Book Jacket

 

rank 5885
word count 12223
date submitted 04.11.2008
date updated 19.03.2013
genres: Historical Fiction, Crime
classification: universal
incomplete

Greenwood Tree

B.Lloyd

‘Well, what do all mysteries have?' said Aunt Isobel. 'Money, mistresses, and murder.’

 

1783 – and Lichfield society is enthralled by the arrival of dashing ex-officer Orville; he charms his way into the salons, grand houses and even a great inheritance from extrovert Sir Morton.

1927 – and detective writer Julia Warren returns to her home in Lichfield to work on her next novel. Initially she hopes to find plot material from the past and set it in the present. Aunt Isobel, while making preparations for the annual midsummer ball, has managed to root out an old journal from 1783 which might prove a source of inspiration. Once Julia starts reading her ancestor’s journal she becomes absorbed in solving the mystery surrounding officer Orville. Detective fever takes over, and she moves from reality to legend as events from the past seem set to re-enact themselves in the present, and she finds herself unravelling more than just the one mystery. Who was Orville? Who was the agent, Oddman, set to spy on him? And who is helpful Mr Grenall ?

Pagan gods don’t walk away just because you stop looking at them. The Gronny Patch sleeps. Perhaps it dreams. Or perhaps not …




 
rate the book

to rate this book please Register or Login

 

tags

green man, mystery, supernatural

on 0 watchlists

254 comments

 

Text Size

Text Colour

Chapters

3

report abuse

1927

London

‘A country murder? In a big old mansion, plenty of house-guests and servants? Better set it before the War, then.  How many bodies? Four? Five? Have you the odd family ghost you could throw in for good measure?’

Julia mentally heaved a sigh of relief. The ‘talk over tea’ was progressing better than she had expected, with her editor lapping up the storyline she had cobbled together at the last minute. She had set it in her aunt’s house on an impulse, reasoning to herself that she would at least have an excuse to retreat there, on the pretext of research and peace and quiet. She found she had an increasing desire to return, in fact. The mild excitement of earning enough to live on the edge of a crowded metropolis was beginning to pall; the traffic and endless round of theatres and clubs held little attraction for her after all, whereas one more cocktail party with the effete and affected of the literary elite might result in her committing violence.

As if reading her mind, Mr Williams leaned forward confidentially to say: ‘Do you remember that last do at Ashton’s?  Miss Vane was there too.’

‘Yes, I do remember.’ Julia had found Harriet Vane somewhat intimidating. As for that beau of hers, thrashing out articles on free love and anarchy – yet always with his hair brilliantined in a singularly unappealing fashion. Somehow brilliantine and speeches on a new world order did not quite go together, at least not for Julia.

‘Well, she’s written an essay, lamenting the dearth of good crime fiction, and suggests the crime novelists get together to form a club of sorts; she intends to start a magazine or such-like. Ashton is right behind her, they’ve managed to rope old Chesterton in, and Ashton was wondering if you might be able to contribute?’ Ashton was Chief Editor at Petrel Books and held frequent gatherings at his home in Kensington for writers and editors alike. His influence was such that one did not refuse his requests lightly.

‘Sounds perfectly terrifying. What do they want from me? Not another essay, I hope.’

‘I think it might be more interesting than that – why don’t I arrange a get-together, see what is in the air, so to speak?  It’s quite true, after all – hardly a soul out there to write mysteries – even Mrs Christie’s Big Four only received very mixed reviews … so it’s up to us to make a difference, eh?’

Julia did her best to respond with conviction and enthusiasm. She managed to divert the conversation:’ And what of Miss Vane’s latest?’

‘Haven’t read it. Haven’t even heard much about it – which makes me wonder whether she might not be taking refuge in this magazine idea. We all know what the Muse does to writers at times, don’t we?’ Julia felt a quiet pinching at the stomach, a reminder of her own fallibility. Had he in fact swallowed whole her excuse for a plot? She tried not to think about that.

I can at least say you are interested in knowing more?’ Williams looked almost pleadingly at her. Julia dutifully undertook to write something and made her exit gratefully. If only she could escape London now with equal ease

 

She was about to cross the street when she felt a friendly pat on her shoulder; somebody in the same sort of anonymous cloche hat and long straight coat as she was wearing.

‘Hello, May,’ she said, still in chirpy frame of mind from her meeting. ‘They’ve let you out for half an hour, then?’

May chuckled. ‘Oh it’s not that bad. Listen, why don’t we catch up - are you free for tea at Lyons’?’

 

The teahouse was a little full, but they managed to squeeze in between the crowded, clinking, murmuring tables, and caught up with each other’s news while they waited to be served. May was sympathetic about the editor’s meeting, even if she had little experience of the process. She was a dispenser and avid reader of crime fiction. Julia often had recourse to her when a visit to the Poison Section in the Library proved too far.

 

‘So, are you brimming with ideas?’

‘In a sort of a way, I think I am. But it’s not awfully clear yet – I need more material. Sounds dull, I know. But I have been feeling a trifle dull recently.’

‘You are looking a trifle peaky – sounds to me like going to the country would do you good.’

Tea arrived and talk turned to reminiscence: ‘Do you remember that business about Mrs Clyssum’s necklace? I was just reminded of it the other day at Gracie’s; she had one just like it, very convincing. Why did she do it, really?’

‘Panic. She’d pawned the originals, remember.’

‘I do. but even so… poor thing. Still, it was fun, working it out, and I am glad we stopped the maid losing her job.’

‘That must have been the first time we actually put our heads together. Wonder what they’ve got up to since then …’

 

They had met at a house party, where a case of petty pilfering within the household had caused them to apply their wits – successfully, as it turned out – and they had become close friends.  When not engaged in deciphering motive and means, they often exchanged occasionally biting comments on the latest detective novel.

‘What have you been reading lately?’ Julia asked. May pulled a wry face and rummaged in her bag, producing a slim volume depicting on its cover a man peering out from under the lid of a wooden crate or box, with another man’s shadow falling across it. Emblazoned across the top half of the cover was the title ‘The Red House Mystery.’

‘I read it ages ago. Think I enjoyed it more the first time round. Wish you’d hurry up and get your next one finished; I’m running out of favourite authors.’

‘We were just talking about that; apparently Miss Vane considers it a distinctly uninspiring time for crime fiction in general.’

‘I’m not surprised. Even Mrs Christie’s last one fell a bit flat.’

‘Yes, my editor mentioned her too. I wonder if there is some contagious detective’ flu going around, which reduces the creative flow to pulp. I certainly think I have been infected.’

‘That doesn’t sound like you.  Definitely in need of a change of scene, I should say.  We both could do with something to wake us up a bit. Wish we had another mystery of our own to work out, like the Clyssums business.’

Julia looked at her. ‘So do I. Easier than writing the wretched things. We could set up an agency: Warren and Downe - Domestic Panic and Hysteria our speciality.’

‘Yes – likewise, Purloined Pearls and Pawnbrokers.’

‘Purses and Pusillanimity.’

‘Peripatetic Parrots and Peevish Pomeraniels.’

The flow of irreverent banter was briefly interrupted by the arrival of the waitress with laden tray.

They both tried to pick up where they had left off, but somehow today their usual flow of conversation slowed to a halt. Julia briefly allowed herself to be swamped by the voices from the surrounding tables instead – and soon wished she hadn’t:

‘I thought those emeralds were paste, I still do. As for her taste in art ...’

‘More Art Nasty than Art Nouveau! Mind you, I suspect they would be worth something at auction…’

‘Did you read about her niece in the Tatler? Hardly surprising though, the poor girl must have been only too glad to escape, even if it was with the son of a greengrocer.’

‘A very wealthy greengrocer. It’s all money, after all…’

Julia enjoyed May’s company, and gossip did often supply a lot of material. But, stuck in the middle of the crowded room with its jarring sounds and cheap chatter, she now felt the tawdriness of smoky, grimy London.

There were gladioli in Aunt Izzy’s garden, they would be coming into bloom soon: she could picture the late afternoon sun falling across them, turning them a soft apricot gold, and she wanted to be transported back to it at that moment, that very second. She was pulled back from her brief reverie by a squawk from May.

‘Look at the time! I must dash – now don’t forget, I want to know the minute you have decided who the villain is, and if there is poison involved … well, you know where I am !’

There was a hurried dispute over the bill, which Julia insisted on paying, then May scuttled off, leaving Julia on the pavement outside with promises of another get-together before long.

 

The brilliant blue sky prompted her to return home by tram. She climbed to the upper deck just so she could sit away from crowds and enjoy the trees lining the avenue. She craned her neck up and gazed at the leafy branches, and for a moment imagined herself back at home. Finally all those little scraps of dreams that had been hiding away all day returned tenfold to delight her, butterfly-like, with colours and warmth – the walks, the glades, the running hare and cheeky sparrow, the slow-witted blackbirds, sunning themselves in the middle of the lanes; all the whirling memories of the past crowded into her mind and she decided she had stayed away too long. What had seemed a pretext now became necessity. London was stifling her with its relentless gaiety, misery and recklessness.

 

A deep sleep that night restored her even further, to the point where she lifted the cover of her typewriter with actual enthusiasm, something she had not done in weeks.

She spent a good part of the day jotting down further ideas in her notebook. By the evening, she felt she had devised something more to her liking. A crime novel with a difference. Some mystery from the past, waiting centuries to be resolved. So long as there were plenty of dead bodies in the meantime – possibly even the odd family ghost thrown in for good measure, as her editor had suggested. There might be. There surely must be. Several hundred odd years of unbroken family history could hardly pass by without something being left behind: old letters folded up inside books, diaries hidden away in old writing desks. Aunt Izzy would know. She would write and ask. She hesitated, looking at her telephone. It might be quicker to call, but that depended on what Aunt Izzy happened to be doing at the time. A letter besides would allow pause for thought.

Julia picked up her pen.

 

 

Chapters

3

report abuse

To leave comments on this or any book please Register or Login

subscribe to comments for this book
Anna Rossi wrote 1196 days ago

I would buy this immediately, if I came across it in a bookshop. The writing is superb, the plot brilliant. I've read several chapters and will definitely be coming back for more when I have the time. I love the switching between centuries which works so well and has such an authoritative ring. The descriptions of Regency life brings the period alive, while the sleep walking scene is a brilliant beginning.
Backed with pleasure.
Anna (Black Damask)

Jared wrote 1229 days ago

This is an intelligent and thoughtful novel, well researched and written with great style and flair. I can appreciate the depth of your research as the sense of period is very effectively conveyed, both from the Regency period and the 1920s.
I've only had time to read 5 chapters, but this is a novel I would choose for myself. Skilful work and a pleasure to read. Backed with enthusiasm.
Jared.

Louise Galvin wrote 1334 days ago

This is rich, noisy and lively; a bright mosaic of colour and pattern and texture. Your voice really appeals to me. There’s an attractively visual quality to your style and an appealing sound to your language too. This feels wonderfully, busily, authentic.

Having just read your first two chapters, were I loitering in Waterstones, I would buy this.

Margaret Anthony wrote 1326 days ago

I've looked forward to reading this. I really don't know how I've missed it for so long. My favourite genre and the pitch and plot enticed me. I wasn't disappointed in anything I found. Beautiful mature writing and a story being revealed little by mysterious little. Visual and atmospheric too.
You've clearly researched and it shows. I only comment as a reader, leave the rest to those more competent. I've enjoyed all I read and do wonder why this isn't further ahead than it is.
On my shelf, I hope that helps a little. Margaret.

Pierre Van Rooyen wrote 1490 days ago



Dear B,



Happy to see the Literary genre. And enhanced by Historical too. One has to put research and thought into such a work.

Well Orville didn’t last very long, did he? I thought he was the main character but you killed him off in the fourth line of your synopsis. I got quite a shock. Ah, but now we have detective-writer Julia Warren. Even better. Good concept for a lot of fun.

Highly approve of that prologue. I know about sleepwalking. My brother always opening the front door. Accomplished writing. Lots of experience behind this. Julia come across well. I am going to like her.

1783. Didn’t expect that. Now I am intrigued. This is very good. A real treat. Minor comment that the writing might be tightened here and there but leave it be. That would be fanatical polishing.

Very impressed with the style of writing. The sentence construction. Often non-sentences with no verb. Make no mistake, the style is very effective.

And I detect a mischievous author. Tee-hee.

Curious about the dialogue in script format. Not complaining. Fascinating really and you’re getting away with it, probably because of the period.

And the way you handle the coach luggage scene. Nice work. A lot of thought went into that. Makes me think you don’t write, but you live the scene in order to get it so cinematic.

I’m having a fine time because I am relieved of critiquing. Pleased to meet Orville in the flesh. Scrutinized the dialogue and found it superb. Truncated as it should be.

Occurring to me now that authors of the period wrote their dialogue as you do. Right for the times. Me, slow to wake up to what you are doing.

You paint very good pictures.

Greenwood Tree enthusiastically on my bookshelf.

I have nothing but admiration and not a single suggestion. My wish for you is that an editor trawling the Literary genre picks you up.

All the best and go well with your writing. I struggle and am forever reworking my stuff.

Kind regards,



Pierre.

The Little Girl in the Fig Tree

B.Lloyd wrote 215 days ago

Goodness, thank you indeed for taking the time to pop by and have a perusal! At the moment I am busy adding stuff as it has been taken up by a publisher and will be launching early next year, but I hope to pop by to return the read ... :)

This is one hefty book, but in a good way. Creating poetry out of prose is one of those things very few people seem to be able to do effectively. Here, every word almost sings out to the reader, creating undeniable images in their mind as they are moved forward through the story.
I have to admit, only reading through the first couple chapters, that the jumps in time period are confusing, but I have a feeling that this is rectified before very long in the narrative. And, seeing as the first chapter discusses a writer working on writing, probably already has been.
Honestly, this is good stuff. I appreciate the choice in how to work with the dialogue. It's a bold one, but I often tire of the constant "Egroni said, Tailor rebutted"'s that are required with traditional novel dialogue. Plus, it brings me back to the stage, which, honestly, is where I want to be when reading something so beautifully written,
In a world of sparkly vampires and erotic fanfiction about sparkly vampires, I could see this as being a hard sell to the general populace. Yet, your ranking on here shows that there is a considerable enough number of people who do appreciate those who can make word-smithing into an art form.
Congrats on your work. High stars and I'm putting you on my watchlist to return to when I find the time.

superostah wrote 215 days ago

This is one hefty book, but in a good way. Creating poetry out of prose is one of those things very few people seem to be able to do effectively. Here, every word almost sings out to the reader, creating undeniable images in their mind as they are moved forward through the story.
I have to admit, only reading through the first couple chapters, that the jumps in time period are confusing, but I have a feeling that this is rectified before very long in the narrative. And, seeing as the first chapter discusses a writer working on writing, probably already has been.
Honestly, this is good stuff. I appreciate the choice in how to work with the dialogue. It's a bold one, but I often tire of the constant "Egroni said, Tailor rebutted"'s that are required with traditional novel dialogue. Plus, it brings me back to the stage, which, honestly, is where I want to be when reading something so beautifully written,
In a world of sparkly vampires and erotic fanfiction about sparkly vampires, I could see this as being a hard sell to the general populace. Yet, your ranking on here shows that there is a considerable enough number of people who do appreciate those who can make word-smithing into an art form.
Congrats on your work. High stars and I'm putting you on my watchlist to return to when I find the time.

B.Lloyd wrote 250 days ago

Thank you ! Will do ! :)

As I can't message you, I'm using the comments box to say - congratulations! Do let me know how GWT gets on.

Nanty wrote 250 days ago

As I can't message you, I'm using the comments box to say - congratulations! Do let me know how GWT gets on.

Nanty wrote 261 days ago

Greenwood Tree.

This is a complex tale rooted in the 17th century that has parallels, events and personalities, in the 20th. A mystery lies at the heart of it, of connivance, blackmail, betrayal and death that Julia, a best-selling writer striving to produce a new novel and stuck for a plot, stumbles upon.
Passages concerning the Regency period are very well-drawn, the does and don't attitudes of a country set akin to those in Pride and Prejudice, are well-realised. Into this society, whose ladies have little better to do than gossip and flutter at the most mundane things, comes striding the ubber-villain Orville. Suitably caddish he creates a scandal and shortly after expires, leaving many questions unanswered until over a hundred years later Julia, searching for material to use or base her latest novel upon, is given a diary written by an ancestor.
Again, the author evokes the mad-cap atmosphere and hedonism of the 1920's very well. Julia, stirred from writer's inertia, becomes more and more involved in the twists and turns, which seem to stem from pagan stories concerning a plot of land and what could be a demi-god, who is its guardian. This supernatural being has his likeness revealed in Mr. Egroni and later Mr. Grenel, the wearers of green coats who have a great interest in the landscape and its plants.
Whilst the prose is generally very good, a little editing is required to eliminate a few errors, which may be due to the uploading process in places, and in other places to separate one person's dialogue from another's, and perhaps a little tightening of the plot might be in order, but this has been a very enjoyable read. Having read all of the chapters posted, I would very much like to read the final ones.
In any event, on my shelf for a while.

B.Lloyd wrote 270 days ago

Oh my goodness! (blushes and stammers awkwardly, then hides head in nearby bush) HOw kind! Thank you for such generous comments ! :)

Honestly, this is the first book I have come across on this site that I have nothing to offer except accolades. This may sound like a spammed comment but I assure you it is not. I read the first chapter of Greenwood Tree and immediately backed it before reading on. Whether or not this novel rises in the ranks of this site, it is worth backing simply on the merit of you WORDS, of the quality of your craft. Sincerely,
Gabe

music_from_mars wrote 270 days ago

Honestly, this is the first book I have come across on this site that I have nothing to offer except accolades. This may sound like a spammed comment but I assure you it is not. I read the first chapter of Greenwood Tree and immediately backed it before reading on. Whether or not this novel rises in the ranks of this site, it is worth backing simply on the merit of you WORDS, of the quality of your craft. Sincerely,
Gabe

B.Lloyd wrote 276 days ago

Thank you, most kind ! I had thought Greenwood was going to sail down into oblivion (I am not here that often); glad to see it can still appeal to the occasional reader.:)

Absolutely beautifully written! It's always a pleasure to find literary style writing that's under control -- just the right amount of flavor without losing track of the story or drifting into purple prose. Your opening chapter was especially captivating.
Critique-wise, the only thing that threw me off was the shift from novel to almost script-like dialogue, and back again, but that was not a huge deal. Overall, great stuff. Six stars!
Best of luck with this! And if you are up for some middle-grade, tongue-in-cheek adventuring, please do come visit the Lost Wink.
Thanks!
Tod
http://authonomy.com/books/40646/the-lost-wink/

Tod Schneider wrote 276 days ago

Absolutely beautifully written! It's always a pleasure to find literary style writing that's under control -- just the right amount of flavor without losing track of the story or drifting into purple prose. Your opening chapter was especially captivating.
Critique-wise, the only thing that threw me off was the shift from novel to almost script-like dialogue, and back again, but that was not a huge deal. Overall, great stuff. Six stars!
Best of luck with this! And if you are up for some middle-grade, tongue-in-cheek adventuring, please do come visit the Lost Wink.
Thanks!
Tod
http://authonomy.com/books/40646/the-lost-wink/

patio wrote 418 days ago

Greenwood Tree is simple magnificent.

Su Dan wrote 551 days ago

this has a great feel and complete...good narrative and clever style...very good book...
backed...
read SEASONS...

Wanttobeawriter wrote 558 days ago

GREENWOOD TREE
This is an interesting story. I like the way you shift from the past to the present. I think the conversation between Mrs. Rawnsley and Mrs. Glass, written as if it was a script for a play is innovative; a great way to supply back story without it bogging down the pace of things. I’m adding this to my shelf. Wannabeawriter: Who Killed the President?

FRAN MACILVEY wrote 574 days ago

Here there lies, languishing this three years past, a book project that any self-respecting author, or indeed aspiring amateur would feel constrained to act upon expeditiously.

Why has it lain thus, abandoned and unloved? Within its pages there is much to be pleased about, though at times a confusion of tenses and dates cannot have eased your readers' minds. Yet such trifles as these, even such strangeness as a dialogue more suited to a play than a novel, are so easily mended, that they beg your attention.

Is it lack of time or interest that constrains you thus far to do nothing? Or is it the oxygen of publicity that is needed, to fan the flames of your enthusiasm? Pray do tell, author and put me out of my misery.

With fond regards, and hopes for the eventual revival of this appealing tale.

Fran Macilvey, "Trapped"

penelopeann wrote 599 days ago

Loved the pastiche of folklore, eighteen century manners and detective fiction.

RichardBard wrote 672 days ago

Hi B.Lloyd!

It wouldn't let me send you a message so I hope it’s okay that I’m sending this through your book comment:

I’d like to thank you for backing BRAINRUSH (a Thriller) last year. Because of you it hit the Authonomy Number-1 slot, attracted an agent, and landed a film option. Now that’s a brain-rush! The formal book launch is September 1st and the sequel will be released in December. None of this would have been possible without your help. So, thank you, thank you, THANK YOU!

Sincerely,
Richard Bard, BRAINRUSH

PS. If you want a good laugh, check out the temporary book-trailer video on the BRAINRUSH website. It’s there as a placeholder for the upcoming professional video. The current one features children and it’s guaranteed to make you smile! And yes, the younger kid on the screen is really me. You can see the video at www.RichardBard.com. The link is also on my Authonomy profile page. While you’re there, check out the “Feel the Rush” promotion that will get you BRAINRUSH plus 2 FREE thrillers from the Kindle Top-20 PAID Bestseller list – yes, really!

Kenneth Edward Lim wrote 760 days ago

B. Lloyd,
The phrasing is exquisite and the way you structure the dialogue both novel and effective. All in all, "Greenwood Tree" stands out as a superb accomplishment you must be proud of. I got caught up in Julia's dilemma as a detective trying to solve a case one hundred years prior and shared in the endorphin rush she must have felt with each discovery. Thank you so much for the entertaining read.

Kenneth Edward Lim
The North Korean

Eponymous Rox wrote 761 days ago

Superb writing in a classic form. This is an excellent mystery for a wide audience and told in a language that is intelligent and inspiring. You've written a simply gorgeous narrative here. I'll be adding 'Greenwood Tree' to my bookshelf today and to my website shortly, along with your bio.

*Just an observation: The pitch doesn''t do this book justice and may be causing potential readers to wrongly overlook it.

Best of luck with this very fine manuscript.

CHEERS--
E.R.

Dedalus wrote 781 days ago

I read the first three chapters and you really drew me in with the brilliant descriptions - the copse of trees was a particularly dark section engulfing the dark deeds of those two figures. However, I found the whole structure of what I've read a little confusing. It seemed to jump about and I got lost several times along the way - perhaps not the best way to start a novel? But my god you can write well and capture settings and moods.

writingbear wrote 792 days ago

B. Lloyd,

I backed your excellent book this morning. If you could please take a look at either of my two novels, DIFFERENT DIRECTIONS or MY GENTLEMAN FRIEND, for a possible backing your help would be appreciated. Good luck and happy writing.

Dwain-Thomas

writingbear wrote 792 days ago

B. Lloyd,

I backed your excellent book this morning. If you could please take a look at either of my two novels, DIFFERENT DIRECTIONS or MY GENTLEMAN FRIEND, for a possible backing your help would be appreciated. Good luck and happy writing.

Dwain-Thomas

Vall wrote 813 days ago

I love this. I like the switching back and forth in time, and the different writing styles you use for each era ie the 'screenplay' style, if that is the correct term. I think it works really well. You vividly evoke the atmosphere of each time and have obviously researched your material thoroughly. I wish you every success, Vall

yesthis year wrote 814 days ago

Fabulous beautifully crafted writing and a story pulsing with vitality and coloured by an imagination in full fight. marvellous stuff. .

B.Lloyd wrote 837 days ago

What a lovely suprise, only just discovered this ! Thank you !

Beautiful, beautiful writing. I'm trying to hold spaces on my bookshelf for read-swaps since I'm desperately trying to get backings (the horrible side of authonomy, I know...) - and the only reason I'm not immediately backing this is your profile page stating that you are more interested in the site as a showcase. But I had to comment just to say how wonderfully this is written. I won't do you the diservice of sending you the begging letter that brought me to your page. I'll just give you six stars, and wish you luck :-)

A. L. Reynolds wrote 861 days ago

Beautiful, beautiful writing. I'm trying to hold spaces on my bookshelf for read-swaps since I'm desperately trying to get backings (the horrible side of authonomy, I know...) - and the only reason I'm not immediately backing this is your profile page stating that you are more interested in the site as a showcase. But I had to comment just to say how wonderfully this is written. I won't do you the diservice of sending you the begging letter that brought me to your page. I'll just give you six stars, and wish you luck :-)

B.Lloyd wrote 869 days ago

That is great to hear, thank you !

Backed Greenwood Tree. We enjoyed reading your novel. We liked the way you drew the reader in as the mystery began to unravel. Good Luck.
CC Brown

ccb1 wrote 869 days ago

Backed Greenwood Tree. We enjoyed reading your novel. We liked the way you drew the reader in as the mystery began to unravel. Good Luck.
CC Brown

B.Lloyd wrote 885 days ago


Why, thank you ! And do pass on best regards to Johnson and Boswell, next time you pop into the coffee house ! Do hope you continue to enjoy . . .:)

B,
Quite impressed. More literary. The kind of writing I'd like to analyze and then discuss with kindred spirit friends at a coffee house. I began reading Greenwood Tree because of the pitch and the era(s). Now, it's the writing that will keep me coming back for more. Starred and WL'd for now, with intent.
Cheers!
JB Campbell . . . Walk to Paradise Garden

Nigel Fields wrote 885 days ago

B,
Quite impressed. More literary. The kind of writing I'd like to analyze and then discuss with kindred spirit friends at a coffee house. I began reading Greenwood Tree because of the pitch and the era(s). Now, it's the writing that will keep me coming back for more. Starred and WL'd for now, with intent.
Cheers!
JB Campbell . . . Walk to Paradise Garden

Jim Darcy wrote 887 days ago

Thank you!

(had to leave a coment as you don't take mesaages!) :D

B.Lloyd wrote 900 days ago

Thank you very much indeed !
And all good wishes to you in the coming New Year! :)

I wish you a Happy New Year.

Your novel is like a good thriller. You have selected a historical background to narrate this novel. That is appreciable and you have done your role, as a writer in it very well.

Joy J. Kaimaparamban
The Wildfire

Kaimaparamban wrote 900 days ago

I wish you a Happy New Year.

Your novel is like a good thriller. You have selected a historical background to narrate this novel. That is appreciable and you have done your role, as a writer in it very well.

Joy J. Kaimaparamban
The Wildfire

B.Lloyd wrote 902 days ago

Thank you, hope you enjoy the rest of it, and a Happy New Year to you too !

Hi ,

I am impressed by the pitch of your novel and ****** rated. Now your book is in my w/l.

All the best,

Joy J Kaimaparamban
The Wildfire

**** I wish you a Happy New Year ****

Kaimaparamban wrote 903 days ago

Hi ,

I am impressed by the pitch of your novel and ****** rated. Now your book is in my w/l.

All the best,

Joy J Kaimaparamban
The Wildfire

**** I wish you a Happy New Year ****

B.Lloyd wrote 913 days ago

Why thank you ! I am glad you kept reading, too ! The dialogue is part of the period voice of some (although by no means all) 18th century novelists - because it appealed to me when I read novels in that style, I dared to attempt emulation . . . ;)

At first, as a reader I was a little surprised by your unique formatting of dialogue. I am glad that I kept reading. What a delightful work. I love the rivalries and the story within a story. Excellent work.

-Judith B. Shields

bookjacket wrote 913 days ago

At first, as a reader I was a little surprised by your unique formatting of dialogue. I am glad that I kept reading. What a delightful work. I love the rivalries and the story within a story. Excellent work.

-Judith B. Shields

B.Lloyd wrote 929 days ago

Why, thank you kindly ! Much appreciated ! :D What a great end to the week !

How fun and atmospheric this is! Your style is pitch perfect, and what a captivating story! I love it! You characters are wonderful, the naming of these is rather Dickensian, isn't it? Which I always appreciate. A great hook, a fun mystery, eerie and beautiful all at once.

ElspethWrites wrote 929 days ago

How fun and atmospheric this is! Your style is pitch perfect, and what a captivating story! I love it! You characters are wonderful, the naming of these is rather Dickensian, isn't it? Which I always appreciate. A great hook, a fun mystery, eerie and beautiful all at once.

Jim Darcy wrote 933 days ago

Happy to *rate your book :)
Please can you rate Firelord too. Thank you!

B.Lloyd wrote 935 days ago

Wahay!!!!! You have made my day (terrible rhyming I know . . . ;) )Thanks tons for this . . . .

It snowed yesterday. So I shut the shutters, stoked the fire and over several pots of tea (alas no cream buns) I finished the last quarter. I had an entirely splendid day, for which I thank you.

I have a weakness for a genteel mystery – and throw in giddy flappers and the green man and I’m a happy gal. I have genuinely enjoyed this journey. I love novels that weave patterns back and forth through time; I’m a mug, I suppose, for the idea of repetition and continuity. I like all of those dark, antique rural legends that reoccur. We had a green man on the house of the door in which I grew up and I’ve always been rather fascinated by this tradition.

You invoke fabulous sense of atmosphere – from the glittery jollity of the gatherings (you manage a large ensemble very well) to the eerie menace of the Gronny Patch. There’s a real pace and excitement too to the last few chapters, which I devoured with rapid page turning whilst my tea got cold.

Good period feel – your 1920s are convincingly 1920s (lovely period lingo) and your 1780s have an enjoyable Georgian fussiness. You played on my senses (there are lots of smells and noises in this novel) and succeeded in making both periods feel immediate. My belief was wholly suspended.

Sensible, clever, Julia is an admirable - and likeable - heroine. I enjoyed her practicality. She’s a bit Flora Poste in places. I also liked the cousins – loyal, pinchable Richard, garrulous Charlie, cool Bunty with her crowd. I’d like to take them all out for tea.

Your writing has oodles of personality and energy. Lovely comedy too. There are smirks aplenty, chuckles and the occasional guffaw.

This book reminded me of lots of slightly sinister and sparkly mysterious things that I loved reading when I was young; it took me back to The Box of Delights, Alan Garner and Green Knowe. It was a pleasure to re-find those sinister, sparkly memories.

Louise Galvin wrote 935 days ago

It snowed yesterday. So I shut the shutters, stoked the fire and over several pots of tea (alas no cream buns) I finished the last quarter. I had an entirely splendid day, for which I thank you.

I have a weakness for a genteel mystery – and throw in giddy flappers and the green man and I’m a happy gal. I have genuinely enjoyed this journey. I love novels that weave patterns back and forth through time; I’m a mug, I suppose, for the idea of repetition and continuity. I like all of those dark, antique rural legends that reoccur. We had a green man on the house of the door in which I grew up and I’ve always been rather fascinated by this tradition.

You invoke fabulous sense of atmosphere – from the glittery jollity of the gatherings (you manage a large ensemble very well) to the eerie menace of the Gronny Patch. There’s a real pace and excitement too to the last few chapters, which I devoured with rapid page turning whilst my tea got cold.

Good period feel – your 1920s are convincingly 1920s (lovely period lingo) and your 1780s have an enjoyable Georgian fussiness. You played on my senses (there are lots of smells and noises in this novel) and succeeded in making both periods feel immediate. My belief was wholly suspended.

Sensible, clever, Julia is an admirable - and likeable - heroine. I enjoyed her practicality. She’s a bit Flora Poste in places. I also liked the cousins – loyal, pinchable Richard, garrulous Charlie, cool Bunty with her crowd. I’d like to take them all out for tea.

Your writing has oodles of personality and energy. Lovely comedy too. There are smirks aplenty, chuckles and the occasional guffaw.

This book reminded me of lots of slightly sinister and sparkly mysterious things that I loved reading when I was young; it took me back to The Box of Delights, Alan Garner and Green Knowe. It was a pleasure to re-find those sinister, sparkly memories.

B.Lloyd wrote 935 days ago

Wow ! Thanks a lot ! :D That's great news !

I like this a lot. Starred. And backed.

Ferret wrote 935 days ago

I like this a lot. Starred. And backed.

B.Lloyd wrote 938 days ago

Thank you for your kind encouragement ! (Blushes galore) :D

Fantastic...i love it....i will buy it for sure...keep up the good work, i have a special interest in the green man...your imagination has strong energy...keep it flowing.....Angie.....x

angie gillett wrote 938 days ago

Fantastic...i love it....i will buy it for sure...keep up the good work, i have a special interest in the green man...your imagination has strong energy...keep it flowing.....Angie.....x

B.Lloyd wrote 943 days ago

Thanks very much !

Hi

First off - the title and the cover are attractive to those of us into such things. the Intro is great and we trust the writer as the images are so specific and authentic ( the herbs and aniseed milk). It is full of vivid characters and period details - great. It is just the kind of book I'd buy and have rated it.

Colette Marie
Fern Diary

Colette Marie wrote 943 days ago

Hi

First off - the title and the cover are attractive to those of us into such things. the Intro is great and we trust the writer as the images are so specific and authentic ( the herbs and aniseed milk). It is full of vivid characters and period details - great. It is just the kind of book I'd buy and have rated it.

Colette Marie
Fern Diary

B.Lloyd wrote 952 days ago

Thank you !

I have placed your book on my watchlist, having read the opening and dipped into other chapters- lovely writing style and very evokative. Will read more and then rate. Best wishes from fellow historical fiction writer HP (Renewal- set in 17th century)

HPHarling wrote 952 days ago

I have placed your book on my watchlist, having read the opening and dipped into other chapters- lovely writing style and very evokative. Will read more and then rate. Best wishes from fellow historical fiction writer HP (Renewal- set in 17th century)

B.Lloyd wrote 954 days ago

Thank you ! :)

A mysterious premise and an intriguing read. All in all a mighty fine story.

The time shifts are clear and work well. At times I wondered if writing in the style of the times made the prose sound a little strained, but broadly it worked well.

I admit to being taken aback by the dialogue-as-script- sections. I can't make up my mind if this works and adds to the book or doesn't; it's certainly unusual and distinctive.

J.S.Watts
A DARKER MOON

J.S.Watts wrote 954 days ago

A mysterious premise and an intriguing read. All in all a mighty fine story.

The time shifts are clear and work well. At times I wondered if writing in the style of the times made the prose sound a little strained, but broadly it worked well.

I admit to being taken aback by the dialogue-as-script- sections. I can't make up my mind if this works and adds to the book or doesn't; it's certainly unusual and distinctive.

J.S.Watts
A DARKER MOON