Book Jacket

 

rank  Editors Pick
word count 118949
date submitted 26.03.2012
date updated 28.04.2013
genres: Fiction, Thriller, Science Fiction,...
classification: moderate
complete

Paragon

E.R. McTaggart

Keira's got problems. They're about to get worse.

 

Keira Wallace isn't trying to be special. She isn't trying to be normal. She just wants to survive high school without killing anyone. That's proving difficult. Her next best plan is escaping town. The trouble is, that's exactly what Aiden has in mind.

Aiden is a killer, trained to be ruthless and efficient.  He's also Keira's genetic counterpart. When he takes her from home, he's hoping life will be easier. He couldn't be more wrong.

Keira wakes up with a new tattoo that brands her as the property of an arms manufacturer. As a genetically-engineered super-elite soldier, she'll never finish high school and good luck with that whole not killing thing.

Forced to fight for a company she despises, in a war she wants nothing to do with, this bewildered prodigy will be driven to the brink. If she jumps, everyone's going down with her.

Struggling to stay alive, and to retain her sense of self, Keira forms a tenuous bond with Aiden. But dreams of better things have no place on the battlefield.

Keira's about to learn what Aiden always knew: Nothing's fair in love and war, but everybody gets what they deserve.

 
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tags

afghanistan, dystopian, military, politics, young adult

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Pashtunwali

In battle, in the forest, at the precipice in the mountains,
 
On the dark great sea, in the midst of javelins and arrows,
 
In sleep, in confusion, in the depths of shame,
 
The good deeds a man has done before defend him

-Bhagavad Vita

 

 

    James warmed his hands over his mug of coffee as he stared at the photographs.

    When James had first seen Keira’s message, three days before, his heart had jumped. He knew only she had the password to the site, and he knew he could trust her with the secret. If anyone ever figured out that it was him running it, the consequences would be unspeakable. He remembered joking with Keira about it.

    “Is this like one of those gossip blogs?” She’d stared at the site, her brow furrowed.

    “Except with our own local ‘celebrities.’” He’d laughed aloud at her confused face. “I think having a gossip blog might actually be a gayer endeavour than liking men.”

    She’d laughed too, teasing him.

    He missed her laugh. He missed laughing about it, instead of living in fear of being discovered. Nothing was frightening when you laughed.

    James couldn’t find anything funny in these photographs. 

    He was in Seattle, like she’d suggested. After a month of silence, he would have gone to Hong Kong if she’d suggested it. He’d taken every instruction seriously.

   

    He’d even popped into Dr. Wallace’s medical office, two days before, just to see which magazines Keira might consider legitimate. He doubted MacLean’s would have much interest, nor did he think the British Medical Journal was the right genre. He’d settled on the New York Times.

    “James,” Dr. Wallace had called in surprise. “What are you doing here?”

    James had turned to see that Dr. Wallace was a shadow of his former self. A well-liked, normally boisterous physician, he’d become withdrawn and short with his patients since his daughter’s disappearance. In such a small town, word had spread quickly of the event. One could easily spot the toll it had taken on him, yet he spoke to no one about it, nor had he made any effort to retrieve her. Most of the people who spoke of it had concluded that she’d run away, and thought it an abominable thing to do to her parents, and that they were glad to see the back of her.

    “I came to see you,” he’d said.

    Dr. Wallace had shifted awkwardly. “Come in then.”

    James frowned, wondering what Dr. Wallace had to hide. Once he was inside his office, James had set up his laptop, and turned the screen towards Dr. Wallace.

    Dr. Wallace’s face went from drawn to distraught. He’d stared at the message a long time before saying anything.

    “Are you sure she sent this from a secure location?”

    James shook his head. “I can’t be sure.”

    Dr. Wallace’s face was impassive. “What’s the attachment?”

    “I haven’t looked at it yet,” James answered. 

    “Good,” Dr. Wallace said. He exhaled slowly. “It’s probably best that you don’t.”

    “But she said – ”

    “I don’t care what she said!” Dr. Wallace reached over and slammed the laptop shut. “Whatever it is, if it gets out, it will only get her killed. She took a risk, and if you act on it, she’ll be dead.”

    James snatched his laptop away, standing up. “Aren’t you even going to look for her?”

     “You have no notion – ” Dr. Wallace closed his eyes. “Go. Just… go.”

    James was taken aback. He’d never seen Dr. Wallace in any mood but calm. James slipped quietly out of the room, but as he closed the door, he caught sight of Dr. Wallace putting his head in his hands. To his great astonishment, the doctor was weeping.

    

    He didn’t do what Dr. Wallace asked. Instead, he skipped school and took the ferry to Seattle. He sat in a coffee shop, ensuring his screen faced two walls, and set to work. It had taken him a frozen hour to overcome his shock at the photographs. It took another hour, a medium coffee, and a cheese croissant to choose a journalist and obtain her personal email address. It had taken him another two hours, another coffee, and two biscotti to hack into a server in New York City, and create a new account from whence he ‘sent’ his email. Then he read his message twice, memorizing each word, and cleared it from his account.

    He sighed. Ethan was in Argentina, or maybe it was California now. Joe kept a board of his progress up in the surf shop. Ethan was winning every competition entered. He’d sent James two emails, each filled with blunted enthusiasm about surfing, never mentioning his wins, and always starting and signing off with the same demand: news of Keira. James wasn’t sure that this was news he wanted to give.

    He slammed his laptop shut, deciding to put off the email. He cursed Keira, wondering where on earth she was, and why she couldn’t have this conversation instead.

    He strode out into the soggy Seattle afternoon. He closed his eyes, and breathed in the thick, cold air.

    Remember to be brave.

    “Well Keira, he spoke softly to the rain, “if I’m going to be having uncomfortable conversations, I might as well start with my own. 

    Keira’s messages could wait. He had things to say to his own family first.

 

                        ****************

       

    Once inside the village, men and young boys came out of their homes to stare curiously at the odd procession as it moved through the dirt streets. Keira took up the rear, silent as a shadow, stealing glances from the corner of her downcast eyes at the alien hamlet. Her brow furrowed in confusion as she noticed the missing piece. There were no women.

    The village elders began to move more swiftly, and she almost fell behind as she searched more openly. Then she saw them: flashes of features, eyes, noses, mouths, peeking through windows and then vanishing again so quickly that one might not even notice them. The village elders led them to a mudbrick house that looked to be about the size of two mobile homes stacked on top of one another.

    A middle-aged man came out of the house. He took one look at the man in the stretcher, and motioned for them to come in.

    He led them through a small living room, and into a larger room with a long wooden table and a small belly-shaped clay oven in the corner of the room. A small woman with shiny black hair was tending the fires, and he yelped in Pashto at her.  

    She covered her head quickly with a black scarf before turning. But then she cried back, holding a wooden spoon aloft that dripped with a sauce. Keira’s vision swam as hunger overtook her at the sight of food. The man shooed her away, motioning for them to lay Martin on the kitchen table. The wife immediately began to berate the elders, her husband, and the four young men, waving her spoon in the air in frustration.

    In a somewhat disturbing display, the man put his hands on the woman’s shoulders, and pushed her back into the entry room. She continued to argue in Pashto and smacked him with the spoon, but he didn’t stop pushing until she was out of the room. Then he promptly slammed the door in her face, and locked it.

    He turned to the husband, whom Keira now understood as a doctor of some sort, and said something to him.

    The man waved him off, already busy at work. The other men in the room laughed, including Kevin and the twins.

    “He told the doctor that he really need to get a door like that in his house, except that he would lock his wife in the kitchen, not out of it,” Aiden told her quietly. The corners of his mouth were quivering.

    Keira did not find it as funny as the rest of them.

    Glancing around the kitchen, Keira noticed for the first time a young man in the corner of the room. He looked a few years younger than herself, with grey eyes that stood out against his dark hair. He was sitting on the floor, scooping a delicious-smelling sauce out of a bowl with a piece of flatbread. He stared at the intruders in astonishment, taking them in one by one. When their eyes met, he nearly dropped his bowl.

    Then his father barked orders at him, and he blinked twice. He replied something to his father. The father then barked in an even angrier voice. Fumbling with the knob, the boy turned and slipped out the back door of the kitchen.

    “He’s gone to get some opium from their stores,” Aiden explained quietly. “They’re going to have to amputate the leg.”

    “Is there anything we can do to help?” She asked.

    The doctor turned and stared at her, apparently having understood her words. He took her in, as if sizing something up, and his lips went white. “You. Go.” He said in English.  

    “She stays, Aiden replied resolutely.

    “Go.” He said more forcefully. He growled at Aiden in Pashto.

    Keira realized what had happened. Until that point, they hadn’t even noticed that she was a woman. She saw the staunch refusal in Aiden’s posture, and he began to reply what she could only imagine was a Pashto equivalent to a dozen English cursewords, when she brushed her fingertips on the back of his hand.

    I don’t want to mess this up for Martin.

    He turned to her apologetically. “He asked you to tell his wife that she must cook.”

    Keira nearly choked. She turned and left the room silently.

    The wife was standing at the foot of the stairs. Keira followed the woman up the stairs and into a separate room, where she settled down on a pile of cushions on the couch. A small girl was playing in the corner, and the woman called to her in Pashto, and she toddled over and sat down in front of her mother. The woman’s rage seemed to evaporate in the presence of her daughter. Keira, not quite sure how to approach the situation, knelt awkwardly before the woman. The woman kept her focus on the knots she was working out of her daughter’s hair. The girl, however, turned to her and stared at her in wonder. She looked perhaps ten years old, and had the same grey eyes as her brother.

    Keira smiled shyly down at the girl.

    The girl blinked, then reached out and grabbed the strands of Keira’s hair. She stared at it for a moment, and then giggled.

    Letting the girl continue to stare at her hair in wonder, Keira looked up at the woman, patted herself on the chest, and enunciated her name.

    “I speak English,” the woman said.

    Feeling now very foolish, Keira blushed and asked her name.

    “Malalai,” she called herself.

    “Malalai,” Keira repeated. “Thank you for helping us.”

    The woman snorted. “Who are you, anyway, a girl in the midst of warriors?”

    “You speak English better than your husband,” she noted.

    For some reason, Malalai seemed to find this hilarious. “Why do you think he kicked me out?”

    “I thought it was the same reason he kicked me out.” She answered.

    Malalai laughed even harder at that. “And I suppose he’s asking for food, now?”

    “Well, yes.” She answered sheepishly.

    Malalai wrapped a red, patterned head covering, a hijab, over her daughter’s head. “For you and your men, as well?”

    Keira shrugged, blushing. 

    “Well, you and your young men can have his food tonight,” the woman declared. She threw up her hands. “How does he think I will prepare his food with his operations in the kitchen? Come with me.”

    Keira watched as Malalai threw a heavy blue garment over her body, with only a mesh square cut out for visibility. It was a burqa. Keira touched her own chest self-consciously, wondering if she would have to wear one as well. But Malalai said nothing, so she followed her down the stairs and out of the house, the daughter tailing them, constantly looking up at Keira curiously. She pointed at Keira and chattered at her mother.

    “Roshina,” Malalai said, pointing at the girl. “She likes your hair.”

    Keira smiled at the girl and knelt down for a moment. The girl reached out and grabbed a bunch of the hair, staring at it in wonder. The little girl’s own hair was as glossy as her mother’s, and fell down past her shoulders in shiny waves. Keira laughed. “Tell her that I like her hair better. It’s like yours.”

    Malalai smiled in a gratified way and pushed open the door to another house. They entered into a kitchen where a younger woman held a toddler on one hip, while another young child, about the same age as Roshina, clutched at her legs. Malalai called her Leila, and embraced her warmly.

    The women chattered in Pashto for a bit, the young woman glancing occasionally at Keira with mistrustful green eyes. Then she bent down and said something to her son. He looked at her and made a noise of disbelief. She nodded, held up three fingers, and waved her hand, motioning for him to go. He ran out the door, followed by Roshina.

    When he was gone, she sighed, shook her head and turned back to the pot-bellied oven in the corner of the kitchen. She lit a fire again, pulled out a bag of rice, and poured it into an enormous copper pot. Then she put on a kettle, made some tea, and offered one to Keira.

    Remembering how thirsty she still was, she took and drank it gratefully, burning her throat with the scalding liquid. Too embarrassed to grimace, she grinned painfully. The women burst into laughter.

    Leila’s son came back shortly, and Keira nearly dropped her tea. “Good god,” she said aloud, knowing they would not understand. “He looks like something out of Children of the Corn.

    The boy was standing in the doorway, grinning maniacally, covered in feathers and blood. Promply, he stomped over to his mother, and handed her three headless chickens. Keira could only assume that he had beheaded them himself. Leila patted him on the head, and pointed towards the basin. He promptly stripped off and began to wipe himself off with the dirty, bloody water. Leila shrieked at him, and pointed outside. He hung his head, and talking the basin with him in one hand, a large jug in the other, and walked out the door. Keira heard the sound of water splashing on the ground, and the universal inflection of disgruntled complaint as he stalked off to whatever source he was to take the water from.

    Leila pulled out some flour, oil, seeds and spices and set to work mixing something. It took a few moments for Keira to realize she was making bread.

    “Come and help,” Malalai commanded.

    Keira washed her hands in a basin they provided for her, and was set to work kneading bread while Leila chopped vegetables and mixed in spices. Her arm ached every time she pushed down on the bread, but then she remembered Bear, and his unfortunate fate, and she felt ashamed for any self-pity. 

    “When your American friends come to rescue you,” Malalai said, “they will bring food and supplies for us.”

    “I hope so,” Keira answered. She knew the feast they were preparing was more than they could afford, and she had no idea how she could repay them. “How do you speak English so well?”

    “I learned in university,” Malalai answered.

    “I didn’t realize women in Afghanistan went to university,” Keira said quietly.

    “They do not for a long time,” Malalai said. “I trained as gynaecologist at Kabul University when women could still be trained.”

    “And what happened?” Keira asked.

    “Then the Soviets invaded, and there were many bombs. It was too dangerous to stay in Afghanistan. We flied to Pakistan. I only half-finish my education, but I helped the women, and he helped the men. We stayed for ten years in refugee camp, waiting to go home.”

    “And this is home for you?” Keira wondered dubiously.

    “My husband’s uncle lives here.” Malalai answered. “You met him. He is the malik.”

    By malik, Keira deduced that Malalai meant the village elder, and if she were to hazard a further guess, she assumed it was the wizened head of the salutatory triumvirate. “And what of your family?”

    Malalai’s smile faded. “Dead a long time ago.”

    “I’m sorry,” Keira said, wishing she could slap herself for her stupidity.

    “You Americans have strange expressions for death,” Malalai commented. “Now, flatten those naan like this.”

    “Canadian,” Keira corrected automatically, but Malalai wasn’t listening.

    Malalai turned her attentions to Leila, and the two of them began to sing as they cooked. The song flowed both beautiful and tragic and Keira supposed it was not so different from having a radio playing. Leila had plucked and dismembered the chicken in no time at all, and soon the kitchen smelled of rich spice and cooking fowl. Sometimes they would break their song to chatter in Pashto, Malalai occasionally speaking to Keira in English to give her some direction. It was nice- even though she understood nothing of what was said- to be in the company of women after weeks of only being with men. She wondered about Iris and Lin, who never even seemed to speak to one another; if they were ever lonely; if they ever craved the company of women. Somehow, she doubted it.

    The kitchen door opened, and the young man who’d been eating in the kitchen came in and spoke to them.

    Malalai yelled back at him, then turned back to her work. The young man stayed in the doorway, staring at Keira. She turned back, her cheeks reddening under his constant gaze.

    “Samoon, stop staring and do as you are told,” Malalai chided in English.

    Keira pressed her lips together to prevent herself from laughing. “Your son?”

    “Yes,” Malalai said, and there was a touch of pride in her voice. “I am teaching him English. He says we are to take the food to the men. I said if they want, they must come and get it. Help me prepare the room.

    Along with Malalai and Leila, she helped to spread out the food on a large cloth on the ground, and placed cushions around the cloth. The women had cooked the chicken in a spiced dish with fried raisins, slivered carrots, and pistachios, and served it on huge beds of rice. Then she was ushered back into the kitchen.

    As if on cue, there was a commotion in the dining room adjacent to the kitchen, and the men settled down to the meal. They spoke in urgent tones, and she stood with her ear to the door, wishing she could understand. From the sounds of their voices, she could tell that Aiden seemed to carry most of the conversation on the Paragon’s behalf, although Colton would occasionally put forth a phrase or two. 

    Malalai gestured to Keira. “Come, sit. Eat.”

    Keira huddled with the women near the pot-bellied stove and ate a portion of the meal they had not put out for the men. She tried to chew on the portions of chicken, rather than swallow them whole, and waiting for the soft naan to melt in her mouth, but it wasn’t long before she was staring miserably at her empty bowl, wondering if it would be rude to lick it clean. The food, it seemed, had only served to whet her appetite. She was famished. She leaned over to Malalai and pointed to her empty bowl.

    “What is it?”

    “Palao.”

    “Thank you,” Keira said, remembering her manners. “And thank Leila for me.”

    “You can thank her yourself,” Malalai told her. “Tashakkur”

    Keira turned to Leila and repeated the word. She gazed at Keira for a moment, her green eyes probing, before tilting her head forward graciously.

    The women said little otherwise, and Keira guessed that they were eavesdropping on the conversation next door. Finally, she could not stand it.

    “Do you always eat separately from the men?”

    “In large group, yes,” Malalai answered. “When just husband and children, we eat together. We cannot have our faces being shown to the tribesmen. It might tempt them.”

    Her voice was thick with haughty sarcasm, but it could not quite hide Malalai’s frustration. Keira knew very little about the political history of Afghanistan, but from what she had learned, it had been rather more progressive - at least in the urban areas, where men and women attended university together and worked together - until the Taliban took over. These mountain villages, however, had perhaps always been a bit more… conservative didn’t quite seem a strong enough word. Keira could understand Malalai’s frustrations.

    “Are you the women’s doctor in the village still, then?” Keira guessed.

    Malalai nodded, and her smiled came back to her. Then it faded again, overwhelmed by the burden of care. “We have no supplies to care properly for our people. The men would surely have turned you over to the Taliban or killed you themselves if the need was not so great. But we have run out of medicine and many other items.”

    “Ah,” Keira mumbled, because she could not think of how to respond to such an admission.

    There was another knock at the kitchen door, and Samoon entered. He spoke in rapid Pashto to his mother, who then nodded towards Keira. “Time for you to go.”

    Keira stood up, not quite sure where she was supposed to go. Malalai nodded towards the door, and Keira hoped that the men hadn’t changed their minds and decided that they had enough medicine after all.

    But it was only Aiden waiting for her, and she couldn’t help but smile with relief. He returned it, a tired curve of the lips that did not reach his eyes. He tilted his head, and she followed him through the winding alley.

    “I’m sorry about all of this,” Aiden apologized.

    “This is the way they’ve operated for millennia. Who are we to force change upon them in a decade?” Keira shrugged, trying to be grateful. “When in Rome.”

    Aiden stopped walking. “We’re not in Rome.”

    Keira smiled. “Do as the Romans do. It means that when you visit another country, you should adopt their customs, because it’s the polite thing to do, and because it makes things easier for you to be polite. Have you never heard it?” 

    He shook his head.

    “I suppose not,” Keira muttered.

    He snorted. “And it makes perfect sense that you would adhere so dogmatically to a turn of phrase concerning politically correct etiquette.”

    Keira changed the subject. “How’s Martin?”

    Aiden exhaled slowly. “We were lucky to happen upon such a proficient doctor. They had to amputate, but the doctor says his vitals are stable. That man has nine lives, I swear.”

    “What’s his story?”

    He put on hand on her bloodstained jacket, thumbing carefully under the wound. “I’ll tell you another time. How’s your arm?”

    She had almost forgotten about the pain in her shoulder. “Sore, but I won’t lose it.”

    “I’ll look at it once we’re inside,” he decided, apparently unsatisfied with her answer.    

    Keira reached out and touched the back of his hand, telling him of Malalai’s admission. “They don’t trust us,” she whispered, “and I’m not sure we should trust them.”

    “It’s not that simple,” Aiden answered, but he squeezed her hand to reassure her. “If they work with the Coalition forces, then the Taliban threaten them. If they work with the Taliban, then it’s our job to arrest or kill the young men involved. So they go by what they need the most at the moment, because it’s the only thing they can do.”

    “And they need supplies from the army most right now?” Keira asked.

    “Not very much of Afghanistan is actually cultivable, and much was destroyed by years of war. Most of what’s left is now used for growing opium. They don’t actually grow enough food to sustain the population, so they rely on the supplies… well, the bribes really, from both sides. It’s all they have to respond to: bribes and threats. And frankly, most of them have never known anything else.”

   

    They were installed in a home that had been abandoned by a family who had gone to another village for a wedding, and never came back. The elders couldn’t explain their absence, but the reasons were too numerous to contemplate. Illness, an explosion, exposure or gunfire; any of these could easily wipe out an entire family in this country.

    There were two rooms on the lower floor of the house, and a single room at the top. Frankie was in the living room when they entered, holding a cardboard box in his hands.

    Keira saw that it contained a mobile phone, and presumably a charger. Hope surged in Keira, but it was quickly quelled by the look on Frankie’s face. She looked around. Candles brightened the room they were in, and she hadn’t seen any evidence of electricity elsewhere in the village. She understood the problem immediately. They had a mobile phone, presumably donated by well-meaning aid workers, but no way to charge it. Frankie dropped the box on the ground angrily.

    An idea hit her, and she swept up the box before heading upstairs.

    They chose to give Keira the top room, and the men split the lower area, leaving her alone at the top to inspect her room. Instead of a bed, there was a thin mattress on the floor, blankets unmade, still holding the tangles of the hapless family’s last sleep.

    A jug and washbasin on a stool in the corner was her “bathroom,” and someone had been considerate enough to fill the jug with fresh water. She decided to wait till morning to use the latrine that could be found in an annex to the house. She had a mattress and a blanket- when she might not have been afforded such luxury here- and she was grateful. 

    Standing alone in her room, she could hear the men downstairs, discussing battle plans. She was furious that they had left her out after all she’d done to save their lives on the mountain. Rather than fume, however, she decided she would learn as much Pashto as she could- either from Malalai, or simply from absorbing it from Aiden. She smiled a little as she realized how easy it would be to learn the language that way.

    Feeling less feeble, she remembered her arm. Gingerly, she removed her own jacket and stared at the previously white bandage on her left upper arm that was now entirely red-brown.

    Without realizing he’d entered, Aiden was standing behind her. His hand gripped just below her elbow.

    “Let me.”

    Because of the awkward position of the wound, she did let him. She stood with her back to him. There was a strange protectiveness, and a strong sense of guilt, that passed from him to her as he slowly began to unravel the bandage, pacing himself with the feeling of her pain passing through him. He tilted his head closer, so that she could feel his breath on the back of her neck.

    “Is this okay?”

    “Fine,” she said, cringing slightly as he pulled off the rest of the bandage.

    The tearing sensation passed straight through to him as he pulled the bandage and new, scabbed skin away. He inhaled sharply through his teeth. “Sorry.”

    “It’s okay,” she breathed.

    The wound was bleeding again, but rather than apply pressure to slow the flow, Aiden flushed it with a jug of icy water.

    “They weren’t leaving you out of the plans, Keira,” Aiden explained,I didn’t think you’d want to take part in it. I’m sorry if you had.”

    She stayed still, thinking on that. She wasn’t sure why she had wanted to take part in planning battles and killing. In reality, she didn’t want that at all. She just didn’t want to be a voiceless in a place where she felt her femininity more acutely than she ever had. “You were right,” she admitted.

    “As always,” he teased half-heartedly. He took a breath, and in the stillness of the room, she could hear his eyelids shut. “Today- I didn’t know why you did what you did.”

    “You mean kill someone?” she asked, unable to face him. She remembered what he’d told her the night after he’d been whipped, about not changing, and she wondered if he was disappointed in her.

    He shook his head. “No. I knew you would protect yourself. But you did more than that. You put your life on the line for the rest of us. I don’t know why you did that.” He paused. “God knows we’re not worth it.”

     “I’m don’t feel good about killing the insurgents, but I had to do it. Feeling the need to face him, she twisted. “I did it because you are worth it, Aiden.”

    He stared down at her, trying to find something in her eyes. “Worth killing for?” 

    “Worth saving.” As she said it, she realized she wanted more for him than to keep breathing. She wanted him to have a chance at living.

    He stood very still, just looking at her, and somewhere in his face she saw the shattered pieces of his innocence. She wanted, more than anything, to put them back together. She reached out to touch his face.

    He flinched away from her.

    “I don’t need saving,” he snapped. 

    “Fine, I’ll remember that next time.” she muttered, dropping her arm. She glanced at him. “Why aren’t you wearing a shirt?”

    He was bare-chested, the unscarred skin of his torso covered in goose prickles. He shrugged. “I cleaned it. It’s still drying downstairs.”

    There was something else he wasn’t telling her, but he was standing too far away for her to tell. Fed up, she inspected her wound. Frayed strands of her own torn shirt were still touching the wound, stinging it, so she pulled it off, leaving her in just her sports bra and undershirt. She looked down at the wound. It was a sharp, inch-wide space banded across her right deltoid, and deep enough that she could see the layers of torn skin and muscle between blobs of congealed blood. A thick blue ring of bruise circled the wound.

    “That’s gross,” she said, but her tone was matter-of-fact. Blood had never bothered her.

    Aiden, on the other hand, looked positively ill. It surprised her, because she didn’t think gore bothered him either. His hands were limp by his sides, and he stared back at her with wide, almost frightened eyes.

    “What is it?” she asked quietly. 

    “If anything had-” He looked bewildered. “I don’t-

    There was a knock on the door, cutting short his reply. Before either could answer, Colton pushed it open. He stared at their state of undress for a second with a raised eyebrow and a half-smile.

    “Bad time?” He sauntered into the room and glanced down at Keira’s injured arm. “You really need to clean that up, you little amateur.” Even as he said it, he patted her good shoulder fondly.

    “Needs stitches,” Frankie, who had come in behind his brother, decided.

    “Should we call the doctor?” Aiden asked.

    Colton stared at him strangely for a moment, but then shook his head. “He’s done enough for us today, and we can handle simple stitches.”

    Frankie stepped out of the room, and came back in with a small medical kit that must have been in one of the pockets of his jacket. Kevin had a bottle of rubbing alcohol and cotton swabs in his hands. Where he’d gotten them, she had no idea, but she didn’t care to ask. Track looked in from outside the door, and she could feel him inspecting her with his disturbing gaze.

    Frankie opened a silver package and removed a thick needle, already spooled to a long, thick string. “Aiden, do you want to do it?”

    “I can’t,” he answered helplessly. Keira had known he wouldn’t be able to; it would have hurt him too much to stitch her effectively. But there was something in his tone - a sort of frightened hopelessness- that she didn’t understand.

    “Well, that’s going to be a problem,” Colton muttered, taking the suture and gauze in his hand. He shoved Aiden out of the way, who stumbled back two steps, his fingers fisted by his sides and features tense, as if he were suddenly afraid of her. She stared at him in confusion, until Colton wove a cloth in her face, breaking her line of vision. “Put this in your mouth, but keep very still. It’s going to hurt like hell.”

    “Can I do anything?” Track asked from the doorway.

    Keira looked up at him in surprise. Aiden turned on Track, his face turning an angry red.

    “You can get out,” Colton growled. “Ready?”

    She nodded, biting down on the cloth. The salty taste made her wonder where the rag had been. She felt the rubbing alcohol sting her wound, and screwed her eyes shut. Then she felt the first stitch. Colton wasn’t lying- it did hurt like hell, and she let out a muffled squeal as he wove the needle through her shoulder.

    “Frankie, hold her still,” Colton ordered, and she felt an arm come around her ribs, another grabbing her right arm and holding it still. Frankie was holding her from behind, and he stabilised himself by sliding his legs around her.

    “Why, hello Keira,” he teased as he felt her tense under the close position.

    She made an aggravated noise, but could not retort.

    “Stop moving,” Colton admonished her.

    “Shrry-“ she apologized through her piece of cotton.

    Colton made an irritated noise. “Stop apologizing.”

    He pierced her again, and a stifled squeal escaped through the cloth, but Frankie was holding her so tightly, she couldn’t have move had she wanted to. She looked up from under her bowed head, and though the edges of vision had blurred with pain, Aiden was sharply focussed. His face was twisted with pain so great that it crushed her own cries of agony back down her throat, and his eyes- his eyes were filled with confounded self-loathing. She knew the look, because it was the same look she’d seen reflected in the mirror every morning until she’d met him. It was the look that came on with the revelation of something that existed deep within her, something both terrible and wonderful, and she had no hope of understanding or controlling or ever, ever getting rid of it. She had no idea what it meant on Aiden, who had known himself his entire life.

 

    When it was over, someone handed her a cup of water. It was bitter, but she didn’t complain. By the time she’d finished drinking it, Aiden had left in the room.

    “How come she gets her own room?” Track complained.

    “I told you to get out,” Colton answered, shoving him from the room. As he followed the young man down the stairs, she heard him growl, “You know Track, a lot of mercenaries disappear in these mountains.”

    In truth, Keira was confused as to why Aiden had chosen to stay with the Kappas. She had grown used to his constant presence, and though she should have been glad for her privacy, she found herself missing his presence. When she looked up at Frankie, who was the only one left in the room.

    “Need someone to keep you company?” He grinned at her as he took the cup from her.

    “What is wrong with you?” she balked.

    He shrugged. “No harm in trying.”

    She tried to raise an eyebrow, but yawned instead. “Does that ever work?”

    “Doesn’t mean it won’t,” he retorted.

    “You need to up your game, Frankie,” she replied hazily, tucking herself into bed. “Now leave me alone.”

    “So I should just persevere?”

    “Get out.”

    “Good night, Keira,” he said as he made his way out of the room.

She mumbled incoherently in reply.

Chapters

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HarperCollins Wrote

Paragon tells the story of Keira Wallace, a teenage outsider living in the small Canadian coastal town of Jack’s Creek. While, like most teenagers, she feels different and isolated from her friends and family around her, she has no idea how different she really is. After she is kidnapped, Keira wakes up in a military compound and is told something that makes her previous teenage angst seem rather inconsequential. She is a genetically engineered super-soldier who was lost at birth, and is now going to be used as a weapon by the arms manufacturer that created her. Similarities can be immediately drawn to Anthony Horowitz’s Alex Rider series. Paragon sits firmly in the YA genre, though there are some quite dark and violent moments. I enjoyed the first half of the novel and was particularly intrigued by the back-story. However, the second half does lose it’s way.

I would like to start by saying that this is very well written YA fiction. The transitions between well observed description and tight dialogue are smoothly handled. In particular, the dialogue between the younger characters in the novel is very well done. Frequently authors will bog down these interactions with excessive use of colloquialisms or forced attempts at humour. This could easily have happened when the boisterous and risible characters Frankie and Colton are introduced into the story. However, you successfully avoid these pitfalls and keep the exchanges believable and most importantly relatable.

The novel starts very well. The relationship between Keira and Ethan is believable and their interactions are well written. You build a sense of unease and incompatibility with her quiet town life successfully, and as a result the novel’s sudden shift when we find out about Keira’s true identity manages to avoid seeming too forced or unbelievable. I was very intrigued by the back-story of the Paragon program and the as-yet-not-entirely-explored or understood power that each soldier has.

After such a strong and tight start I was disappointed when the novel took a far broader turn. I understand that it was necessary to show Keira’s new powers but that did not need to become the new focus of the novel. When the story shifts to the Middle East the action and tempo increases, however at a similar speed it lost my attention. There is far too much discussion about the necessity of the War on Terror when they first arrive in Kabul. The themes and focus become far too broad and it descends into a generic discussion on the validity of war. Many previously important aspects of the plot are either forgotten entirely or now mentioned only in passing. The initially well-developed characters of Ethan and James become almost pointless by the end because they seem to have no use in the overall story. We are given brief hope that they will be properly reintroduced when Keira attempts to contact James. However, this plot point is not properly developed and has little impact.

The inclusion of the two separate insurgent attacks was one of the main reasons for the novel’s loss of focus and intrigue. Everything that needed to be accomplished for plot and character development was achieved in the first quick attack. Keira experienced real warfare and knew what it felt like to kill a man. This would have been a good point to really explore what that meant for her character, refocus the novel on the Paragon program, and direct the attention back to the real enemy of the novel, the Secretary of State. Instead, we remain in the same place while the characters pontificate on the horrors and futility of war and wait for another attack. It is because of this that when the end of the novel arrives, it feels abrupt and unexplained. The revelation of Aldous’s plan to take down the Paragon program should be the emotional climax of the novel. However, because we have been lost in the desert for the last hundred pages, the impact is significantly diminished.

I was so disappointed by the second half of the novel because I felt that the first half showed such promise. The technical quality of the writing is very strong throughout and I think that there is a great story in here. You seem to have attempted to hold a lot of the Paragon backstory back for the sequel and I would recommend including some of this in a rewrite of the second half. However, in it’s current form I do not think that I can recommend it to be taken forward.


Joe da Silva wrote 226 days ago

When I started reading this I thought that I had let myself in for a read more suited for teenagers than for an old goat like me. It looked as though it was going to be about teenage surfer heroes of some sort.
Boy was I wrong!
It is a great read for all ages. It is very well written in a flowing style that makes it difficult to put down. The characters are very well described and very real and you have managed to perfectly bring out all aspects of their individual personalities.
Yes, the heroes are indeed teenagers but the subject matter (terrorism and war in Iraq and Afganistan) is very topical and very adult although teenagers worldwide can also relate to it.
Nevertheless, in spite of the fact than it will appeal to an adult audience as well, I do believe that the main market for this book is going to be the teenage one. They are going to love it and I believe that it has the potential to go up against other teenage novels like the 'Twilight" books with a great deal of success. In fact I am surprised it has not been snapped up by a publisher yet because I think that after they read this book there are going to be large numbers of teenagers queuing to buy it and the ones that will no doubt follow it.
I notice that you have ended it perfectly to allow for future books about Keira and Aiden.
I also have no doubt that this will be in the top five by the end of this month and, as it is getting very close to being reviewed by a proper editor, I feel that I must point out that there are one or two things that still need to be cleaned up before it gets there so please forgive me if I seem to be nitpicking a bit.
The bit about Lickey's Beach in Chapter 4 : I don't understand how a beach can become clandestine after tourists have already discovered it?
Also in Chapter 4 you have used the word waved where it should be wave.
Nothing serious at all.
Very well done with this novel Elspeth

Trailer Bride wrote 275 days ago

Ellie

I read six chapters - but not chapter four because Authonomy wouldn't let me. I like everything about this book and would love to read the whole thing when it is published. I can say categorically that - based on the chapters read - it's one of the best five stories I have read on this site. It's the sort of story that beckons you on and, before you know it, you've lost the whole weekend. It has clear movie potential. But more than that, the writing is both tight and slightly stretching, by which I mean you paint vivid pictures and I occasionally check into a word to find that you used it in a way I would never have thought of. For example, "renege". This is a very good thing.

I love your characters, story, everything. I even love your chapter titles which make frequently me think of favourite songs or poems. For reasons we need not go into, Ceremonies of Innocence, for example, recalls not only Yeats but also Bob Dylan. In short, this book does not lack conviction and I admire it with a passionate intensity.

Very well done.

Evie

kata wrote 336 days ago

YARG review
After reading continuously in one sitting through to chapter seven I can happily back this book. This story is refreshing, and not like any YA story lines I have come across before. The style is compelling & promising, written with a sophisticated yet easy to read prose that is gripping from early on. The characters are well described and Keira's character is mature and appealing, with a strength of character that stands out in a deluge of weak female boy consumes characters on the market, being controlled by their male love interested and incapable of defending themselves, in need of protection at ever chapters end. Enough! We need more strong heroine's like Keira and less fainting Bella types as role models for YA readers! Very well edited, I feel this is a very publishable competent story.
I will continue to read this all the way through as is available.

Kate Malone
Twell

gajs78 wrote 408 days ago

At last I have started Paragon and I have to say I loved it. You write smoothly, your writing flows making it easy to continue. I read the first four chapters and found myself hooked. I always say when I read a book here that I am not one to critique, I come at every book as a reader. As a reader would I but this? Yes one hundred percent.

You have created a solid and believable central character in Keira, her home and teenage frustrations in it are realistic, her school life and her unpopularity (the horrible incident with the fish) will appeal to many insecure young adults.
You decribe her setting Jack's Creek so well it makes it easy to imagine, I could picture every thing as I read it. From her 90 foot jump, to Ethan, his gorgeous girlfriend and of course the accident.
Her nightmares returning (do they predict things to come?) her accident and smoking palms had me compelled. Kiara is no ordinary girl.
I think that this book has all the elements needed to engage the reader, a main character that is easy to identify with, suspense and fantasy.
A big well done and highly starred from me.
Brillant and well worth a read for those who haven't yet.
You are a natural writer and highly, highly talented. I would imagine that in the not too distant future that medicine will be a mere sideline for you!!!
Jayne

Zoe Ramone wrote 347 days ago

Excellent and captivating.

Duncan Frost wrote 46 days ago

Ebones!

First ELMORE LEONARD.

So the other day I was reading an interview between Martin Amis and Elmore Leonard. I won't make you read it but if you want to glance at the PDF it's over here. (http://www.martinamisweb.com/interviews_files/amis_int_leonard.pdf) Basically, Leonard said that he had always taken a very commercial approach to his writing. First he looked at the market to determine which genre he wrote in. He wanted a genre that was selling well. Secondly, he viewed his writing as "scenes." So before he started writing something, he would say to himself, "Okay, what is this scene supposed to do? How does it relate the rest of the book? What do I need to happen in this scene to move the story along?" I'm paraphrasing, of course. But for commercial purposes I can see how incredibly helpful Leonard's approach might be.

Now to PARAGON.

Your writing is terrific. Language, rhythm, detail -- you're the genuine article. The relationship between Kiera and Iona is fantastic. Sometimes I feel like I'm reading the work of an incredibly talented memoirist. I forget that it's fiction There are a lot of examples I could write down but that's not really all that helpful. Besides, hopefully by now you know who I am. I'm a lazy bastard.

I only have two problems with PARAGON.
1.) structure
2.) length

Fortunately these are easily fixed. They're not bad problems to have. Bad writing is a bad problem to have and usually can't be fixed. Also, the two problems are very much related to one another.

Your first chapter. what are you trying to do with it? I could be wrong but I think you're trying to:

1. Set up the military thing
2. Introduce the idea of Paragons as genetically superior.
3. Most importantly, connect the two major characters.

So here's what I'm thinking (and this is mos def my 2 cents only, if I was really good I wouldn't be on this damn website.)

1. We introduce the landscape --Iraq
2. We introduce the characters -- Aiden and the other Paragons, who are in a gun fight.
3. (This is different from your text) We introduce the idea that in the Middle East there's a weird interest in Western culture that contrasts with Islamic conservative values --Possible examples might include a Taco Bell next to a Muslim temple, the body of an insurgent wearing Levi denims and Ray Bans, Michael Jackson song playing in the background. Something along those lines.
4. (This is same from your text) Aiden and gang chase the kid.
5. They think the kid has a gun!
6. (This is different from your text.) There's a suspenseful moment where they don't know whether to shoot the kid. What do Iraq people speak? Farassi? Iraqueee? Yiddish? Maybe there's an unforeseen language barrier that causes the uncertainty. Maybe the kid is deaf. (Milk this moment.)
7. They don't shoot the kid. And he doesn't have gun. In fact it's a rolled up Sports Illustrated with Keira's purple eyes. And since we did Step 3, it totally makes sense.
8. In conclusion: We get a quick jolt of action, some suspense, and we don't have to go back to the military base to make the Keira connection, possibly giving your book a more contemporary pace.


Now the home scenes. If this was a Hollywood movie how much time does Mr. and Mrs. Wallace get on the screen? Since the story is about Aiden and Keira, they probably don't get that much. You pretty much need them to be stock characters. Not necessarily cliché, but easily recognizable. They'd probably just make sure we know that Mrs. Wallace is short, kind, and very self-possessed. And Mr. Wallace is a distinguished good-natured doctor. (Doctor too. Which might explain his connection to the genetic anomaly.) Iona's character, on the other hand, seems like she's a little more involved with the story so she gets a little more screen time, but I doubt she gets as much as you give her. For example, can she be reading (I like the dyslexia thing) in the car on the way to school? Etc.

The school scenes now. Okay what are we trying to show?
Once again --only guessing-- but the main thing is showing the reader that Keira's unique gifts have also turned her into a pariah at school. So the structure might go something like

1.) First: The locker with the psycho burned on. It tells us she's different for some reason.
2.) Then her day. Sitting in the loser row. Interactions with teachers. This is another part that could possibly use some trimming. And please note that there's a lot of wiggle room with 1. and 2.
3.) Finally the parking lot fight scene! This could be an unexpected payoff for a character who spends much of her time in school by herself.

(Random note: Did you see the new Spiderman movie? Notice what they did to make a cool-looking/attractive guy seem like he was an outsider at his school? They gave him glasses and made him stick up for a dork at school, thus aligning him with the school dorks. That was sort of clever. Maybe give Keira some glasses so that people don't stare at her purple eyes???)

The cereal thing was great. In fact, I think that's the only connection you need to get the Aiden and the crew back into the story. When Iona questions Keira about her food it's such a common thing that we don't see it coming at all! You don't need the lurking boy. I know this is hard --because I really like her diving off the cliff-- but I think you could probably cut that out too. (Or skillfully reposition it in the text.) As Hemingway said, Sometimes we have to kill off our darlings.

The other advantage to cutting the cliff diving scene (and possibly not mentioning yet the incident at school that made people turn on her) is that when Keira fights in the school parking lot there's more of a Revelation Moment for the reader. She's showing her "Paragon nature" for the first time. Use that situation. Whereas the way it's written now, I never thought for a second that she might lose or even get hurt in the parking lot. Actually, you know what? The more vulnerable you could make her appear before the parking lot scene the more A HA! that parking lot fight becomes. The tricky thing is that she's not actually vulnerable because she's a Paragon, but if you could make her seem vulnerable (You can be vulnerable in other ways besides physically and intellectually. You can be shy, sad, alone.) it might be one of those big character identifying moments. This is type of quick revelation is common enough in storytelling. Think Strider in Lord of the Rings. At first you think he might be a bad guy, but then a couple minutes later he turns out to be the best kind of person. At first you think Yoda is some weird little swamp creature, but a ten minutes later you find out he's a like the ultimate Jedi master. (IPR Yoda.) Etc. Etc. Etc. So maybe don't have Kiera drive 200 MPH to school. But after the fight, have her drive 200 MPH.

So here's a hypothetical structure for the beginning:

1. Iraq. Gun fight. Swimsuit issue.
2. Keira wakes up from her dream again. (Loved the writing and it would be a nice transition from the SI cover. Also, for some reason, there's something about introducing a new character when they "wake up." I can think of dozens of examples in movie/films. I think it has something to do with being introduced a new character who is introducing themselves to the conscious world.)
3. Keira goes downstairs and we briefly meet Mr. and Mrs. Wallace.
4. The Wallace girls go to school together, observing the speed limit.
5. Keira has a crappy day at school. (People likey underdog.)
6. Keira kicks some ass in the parking lot Paragon style!
7. The Wallace girls do 200 in the Jetta, dramatizing Keira's Paragoness.
8. Colton, the scamp, woofs down the purloined cereal and we're off!
9. I know that's a lot of balls to juggle at once, but if you could.... maybe get it all into three compact chapters... I'd imagine a lot of literary agents would have a hard time not wanting to read more.


Then again, Ellie, that's only looking at it from a commercial prospective. It's your book, your world. It's a well constructed world too. I'm not just saying that you make you feel good. That's not my style anyway. If I had stumbled upon a hardcopy of PARGON, the way it's written now, I wouldn't have even thought of such critiques. Honestly. I would have thought: wow, looks like the Canadian literati is starting to flourish. The writing is truly good. The only way that you don't already know your writing is terrific is if you have some sort of rare brain disorder, like body dysmorphia, but with prose.

Also, I change my mind all the time so by tomorrow I might write a critique which is utterly different from this one.

I've been on a reading tear lately so be warned, I plan to write more about PARAGON as soon as I get some more chapters into my brainskizzle.

abbydarlaaanne wrote 114 days ago

YARG review:
Prologue- you paint such a detailed picture at the beginning, that you can almost imagine yourself in this story. You're slowly building up the story, giving away just enough to keep the reader hooked. The prologue ends in a dramatic and intriguing way.

Chapter 1- The characters are interesting, and you've mixed quite a few different themes in which makes it well rounded. Intriguing ending to the chapter as well!

All in all, a very well written, interesting book
Abby

R.J. Stanley wrote 131 days ago

Hey E! YAY you made it to the top, knew you would!!!

Seringapatam wrote 151 days ago

Wow. Fantastic start. You certainly hit the ground running. This is a good story and a bit of Arabic thrown in for good measure. I didnt have to throw much effort in here as I felt as if I was already there. A brilliant start for me., Well done.
Sean Connolly. British Army on the Rampage. (B.A.O.R)

Littleredriley wrote 172 days ago

High stars- still!

Your still on my WL and ive read a few more chapters. It seems to be tight and polished all the way through from what i can see. I still think Keira is a total bad-ass! ha ha.
You write with such ease (although im sure you've spent hours edited the heck out of it!) The story reminds me of The Hunger Games, but even better.

If im honest this isnt more normal book, but this wouldnt stop me buying it. Its creative, imaginative and keeps me on the edge of my seat every time i pick it up.

Good luck

Kind regards

Claire C Riley
Limerence

akmauldin wrote 182 days ago

YARG review

This is really well written! Just to be nit picky, I'm gonna give a few pointers to things that made me pause.

First--the semi colons. I was taught in school to use them to connect two sentences that need each other--but now a days most semi colons are being replaced with em-dashes. I've had to remove all my semis b/c of an editor's critique and replace them with commas when possible, or em-dashes. So b/c it was pointed out to me every time I came to one it made me stop.

Second--there were just a few passive words that slipped in there (this is so hard! I do this ALL the time). Try not to write things like "He started to climb" it should be "He climbed" or "He had ran out of ammo" should be "He ran out of ammo".

Third--I love a tense opening!!! Start with the good stuff. But I do feel like there was so much action for so long that I couldn't connect with the mc. Action is great--it is--but give us enough internal thoughts so that we can connect with the mc right off.

Now, this is me being picky. This is what I would tell my cp to take this from really good to perfect. This seems like it will be a tense read (which I LOVE).

I'll be back to read on past the first chap. I did really enjoy it :) Backed with 6 stars.

Amber-- Perfectly Broken

akmauldin wrote 184 days ago

Wow! This is wonderfully written. If I think the writing is weak, or the story is slow, then I simply move on without commenting, but I wanted to let you know I really enjoyed this and look forward to getting to read more. I've backed your book and put it at highest stars--only because I think it's worthy. Sometimes I feel like this site is a popularity contest--when the focus should be on talent. You've got talent. Best of luck!


Amber- Perfectly Broken

Violet Ivy wrote 185 days ago

Wow this was amazing.
I looked up the definitio of your title.
par·a·gon (pr-gn, -gn)
n.
1. A model of excellence or perfection of a kind; a peerless example: a paragon of virtue.
2.
a. An unflawed diamond weighing at least 100 carats.
b. A very large spherical pearl.
3. Printing A type size of 20 points.
tr.v. par·a·goned, par·a·gon·ing, par·a·gons
1. To compare; parallel.
2. To equal; match.

You are number one for a reason. This is an incredible piece of work.
Best of luck
Violet Ivy

celticwriter wrote 185 days ago

...reading more...it truly is a movie (translation from my visual soul, meaning it's wonderful and the universe should read it/see it)

still happily on my shelf

AD59 wrote 187 days ago

This is excellent, tight, pacy and suspenseful! You deserve the number one spot. What was your inspiration?

nm101307 wrote 187 days ago

Good lord, I just read this whole thing in a matter of hours! All I can say is, Wow! Finally, a YA book that's not about sparkling vampires or werewolves. I'm quite happy there's a sequel, because I must confess I nearly cried when Keira was told that Aiden was dead (yes, yes, I know I'm a crybaby, no need to rub it in). Backed without a second thought, and I wish you the best with the editor's desk!

lauraemmons wrote 188 days ago

YARG review continued -- Paragon by E.R. McTaggert

Here are some honest observations.

I personally cannot believe that there is any dystopian alternate reality, especially in our present timeframe, where all of this is manipulated by the Secretary of State. Being Austro-Canadian, or Canadian-austro, you may not follow the fine details of our governmental system. But no former defense contractor would ever be confirmed as Secretary of State because of fear of the exact scenario you paint in the book. I can easily believe that such a thing could come from the Secretary of Defense. Of course, in recent history it was the VP who was an evil, monstrous defense contractor with a bad heart. But if you’re looking for someone who would have access to an unlimited budget, little oversight and all the right connections, I’d go with SecDef.

Some of your chapters have a number and a title. Some just have a title. It should be consistent. Personally I like the number : title combination. Chapter 20 is numbered wrong.

In Chapter 12, you say they flew to Virginia, but earlier in the book you said it was West Virginia. Since I live in West Virginia I vote you change VA in Chapter 12 to WV.

It’s a shame for your book that in the time it took you to reach the point of publication, Bin Laden was killed. Perhaps you can replace him with a fictional bad guy so as not to date the book?

I wish you all the best in your bid for publication. Paragon deserves it.

lauraemmons wrote 188 days ago

YARG review -- Paragon by E.R. McTaggert

Hi Ellie,
I know I said I was going to try and leave comments every few chapters because I was reading your book in between writing my own for NaNoWriMo but that's not how it worked out. I couldn't stop. I just kept going, chapter after chapter. Your book is that good. I did stop at 7 AM this morning to get a few hours’ sleep and to make sure that the kids were still breathing and everything. But then I went straight back to Paragon, until I finished it. My first reaction upon finishing the novel...
NOOOOOOOOOOOO!!! That can't be it! That's the end? Tell me…that's not all there is!

You see, I read fiction for pleasure. Unlike so many people on this website, I don't read a couple of chapters of someone else' book for political expediency. I read cover-to-cover because I enjoy it. I definitely enjoyed this book. I'm sure you know how good it is by now, being at number 1 and all. But honestly, I've seen some guano on this site make it to the top, and I haven't been here that long. Paragon is the real thing. I'm glad I got a chance to read it. Thank you.

The suspenseful premise is original. There are a lot of books about genetically altered heroes. But I really enjoyed the way you applied that idea to a vulnerable and sensitive young woman. I especially liked the poignancy of chapter 10, when she covered Aiden’s body with her own. I loved the way you built the character arc, as she loses her naiveté. I was moved by the way her relationship with Aiden developed. The comparison you used throughout of her emotional defenses coming down to ocean waves crashing was just beautiful. And I don’t think I remembered to breathe once throughout chapter 22.

lauraemmons wrote 188 days ago

YARG review -- Paragon by E.R. McTaggert

Hi Ellie,
I know I said I was going to try and leave comments every few chapters because I was reading your book in between writing my own for NaNoWriMo but that's not how it worked out. I couldn't stop. I just kept going, chapter after chapter. Your book is that good. I did stop at 7 AM this morning to get a few hours’ sleep and to make sure that the kids were still breathing and everything. But then I went straight back to Paragon, until I finished it. My first reaction upon finishing the novel...
NOOOOOOOOOOOO!!! That can't be it! That's the end? Tell me…that's not all there is!

You see, I read fiction for pleasure. Unlike so many people on this website, I don't read a couple of chapters of someone else' book for political expediency. I read cover-to-cover because I enjoy it. I definitely enjoyed this book. I'm sure you know how good it is by now, being at number 1 and all. But honestly, I've seen some guano on this site make it to the top, and I haven't been here that long. Paragon is the real thing. I'm glad I got a chance to read it. Thank you.

The suspenseful premise is original. There are a lot of books about genetically altered heroes. But I really enjoyed the way you applied that idea to a vulnerable and sensitive young woman. I especially liked the poignancy of chapter 10, when she covered Aiden’s body with her own. I loved the way you built the character arc, as she loses her naiveté. I was moved by the way her relationship with Aiden developed. The comparison you used throughout of her emotional defenses coming down to ocean waves crashing was just beautiful. And I don’t think I remembered to breathe once throughout chapter 22.

M T Pelletier wrote 189 days ago

Great story and written with style...Pulled me right in...no wonder you are at #1. Best of luck.

MTPelletier
TWIGS AND PEBBLES

M T Pelletier wrote 189 days ago

Great story and written with style...Pulled me right in...no wonder you are at #1. Best of luck.

MTPelletier
TWIGS AND PEBBLES

Di Manzara wrote 191 days ago

Wow! Congratulations for making it to the top this month! :)

D

Argonaut Graves wrote 192 days ago

Paragon is a great read, it's a page-turner that rattles along and has a lot of very engaging elements. The heroine and the style of it remind me slightly of The Hunger Games. It's perfect for the YA market in my opinion, though if it was aimed squarely at adults I would find some of the characters and situations a bit too "clean".

In general the writing is great, but there is a certain amount of over-writing. This is a general point and I don't want to start listing specific examples — especially since others on this thread have already been very specific in their comments. Instead, let me just say that characters' mindsets, expressions and reactions seem to be described a little too often; it isn't necessary to tell us every emotion that flickers across someone's face. The dialogue does most of the work in many cases.

Also, some scenes go on a bit too long before coming to the point. This is particularly true with new information being revealed, but there are other scenes which seem entirely unnecessary. I guess the question you have to ask is, "What actually happened in that scene?" (By scene, I mean a beat or section, or short chapter.) For example, chapter 10 sees two of Keira's friends getting emotional over her disappearance. But it's a long scene and by the end, nothing substantial has either been discovered or resolved.

Anyway, I haven't finished it but read 12 chapters and was hooked by the story and style so well done, like it a lot.

AG

Duncan Frost wrote 192 days ago

Hey Ellie --

Well, you're numero uno on this website, so it's not like you need any real help or anything with ratings or critique. But I suppose I just wanted to take a peek at your libro and here I am.

The story is much different from anything I've ever really taken a look at before --so major kudos. Your attention to detail (such as weaponry, reference to the indigenous language) is most impressive and really gives the story an authenticity. I like too that you follow the "show don't tell" Cardinal rule in writing. That's not easy to keep up, but you seem pretty good at it. And you can definitely tell that you like to write. Which is probably my biggest concern with the Prologue. It seems dangerously over-written. As I'm sure you know, most people are going to be reading for characters and conflict. They're going to want you to set up the gunfight as soon as possible, give us some bodies, a type of mini-denouement, roll out some of your characters, and then blast them with a major reason to keep reading... All of this has to be done as soon and economically as possible. Basically, us poor scribes have to hit our marks in the story and move on. I'm afraid that today, more than ever, we face a moratorium on the dillydallying! Just because we can describe something, doesn’t necessarily mean that it needs to be described. (I like how I'm talking about economy for such a long time. Polonius in the house, yawls!)

Also --I really like that the opening is set in Iraq. Why not let the reader know as soon as possible? Give us a heading. Or describe some of the signs in the 1st expository paragraph (which is the purpose of that paragraph, to set up the story.) as having "squiggly lines" or even better Arabic characters. Maybe one of the characters reminds Aiden of a snake crossing a road, or the shape of his favorite watercolor painting, whatever. But the Iraq thing is relevent to the story and the contempory Reader. Good job.

So below is just sort of a hack job at tightening up the prose. It's certainly not meant to be taken for anything other than a foil for possible comparison. That said, you're still the big cheese around here and I wish you luck on the Editor's desk. I've got plenty of shelf space so if you need a last minute bump, just let me know, I'd be more than happy to help. (Though I doubt you will need any.)

Best,
DF

------------------------------------------
The square was nothing more than an enclosure of dusty buildings. There were shattered windows and torn chunks of stone in almost every wall now. Above, warm wind whistled through the plaza before sweeping down and then over the bodies left putrefying in the heat. Besides the blood, there seemed to be absence of color. The young man was still waiting.

Aiden tucked himself further into the shadows. His skin was dark and dusty, his hair blending into the wall so well that it was nearly invisible. Twenty civilians dead without so much as a single enemy injury. The contractors had messed up.

He glanced over at the twins, awaiting their signal. Frankie and Colton were about twenty feet away, crouched behind one of the bullet-ridden vehicles.

The sound came first -- the quick click of a weapon being loaded.

The twins motioned with their fingers, indicating the source of the noise. Aiden nodded back, already eyeing the facade of an opposing building. He could see it now. The hole was about the size of a fist. Behind it, the enemy waited.

Positioning himself, Aiden's trousers scraped against the dirt. Soon, the clamor would take hold. He took aim. Killing was the easy part. Everything before and after was hard.

Another click -- his own weapon this time. Then there was only the dull thud of body hitting the ground as the remaining insurgents scattered, running for cover, giving away their positions, but never having a chance.

Aiden traced the sound of their footfalls, firing each time one materialized in front of a shot-out window with the tattered linens fluttering in the air. One by one, six men went down. It took only six hosts: three from Aiden, two from Frankie, and one from Colton. It was over in seconds. Aiden returned to the cover of the building, tucking himself back into the shadows, leaning his back against the rough stone wall.

In the silence, another solider might have assumed it was over. Aiden never made these types of assumptions and he knew it was never over. He swung his rifle, a 7.63-mm SCAR-heavy, over his shoulder and began to climb, listening for noises between each upward movement. He heard the swoosh of fabric and the pacing of bare feet, followed by a muffled, distinctly childish cry. Frankie held up two fingers.

------

{Then I would cut to the team ransacking the apartment. Something like:}

Once inside the apartment, Aiden snatched the dead man's gun. It was an M9, a pistol, almost certainly stolen from the body of an American soldier.

Frankie moved his head in the direction of the young boy moving in the apartment. "Aiden, retrain him while we search the place."


{The rest of this section is really strong as we are introduced to the other characters, and more importantly some conflict in the form of Why they have been recognized. I definitely dig that hook. The dialogue is very good too. Besides registering true, it also helps break up some of the direct description of the plaza and gunfight.}

------

bibbybop wrote 192 days ago

me again- yes I am procrastinating and you are my go- to escape of choice ;)

read through the next two chapters and just thought I would pop in to tell you I have nothing to say :p These are giving me exactly what I wanted from 5 and 6. I'm loving getting to see the world unfold, and phew- glad they're not twins :) Its such an intriguing relationship.

Especially loving the whole canadian/american rivalry. As a scot I completely empathise with being the wee sister overlooked by the big brother convinced they are the centre of the universe!

Tate Reese wrote 193 days ago

I have only read the first chapter and am already curious as to where this will take me. A good fluent read. Well done....

AD Ball wrote 194 days ago

YARG REViEW

I've read to the end of Chapter 4 and the end of that Chapter just wants me to read on and on and on. It's works like this which annoy me and delight me....I end up losing a lot of time but I'm reading a great book.

I thought your prologue worked well and was the most enjoyable of the chapters I read. It's action packed and just grabs the attention straight away, setting up the overall story nicely even if up until Chapter 4 we're catching up to the prologue. I like the dialogue of the characters and the nice interactions you have going on between them. They're set up well.

So yeah, to just conclude, I love this work and it makes me jealous how good it is.

Andrea Beauvais wrote 195 days ago

This is a cool idea - half human but half super-human soldiers. I get the feeling that they have an aura of invincibility. It reminds me of playing a video game where you are suddenly in god-mode for 15 seconds. I think the war in Afghanistan aspect makes the book more realistic... as if this could possibly be the future of warfare. Good work so far. Your short/long pitch really caught my eye.

I am not sure if anyone has commented on this before but in Afghanistan or other countries in that area, most of the citizens are actually members of a specific ethnic tribe and speak their respective local language. For example, most people in Afghanistan speak a variety of Pashtun not Arabic as it is a Persian country. I'm not an expert on that but it might be worthwhile to investigate further to add that extra "reality" factor to your first chapter.

Great stuff so far! Love the idea.

Eftborin wrote 196 days ago

Club Grimoire 2nd round
Hi Ellie,
Even though I thought the prologue was long, it stayed interesting from the outset. However, too much dialogue marred my enjoyment. Some annoying lines sprang out, particularly; "There were twenty dead civilians, Aiden," he hissed - How does one hiss when speaking?
Aldous pressed his lips together, "They've arranged for Iris, etc..."- How did he say that when his lips were pressed together?
Chap1; How do we know that Keira did a quick calculation in her head? I suggest 'she appeared to be making a quick calculation'.
I note that you have split the paras concerning Keira's sudden appearance in the kitchen. Again I suggest you should tell us she actually arrived at the house first.
It appears to be a chic lit so far.
Chap 2; The link with the prologue has emerged when Keira watches TV.
Did Keira catch the keys before slidding into the seat or did she press a button to start the car?
Some scenes seem to jump too quickly to the next without explanation.
I feel some could be deleted altogether as I think they are unnecessary, ie in the school.
Jury is out Ellie. Am trying hard to continue though because I have to evaluate the characters. The lad at the black SUV could be an interesting one to follow.
Pat




A Farris wrote 196 days ago

What a great prologue. Really pulls you in right from the beginning. It's really long enough to be a whole chapter. Your language is wonderful and you can form the heck out of a sentence. I think this goes beyond the YA genre and appeals to a really wide audience. You describe the world with such clarity that I could picture the creek setting to perfection. Great story :)

Karen Eisenbrey wrote 196 days ago

Elspeth,

Paragon is a stunning piece of work. The combination of tense, black-ops scenes with the life of a high-school oddball/outcast is unusual and compelling. The pieces of the story come together like a complex puzzle as bit by bit, secrets are revealed.

The BC setting is fabulous -- rugged and remote and beautiful. (I always have a soft spot for Northwest settings, but yours is especially well done). I love how Keira eats huge amounts without regarding it as odd, and how she just matter of factly climbs and jumps and drops. Because it's her doing it, she doesn't seem to have a sense of how unusual she is. She knows it, but doesn't at the same time. It's just how she is. Her family seems real and completely believable.

In three chapters I didn't find any typos or other nitpicks. The text is clean and addictively readable. I did feel like the Prologue was long and detailed enough to be a chapter in its own right, but that's your call.

Easy to see why this at the top of the charts right now! I'm adding my backing and 6 stars now.

Karen Eisenbrey
CRANE'S WAY
ENDURANCE
TIME SQUARED

musemeant wrote 196 days ago

YARG review.

Wow. I can definitely see why this is number one on the reading list (good luck with that, by the way). You plunged me into your story from the very first word, latching on so tight, I couldn't stop reading. Your characters leap from the page; your plot is fascinating (Those violent eyes! I can't wait to find out what they mean!), your prose and dialogue tight and well written. I've heard that it's never a good idea to start with a fight scene (we still don't know the characters), but you did well with this. I got to know your characters as I read through the scene, beoming sympathetic with their plight.

Fabulous work. High stars.

Michele
Starfire

musemeant wrote 196 days ago

YARG review.

Wow. I can definitely see why this is number one on the reading list (good luck with that, by the way). You plunged me into your story from the very first word, latching on so tight, I couldn't stop reading. Your characters leap from the page; your plot is fascinating (Those violent eyes! I can't wait to find out what they mean!), your prose and dialogue tight and well written. I've heard that it's never a good idea to start with a fight scene (we still don't know the characters), but you did well with this. I got to know your characters as I read through the scene, beoming sympathetic with their plight.

Fabulous work. High stars.

Michele
Starfire

Peter J. Ford wrote 197 days ago

Wow this work is really tight and well thought out. I'm really impressed by how well it appeals to different audiences, I showed this to my sister and she wouldn't let me have my laptop back for a day :/ I think you've definitely got something good on your hands here and I really enjoyed reading it. Really strong characterisation of Keira, which pulls the reader through the plot very well.
-Pete

Gordon James Ritchie wrote 198 days ago

Hi Elspeth,

Firstly, off topic and probably unwanted (but I am a philologist and could not help myself), I love your name!

Moving onto the more important matters, I also love your work. On first glance it reminded me of my beloved childhood author, LE Modesitt Jr. Perhaps go give some of his work a read.
I've few suggestions, as it is hardly in need of an outsider's opinion. Here are some though:
1) I thought this line "The killing was the easy part; everything before and after was hard" might work better as "Killing was the easy part; the before and after was hard'.
2) "Ten feet above his head was a balcony, half of its bannister crumbled away" - from the context and text surrounding it, well, it seems like you meant to say "half of its bannister [had] crumbled away". Not sure how you meant it, though.
3) No more suggestions on grammar, but fantastic end to Chapter 1! Gripping.

Other than that, I find myself near to advising something dangerous. More often than not authors overuse adjectives, adverbs and descriptive words - yet your use is well refined, and I might even suggest fluffing up some of the action scenes with some cutting descriptions. However, this was a fleeting observation; I'm not even sure how much I mean to say it.

Great work, Elspeth. I recommend submitting straight to an agent and see where that takes you; the old-fashioned way of publishing is still the smartest right now - and your work is definitely deserving. Try Writer's House, David Higham or The Blair Partnership if you are keen to go down that route - although, pick your representative carefully (let them match your genre and vision).
May come back to consider backing your work soon, I just have to revise my bookshelf and see if all the other 5 books deserve it.

Best of luck,

superostah wrote 199 days ago

Wow, this opening chapter is fantastic. The imagery and the intensity of the scene are both so brilliantly laid out in words that it takes no work to picture everything. I may have stopped breathing a couple times while reading it.
This is some good stuff.
I'm backing you and will be back to read more as time permits.

Cody Media Productions wrote 199 days ago

Pretty sure this book is going to be the next #1. Keira is such a strong character. YA isn't necessarily my thing but this kind of transends that genre. will keep reading and keep it on my shelf!

bibbybop wrote 199 days ago

hello, me again.

Read through chapters 5,6 and 7 again- those were the ones you wanted looked at in particular right? hope so.

I like chapter 7. there is some really good stuff in here. Although watch you keep your buildings straight- you use building 2 twice, contradicting your map! I would restructure the previous chapters like this. Starting as I said before with a brief meet and greet with Aldous,cutting most of the 'what a paragon is' jargon. We have enough to be getting on with, then moving on to dinner with iris and so on. Personally I would also make the divide between the two sections- mercenaries and paragons- more concrete. Perhaps have them eating in seperate shifts, but visible through the window out training. That would also make her ability to hear them even more remarkable. Or if you don't want it to be that remarkable, then you could just clearly divide the cafeteria up, have a path blocked out in painted lines through the middle. I just feel it woudl make it clearer that this is a) a superhuman ability and b) they are secret.
Also the horrible thoughts- might be worth making this a moment- have her focus on one particular soldier, catching him looking at them and hearing his thoughts aloud- perhaps having her break off in revulsion as it gets really crude.
Like the conversation and the relationship hints as they were eating. Its nice to see the friendships coming alive.

All the paragons are blending a bit, with only a few standing out. If you introduce them as you have in this chapter, through direct and individual contact with Keira it is easier to get a sense of them and remember their names and abilities this way.
My favourite bit so far was when they were sorting out her sleeping arrangements and the twins are playing their game. I really liked where one of them gave her a glimpse into the reality of war. More stuff like this, casual, but perhaps with a hint of bitterness, kind of does your job for you in terms of helping us understand Keira's feelings- i think it would sound horrifying to most of us.

i have one concern and its starting to worry me. It may be addressed later on but thought i should mention it. What is the intent with Aiden and Keira's relationship? I've been reading it as a love/hate situation which has a hint of sexual tension and is likely to develop, even if slowly over several books. But the information you have given suggests they are essentially twins. So...which is it?

bibbybop wrote 200 days ago

hi Ellie,

I've read up to chapter 7 so far. I'll read more when I get a chance, but here are a few thoughts.

You open really strongly. You describe action very well, short, tense, matter of fact. It really fits the scene and the characters slightly inhuman nature. I am jealous as this is my biggest weakness! However I do think that you should cut it down, right where the fight ends. I feel too much information is given away. I know we kinda know quite a bit from the pitch but it still leaves us unsure enough to peak curiosity. We don't know what Aiden and the others know exactly, what kind of character, life, relationships they have, leaving all that open to be explored.

the next few chapters are where you introduce us to Keira. i think they probably go on a bit too long. chapters two, three and four could be condensed. I know everyone's favourite saying on here is 'show don't tell' but I think this is where telling is required. I liked the opening with Aiden at the beach and later with him and the twins, sort of taunting her, but the inbetween just dragged a bit. I'd pick one scene to really illustrate the family dynamic, maybe something like getting ready to go to school and work. I always think there is something really revealing about simple stuff like that, it will make the point of how she has grown up just an ordinary girl in a loving family. School needs no details- just tell us. she endures, she has no friends, keeps her head down and everyone leaves her alone. I didn't like the scene with the drug dealer. It felt unnecessary as it stood, which brings me to my next point- character.

Keira as your main character is verging on too perfect. I get that she is a paragon- but that doesn't affect character, only her physicality. I'm just not warming to her that much. It might be nice if we see her weaknesses- like the drug dealer scene- She walks away. She's learnt to mind her own business. Or even a touch of arrogance- she is better than everyone else. Perhaps she could acknowledge that internally- oddly arrogance is a weakness!

In chapters 5 and 6, we get her thrown into an incredible situation, but they feel like an info dump. I want to know what she is feeling. You're using this as an excuse to dump more info on us - she lists facts rather than deal with her emotions. But I don't want the facts. it's enough to know who Bruce Harper is, I don't need all those extra bio details. They can be slipped in later if they are absolutely crucial. If she is numb, thats okay, but I want to feel it. One way of doing this is to phrase things as though we are seeing them through her eyes, 'he must be Dr Clark, she guessed. There was something benign about his bespectacled appearance, reassuring in his familiar white coat' that sort of thing. You're not describing it, she is thinking it, feeling it.

Another way to stop us feeling alientated is to use more ordinary language. You often use words that feel cold and incongruous for both the settings and the character. for example, 'vigour' is what old people feel after long brisk walks, I doubt it is what you meant for a genetically engineered soldier whose potential is reaching its peak.
another is her back 'fetched' up. This suggests a casual nonchalent act, just use slammed. It works.
another 'the exhasution of her anger draining her' again just simplifying it to exhausted by her anger' gives a greater sense of feeling rather than describing.

There are lots. You also overwrite, telling us things that are easily inferred. 'she wiped them away furiously with her clenched fists' take out the 'her', it feels more chatty thus more like her voice, and we know they belong to her.
another, 'he smiled bitterly as he watched her breath stop as he said it' try instead, ' he smiled bitterly as her breath stopped' or as 'she caught her breath he smiled bitterly'

I don't like chapter 6 as it stands. It feels like one of the purest info dumps I have ever read. I want to get to know this world by seeing it unfold. Again I am not getting a sense of character. They all just follow this Aldous as he unloads? Would they really be that interested in her getting the meet and greet? I'd also ask who is Aldous? as in character wise? How does this group function on their own? Is there a hierarchial structure? Do they largely see to themselves and their own shcedules? Or do they always operate as a group? I'm not saying you don't give us this info later on, but here is the perfect place to show us. If I were writing this scene, I would probably have him do a brief, welcome to the madhouse speech, here is where you sleep, here is where you eat, this is your guide, and intersperse it with a few odd and scary lines- such as the info that they have bugged building 3. Drop them in casually- this is their normality. Give her reactions. i wouldn't have the others around. i'd introduce them one by one through the action, the reaction of each to her telling us of their character.

thats an overview of what I have read. I will keep reading and can give you a more detailed breakdown of chapters 5, 6 and 7 if you would find it helpful.

Hope it was helpful. Good luck- I hate editing!! Its where the fun ends and the work begins :)

S Tranger wrote 201 days ago

YARG review for chapter 1:

This is a brilliant beginning. The characterisation was solid and it was easy to get a clear picture of what was happening. You link the chapter with the synopsis straight away but still maintain an air of mystery. The use of arabic terms gives it a sense of realism. Well done. I can't really find anything wrong with this chapter. Moving on.

carol jefferies wrote 204 days ago

This isn't the kind of book I usually go for, but was was very impressed by the sheer quality of the writing.

The book has a very dramatic, action packed opening, and the flow is quick and it is an easy read. The characters are totally believable, and am I sure this is going to be a longstanding and popular book on this site.

Carol

Rick Hume wrote 204 days ago

Great book with wonderful flow to it. Couldn't find anything wrong and no errors. This is a really good read and I plan on finishing it.

LitCrit22222 wrote 207 days ago

I don't have much to say because your story is written so very, very well. I was drawn in from the get go and never stopped. Aiden and Keira are such great characters. I can't wait to see this reach the desk!

LitCrit

Eva H wrote 207 days ago

Wow - this is great. Really great. Not a wasted word, pure economy of effort driving the action forwards. You have a superb skill in portraying characters. I've only read the first chapter (but will absolutely, definitely be back to read the rest - wish I had a laptop but am stuck with reading on my pc), but I already know (or think I do) so much about the characters. A brilliant premise and with writing of this quality we know that you will pull it off. Wishing you much success with Paragon. Can't see how you can fail, really!
Eva

John Lovell wrote 208 days ago

Usually I'd try and leave as much as of a comment as possible, but I saw Kata's post praising Paragon yesterday and thought I'd take more of a look at it.
I've read the prologue and first few chapters and have really enjoyed it so far. I've shelved it (usually I wait until I'm further into the story) but with it being so close to the desk I thought I'd back it now.

Best of luck

John

celticwriter wrote 208 days ago

You paint well with words.
I'm not a critic, just a lover of a good journey.

jim

c.carrig wrote 208 days ago

I feel breathless after reading your first chapter. By far and wide the best thing I've read so far. You're prose it tight and suspenseful and I am genuinely interested in how the story is going to unfold.

I'll read a few more chapters just because I like it as soon as I get time. :)

Jaclyn Aurore wrote 208 days ago

Hi there, I just wanted to let you know that Paragon is on my shelf, and my watch list, and i've commented... but I'm here to comment again because I really think it's that good, and I'd love to see this book in the top 5 THIS month... you're so close!

i'm showing my support and i've spread the word as best i can as well
cheers, and good luck!

Jaclyn Aurore
It Never Happened
My Life Without Me

Jaclyn Aurore wrote 208 days ago

Hi there, I just wanted to let you know that Paragon is on my shelf, and my watch list, and i've commented... but I'm here to comment again because I really think it's that good, and I'd love to see this book in the top 5 THIS month... you're so close!

i'm showing my support and i've spread the word as best i can as well
cheers, and good luck!

Jaclyn Aurore
It Never Happened
My Life Without Me

JessW10 wrote 209 days ago

Wow! This is such an interesting novel! The blurb immediately caught my attention and I was hooked as soon as I started reading it. It is very easy to follow and I love the characters.
I really hope that you get this published because I want it on my bookshelf!
Love the cover as well.
All the best,
Jess :)
Would You Like Brains With That?

Andrew White wrote 210 days ago

The topic and the cover drew me to this book. I don't like romance, and it seems to me that paragon is about a whole lot more than that just from the first couple of chapters, which is all I have read so far. Good character, very good writing, and an excellent theme. I'm sure this is publishable stuff. Well done.

Andrew

kata wrote 211 days ago

Good luck getting to the desk matey, this book surely has everything a publishers looking for. And a producer... :)

Kata

lostprincess13 wrote 211 days ago

Hello,
Very nice writing. I've read chapters one through four and I love your characters. That's what pulled me in. Keira's outcast status at school, Ethan's hidden feelings for her. The relationship between the two, and the whole he's kind of a ladies man and she's the rough outcast. Brilliant.
I only have two notes. In chapter four there are a few typos.
"but every fibre of her body kept her in place" fibre I'm assuming should be fiber
"the breaks screeched" brakes instead of breaks

Wonderful story. It more than deserves a spot on my shelf. Best of luck to you.
-Julie Rainey
The Journey Home

Jimmy Wearne wrote 213 days ago

Hi Ellie - great start - I will read more when I have the time - just a constructive crit on paragraph two of prologue- the old adage 'show don't tell' - rather than have 'his contempt was just as imperceptible' something like 'the blank look on his face concealed just as much except for the flash in his eyes.' Let the reader do some work especially this early - "what is that flash?" etc (will make more comments later - once I read more)

James Wearne

Jimmy Wearne wrote 213 days ago

Hi Ellie - great start - I will read more when I have the time - just a constructive crit on paragraph two of prologue- the old adage 'show don't tell' - rather than have 'his contempt was just as imperceptible' something like 'the blank look on his face concealed just as much except for the flash in his eyes.' Let the reader do some work especially this early - "what is that flash?" etc (will make more comments later - once I read more)

James Wearne