i am picky but you are changing from the 'you' singular in the previous sentence to the 'you' plural here without any explanation of who the other person is. it sits a little strangely with me.

'illustrious band' - cliche

in your second paragraph there are some phrases that weaken your sentences and could be erased without harm : 'a little under' two years, 'and many, the girls especially,'not least', 'into the world of'

in your third para you might begin 'We meet Rachel at twenty-two..'
there is repetition in this para which might be avoided : 'the life of', ' a life that', a life of'

the phrase 'stuns her soul' sounds odd to me. you could just remove 'soul' or use a different verb? 'a revelation the shock of which penetrates even into her soul'?

suggestion : 'Paul Lander has three connected obsessions which he offers to use to save Rachel from her (fateful?) destiny. But how does he know what the future holds for Rachel?'

OK. on to chapter one.

maitreyi
BLOGSPOT


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