Book Jacket

 

rank 1325
word count 80617
date submitted 07.04.2012
date updated 07.11.2012
genres: Fiction, Fantasy, Horror
classification: moderate
complete

Devil in the Details

Tamara Hickman

When Riesa finds a journal in her deceased grandfather’s attic, she learns that her memories are false and the demon trapped inside is the key.

 

Atlanta city girl, Riesa Grimshaw, has been estranged from overbearing grandfather for seven years. Now, after the death of her grandfather leaves her the only surviving member of the Grimshaw family, Riesa returns to get her grandfather’s backwater country home ready for sale or rent, only to find clues that the past she remembers isn’t real. Matters are further complicated when she accidentally releases a demon from a journal that has been hidden in the attic for the past seven years. Things are bad enough with altered memories, an accidental demon familiar, and a family curse riding on Riesa's back, but when cryptic messages and slaughtered animals start showing up in Riesa's path, she knows that this is only the beginning.

Devil in the Details is a modern supernatural fantasy that delves into the world of demons, angels, and family secrets, set in the small town of Salem, Alabama. Fans of Charlaine Harris, Patricia Briggs, and Laurell K. Hamilton may also find a new favorite with this novel.

 
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angel, demon, demonology, fantasy, fiction, hoodoo, magic, mystery, romance, supernatural

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Inheritance

CHAPTER ONE

Inheritance

 

    Sometimes, when life gives you lemons, you make lemonade. At other times, the lemon juice just gets into old wounds and stings like hell.

    It was only fitting that it would be raining on the day I returned to Salem. The roads were just as muddy as I remembered them. I wasn’t used to driving on slippery mud roads, however, since I had spent the last seven years in Atlanta, Georgia. Riesa Grimshaw, City Girl, that’s me. I couldn’t believe that I was giving up my well-earned vacation time to come to the Alabama backwaters.

    I threw a quick glance at the manila envelope in the passenger seat. My late grandfather had left me an allowance of three thousand dollars a month for the next five years, until I turn thirty. I can’t say that I was entirely happy about being left an allowance, but since I had expected nothing, I can’t complain. Besides, the entire bank account would revert to me once I hit 30, anyway, and he left me a house as well. One home in Salem, Alabama. I grew up in that house. It was a four bedroom and two bath home with a ground floor master suite, attic, wrap-around porch, and four acres of mostly wooded land. I didn't need that much space, and the idea of living out in the woods of Alabama again scared the daylights out of me. The retail therapy there was bound to be dismal, no matter how nice the house was.

    I finally pulled into the drive and my heart stopped at the sight of the house. It was the complete opposite of everything that I remembered. Now staring in the face of this decidedly intimidating colonial home in the middle of nowhere, on what was probably the dreariest and most overcast day of the entire fall season, the only positive thing that I could find was that the rain had stopped. It was downtrodden: the exterior paint was peeling away; there was a shutter on the second floor that had fallen off and another on the first floor that was hanging on by a single hinge; the lawn had not seen a mower in more than a few months; and I think that there were creatures living on or around the porch. Something was rustling the overgrown vegetation, and I wasn’t keen on the idea of finding it. My heart sank. This was going to be the worst vacation time ever spent. Whatever my grandfather had been doing for the past seven years, he hadn’t been doing it here.

    "God, please let there be running water," I mumbled under my breath as I put my little Ford Focus in park. I got out of the car and popped the trunk to get my bag. I was dismayed that my cotton candy blue car was now a ghastly shade of orange. I was certainly going to be chiseling off southern clay for the next few days. I made a note to myself to find the water hose- if there was one- and again prayed for running water. I pulled my overnight bag out and closed the trunk. I left finger marks in the red mud that was now smeared on my fingers. I made a disgusted noise and shook my hand as if that might get the offending substance off of my fingers. No such luck. I sighed and brushed them off on the side of my blue jeans. If the outside of the house was any indicator, I was certain that I was going to get even dirtier before the day was up.

    I only stumbled once as I walked up the pebble path to the front steps in my three inch heels, which I thought was rather impressive. I yelped when I stumbled, fearful that I might have scuffed my favorite Mary Jane pumps, and startled a bird that had been nesting under the eaves of the porch, confirming my suspicions that the porch had become a habitat for local wildlife. I glanced up into the rafters as I tromped up the steps to see if it had left a nest, and indeed it had.

    It was at that moment that my phone decided to ring. It was nice and loud, obnoxious even, causing me to nearly jump out of my skin with a shriek. I wasn't the only one, apparently. A stray cat came careening out from under an old rocking chair and tore off right past me. I yelped again, dropped my bag and grappled for the phone. After the third round of Aerosmith lyrics, I finally managed to answer with the customary, "Hello?"

    "Hey, baby! Did you make it to Salem alright?" I grinned. It was nice to hear my boyfriend's voice. Greg had one of those great voices that sounded like a deep purr every time he talked. I think he could have read me the phone book, and I would have listened intently. He was pretty cute too. Luxuriously thick brown hair, baby blue eyes, tight ... well you get the point.

    I'm a sucker for blue eyes. I think it’s because I have blue eye envy. I was born a dirty blond with muddy brown eyes. I can bleach my hair, but the eyes? I can't really do much about them.

    As for Greg, he always reminded me of an urban cowboy every time I saw him. In the six months that we've been dating, I think he has turned me on to the leather vest and tight pants look. He pulls it off fantastically. Just hearing his voice now made me wish I was there, within touching distance of his tan muscles...

    I caught myself daydreaming about things that we had never done before. “Riesa? Baby? Are you there?”

I managed to answer in a flushed voice, thankful that he couldn’t see my blushing. "I'm here. The drive was hell, and the house is a wreck, but I'm here."

    "You are at the house already?" He asked. "I'm surprised you were able to find it at all. My GPS didn't even recognize the address, so I figured you'd be lost for at least another hour." I could tell by then that he was picking on me. Jerk.

    I laughed anyway. I can giggle at my own expense on occasion, though I was willing to drive all the way back to Atlanta just to give him the evil eye if he picked on my navigational skills again. I would much rather have been looking at him than the monster project before me, anyway.

    "This house really is a mess, Greg. You should see it." I picked up my bag and dug through my purse, balancing the phone on my ear until I found the key to the front door. "This is going to be more than a one-week job. I may have to hire someone with the inheritance money."

    "Give me a few days and I'll be there. I'm almost finished with the project that I'm working on, and then I'll be able to take some personal time."

    I unlocked the door and tried to open it. It stuck, sending dust flying up into the air when I jerked it open. I coughed into the phone. "Sorry, sorry," I apologized. "God, did Grandpa even live here? This place is like a haunted house." I stood in the doorway for a bit, watching the sunlight reflect off of the dust particles in the air while I waited for my vision to adjust and the dust to settle.

    "It can't be that bad, baby." I knew that he was trying to console me, but I wanted to reach through the phone and smack him. Apparently, death stares don't travel well over long distances since he continued. "I'm sure that he had a den or something that he spent his time in. He probably couldn't get around all that great. He was in his 70's, after all."

    I laughed. "Oh, please. He died of a heart attack on a mountain in Tennessee. I don't think that not getting around was his problem." 

My eyes had finally adjusted to the dim sunlight shining through the dust on the windows. I looked around and flipped a nearby switch. I was relieved to see that the power was actually still on. The entry hall was barren of all but dust. All of the pictures and decorations had been removed, leaving ominous silhouettes on the aged walls. "It’s like he abandoned this place," I told Greg. "When I was living with Grandpa, everything had to be neat and tidy. Everything had its place. I just don't see him letting his house get like this if he was actually living here." I opened a few doors as I passed them so that the rooms could be airing out while I checked out the kitchen. Now that power was confirmed, I was anxious to see running water. "This just isn't the house that I remember. Yeah, I hated living with Grandpa, but it's weird to see everything run down like this." I opened the door to the formal dining room. "He has sheets over the nicer furniture," I noted. "He wouldn't have done this if he still lived here. I'm betting that he tidied up and protected what he could before he left. Maybe he had a hobby, or a bucket list, or something."   

    I could hear Greg harrumphing on the other end of the line. "I still think it's odd that you don't know what was going on with your granddad before he died."

    I felt a bit miffed by that statement. "You know, I really don't appreciate that. You know that we didn't talk after I moved out. It's not my fault that he didn't call to let me know he was gallivanting around kingdom come for God only knows what reason."

    "You could have called him," Greg said with his nice purr of a voice. He was right and I hated him for it in that moment. It was horrible when he sounded all reasonable like that.

    I turned away from the dining room and its ghostly furniture covers. I walked past the stairs, to the end of the hall, and into the kitchen. I didn't like talking about my grandfather, or my teenage years for that matter, at all. I vaguely remember the blow-out argument that we had before I left home for good, and I don't even remember what it had been about, but I had said some nasty things to him. I couldn't forgive him for making my life hell after my parents died.

I walked to the sink and turned on the faucet. "Thank God, there is running water," I exhaled as I changed the subject. I needed to get into a happier head space. "I think I'm going to start excavating this place today. The sooner I can get it livable, the sooner I can put it up for sale or rent and come home." I turned the water off and had to wrench it a bit to stop it from leaking. I added this to my mental list of things to fix.

    He was silent for a few moments, and then I heard him sigh. "Well, have fun, Reece's Pieces! Call me if you need anything, okay?"

    "I don't like that nickname, Greg," I replied with a half-hearted scowl. I really didn't want to encourage him, but after six months of dating I was started to get used to it. "Love you."

    "Love you too." He hung up.

    I snapped my phone shut and picked up my bag. I took one last look around the kitchen. It looked a bit cleaner than the rest of the house, and I was glad to see that the cabinets were empty, except for a few pots and pans. Having hand-me-down food in the pantry did not appeal to my delicate sensibilities. It reinforced my theory that my grandfather had cleaned house before he left. He had known that he wasn't coming back.

    Even though we weren't the closest family, I felt a stab of regret that he hadn't wanted to call me and let me know that he was leaving, as if he hadn't wanted me around him. It was just like how he didn't want me around eight years ago when he put me in a cab and sent me to Atlanta. Sure, he paid for my tuition at college and he paid for my apartment, but in the end I think he was simply paying me to stay away.

    I drew in a ragged breath. I really wanted to cry at that moment, but I refused to succumb to that hurt again. Instead, I walked up the stairs and went to my old room to put away my things and change into some clothes that I didn't mind ruining with mud. I had a lot of work to do, and the first order of business involved finding the water hose.

 

 

 

    By noon the next day, I had washed the mud off of my Focus, physically and mentally. My car was now clean and I felt a bit clearer headed for the good night’s rest. I had a physical list of all the things I needed to fix around the house compiled and sitting in my purse. I had removed the dust covers from the furniture, swept the floors, and had gone to the store and restocked the kitchen with the few things that I would need for the week. I found a few places that needed repainting, a section in the living room ceiling that needed replacing, and a loose step on the staircase. I was at least pleasantly surprised to find that the upholstery did not smell like dust and mildew and that the overall integrity of the house was still good. However, I was not so surprised to see that my grandfather had not upgraded a single piece of furniture in the preceding years. Now that everything was cleaned, it was like walking into a time capsule for me.

    I stood in the door way of my grandfather's small library and remembered the day that I had first come to live here. I was ten years old when my parents died in a car accident. At first, I went to live with a great aunt on my Mother's side of the family, but that was short lived. She was checked into a nursing home two months after my arrival. I then spent about a month in a foster home while the social worker tried to find a new placement for me. I had never met my paternal grandfather before. In fact, I hadn't even known that I had a living grandparent until the social worker introduced us.

    That day, I walked into my grandfather's house for the first time. He didn't know what to do with me, and I didn't know what to do with him. That never really changed. He made one thing clear, however. We stood in front of these double french doors, and he told me quite sternly to never go into the library, even if he was in there. He was always working on something important, though I never did know what his projects were.

Now was my chance to finally see what the library was all about. My first step was intrepid, but I became more anxious as I entered deeper into my grandfather’s lair. The ghost of a memory danced at the back of my mind. I had entered this room before, and read my grandfather’s journal while he was out on an errand. What I read frightened me, though the more I tried to remember, the more the memory slipped away. My heart was racing from the almost-memory, but it was so odd and far off that I had to wonder if it had just been a forgotten nightmare. For now, I shuddered and retreated, trapping the old books and that first memory of my grandfather behind the closed doors.

    My list of things to do included finding the missing finials from the bedposts in my bedroom. The sturdy oak frame just did not look right without the ornate knobs. Why they had been removed was a mystery, but I was certain that they were around somewhere. My grandfather hadn't been one to throw things away. With that in mind, I headed into the attic.

    I loved my grandfather's attic. It was almost like a third floor. There were windows on the front and rear sides, providing natural sunlight. It was what people dream of when they think of nice attics, spacious, bright, and filled to the hilt with antiques. Even though I wanted to find the finials, I got a bit excited over just searching through all of the things in the attic. My grandfather had never allowed me up here, and I had always itched to do just this. I walked through the stacks of boxes, antiques, and furniture, touching every relic of my past that I could reach.

    I felt like an archaeologist who had just singlehandedly discovered a lost civilization. I found cedar chests, large and small, filled with old clothes, letters, and keepsakes. There was an old sewing machine that must have belonged to my grandmother, who had died before I was born. There was also an antique dress form with strands of fake pearls and measure tapes strung across it. It still had push pins stuck into it.

    There were old games in wooden boxes, a toy box filled with toy soldiers and cast iron automobiles, which I took as proof that my father had actually existed and had once been a child in this house. I don't remember my Dad ever talking about his childhood. He was a loving father, but a lot like my grandfather in that he never shared anything about himself. I gently closed the lid to the toy box and ran my fingers across where the name Samuel Grimshaw had been carved into it.

    The evidence that I had once had a real family made me feel nostalgic and more than a bit regretful. I hadn’t had a real family for long and the memories of them were faint and far away, like a dream. I was surrounded by things that had once belonged to my close relatives, people who were so close to me and yet I never knew them. Every family member that I had ever known was only in my life for a decade or less.

    A glint on the top of an old record player box caught my attention. I stepped closer and noticed that it was the corner of a silver photo frame buried underneath an old woven blanket. The picture was covered in dust and grime. Looking around, I grabbed the woven blanket and found a silver necklace underneath it. I left it there and used the corner of the blanket to clean off the picture. I couldn't believe my eyes. The photo was of my grandfather and me.

    We looked so close, and smiling, which was impossible. I didn't remember ever being that happy the entire time that I had lived with my grandfather, and I definitely didn't remember ever smiling like that before moving out of this house. In the photo, I was about thirteen years old, wearing a long blue jean dress. A long chain with a round silver pendant hung around my neck. My birthstone was set into the middle: an opal for October.

    It was the same pendant that was sitting on top of the record player.

    I put down the blanket and picked up the pendant, running my thumb across the stone. It was milky and iridescent, like a polished sea shell. Even though I was holding it in my hand, it felt like a distant memory, something that I barely remembered but at the same time didn't. Looking back at the picture, I remembered the dress, and it wasn't a distant memory. I had seen it in a cedar chest just a few minutes ago. I carefully hurried over to the other side of the attic and rummaged through each cedar chest until I found the right one.

    It was next to the sewing form, sitting on top of a cast-away night stand. The silver name plate on top of it was covered in dust and grime. I rubbed it with my sleeve to reveal, in slanted cursive, Theresa Marie Grimshaw. It was my given name, meaning that this small cedar chest had once belonged to me.

    The blue jean dress sat neatly folded on top of a few other outfits in the chest, but it mostly contained letters, diaries, and other things that I did not remember. I riffled through until I saw a couple of things that I did remember. The first item was an old Fleetwood Mac vinyl record. I remembered this record because it had belonged to my dad when he was young, and I would listen to it for hours at a time while I tried to remember my parents. The other was a small porcelain jewelry box that my grandfather had given me for Christmas one year. It was strange because I could clearly remember getting the jewelry box, and I know that I had opened it, but I couldn't remember what was inside it. It was something that I hadn't thought of before now.

    My head hurt. There was a whole box full of items that had my name, my handwriting, and my face all over them, but I couldn't remember a thing about them. The more I tried to remember, the more my head hurt. I struggled to think of an explanation for it. Perhaps I was so unhappy living with my grandfather that I had intentionally forgotten everything when I moved away. That is how I remembered my grandfather: a stiff curmudgeon who didn't have time for me at all.

    But I couldn't ignore that the objects in this box were telling me an entirely different story. An entire photo album depicted me with a grandfather that I did not remember, in places that I had no recollection of ever going to, doing things that I did not recall doing at all. It looked real, but it wasn't anything at all like I remembered.

    Who were the people in these pictures from fifteen years ago? What about the ones from ten years ago? The faces were mine and my grandfather’s. The photos were old enough to have been us. Barring the advent of me having an identical twin that I knew nothing about, I couldn't wrap my mind around it.

    I put the photo and the pendant in the cedar chest and picked up the whole thing and carried it downstairs to my room. I came back for the record player that my photo and pendant had originally been sitting on. Surely, this was all a huge cosmic sign telling me that I was actually going insane, was suffering from selective amnesia, or was the brunt of a huge cosmic joke. Either way, me, myself, and I had some catching up to do.

 

 

    After I had plugged in the record player and started it off streaming a scratchy rendition of Black Magic Woman, I sat on my bedroom floor and began going through the items in the cedar chest. I took everything out, wracking my brain for memories with each piece I handled. I had put the pendant around my neck and the photo frame on my dresser.

    My floor was covered with things from the cedar chest, most of them completely alien to me. It was odd how much all of this clashed with every memory that I had. I laid down on my bed with several diaries that I had apparently written. I couldn't dispute that the writing was mine, but reading them was like reading the diaries of a stranger. I wrote at length about spending time with my grandfather, playing some of the wooden boxed games in the attic, making snowmen and decorating Christmas trees in the winter, celebrating birthdays, going on trips, and other things that I had absolutely no recollection of. There was something else that was upsetting me, and that was the missing pages. In every diary dating to the time that I had spent with my grandfather, there were pages missing, sometimes even whole sections. Most of them were cut out, leaving a straight edge behind in the journal. I couldn't help but wonder if those missing pages held the answers to all my questions.

    Every now and then, the diaries would mention a bad day, like the time that Derrick Green cut a chunk off of my hair, and I had to have the rest of my hair cut ridiculously short to match. This was before pixie cuts were cool, mind you. I could remember that incident like it was yesterday. Almost every crappy day mentioned, I remembered. It was as if all of the happy details of my years with my grandfather had been stolen from me. I couldn't help but feel robbed, even violated, topped with the niggling guilt that I had unfairly hated him all these years.

    I wondered, did my grandfather know about this? If something had happened to me so traumatic as to erase my happy memories, then why didn't my grandfather tell me about it? If he was such the wonderful grandfather that he was in these diaries, then I'm almost certain that he would have said something to me.

    I closed the diary that I was currently reading and put my head in my hands, lacing my fingers in my hair as an act of sheer frustration. I could feel my heart beating in my throat and I had a momentary episode of nausea.

    Looking out the window, I noticed that the sun was starting to set. The day had escaped me and I couldn't help but laugh at the irony in that thought.

    I looked back in the cedar chest to see if there was anything that I had missed, and noticed a piece of brown ribbon, sticking out of the crevice in the bottom of the chest. It blended in so well with the wood that I almost missed it entirely. I gave it a tug, and the false bottom came up, revealing one last diary.

    I carefully picked it up and turned it over in my hands. It was a bit different from all the other diaries. For one, this one seemed fairly well put together. The binding was only slightly broken, and there were bookmarks throughout the pages. The cover was a type of leather, dark brown, with the word "Journal" embossed across the front in gold.

    This journal was also locked, unlike the others. I stared at it for a moment, then fiddled with the lock. It didn’t budge. I resolved that I was going to have to find something to break it open with in the kitchen. My stomach was growling anyway.

    I picked up the journal and took it downstairs with me to the kitchen. I hadn't eaten in eight hours and was starving. I gave the library a quick glance as I passed it on the way, and made a mental note to check in there later for the missing pages, or more diaries, perhaps even some of my grandfather's journals, if he had kept any. But I needed a sandwich first.

    I took the bread, peanut butter, and honey out of the cabinet and placed them on the counter, then started to look for the plates. I found them in the overhead cabinet by the back door. While I reached for one, I heard a scratching and a faint meow at the back door. When I opened it, the tabby cat that had dashed out from under the rocking chair yesterday came right on in through a pet door installed in the outer screen door. He brushed against my legs and meowed.

    "Well I guess you aren't completely a wild stray, then," I said to the cat. "I'll bet you want some food, too." I love cats, it’s no mystery. They've been my favorite creature since before I can remember. Sorry, poor choice of words, seeing as I’ve apparently forgotten most of my childhood.

    The cat answered me with more of his begging meows. I took down a can of tuna and opened it out onto one of the plates, put it on the table and got down another plate for myself. The tabby jumped up on the table and went at the tuna like he hadn't eaten a good meal in a while, and I went about making my peanut butter and honey sandwich. I poured myself a glass of milk and with another thought got a bowl down and gave the tabby some of the milk too.

    I could hear the cat purring while he ate. "I'm glad you like it," I said a bit sarcastically. "I guess this means that I won't be getting rid of you anytime soon now." I added buying cat food to my list of things to do. I took a moment to wonder if he was a finicky eater or if dry cat-food would work just as well. I scratched behind his ears and he bumped my hand with his head, purring. It was a nice distraction. "Cat, you have earned that tuna, just for making me feel a bit better about this whole day," I told him. He just purred back at me as he devoured the tuna. He finished and scampered off, leaving me to finish my sandwich alone.

    After cleaning up from mine and the cat's lunches, I began looking for things to pop open the lock with. I found an ice pick in the utility drawer that seemed sturdy enough to do the job.

    I picked the diary back off the counter and gave it a good glare before sliding the ice pick inside the hoop of the lock and twisting, snapping the weaker metal of the lock. I opened it to the first bookmark and was thoroughly confused. As if the day couldn't get any weirder, now I was looking at a page full of pentagrams, Latin words, symbols, and other strange doodles. I flipped to all the other bookmarks and found the same type of writings. I had no idea what I was looking at, but it didn't look sane or normal.

    If my other journals had looked anything like this, it would certainly explain why pages were missing from the other diaries. On further inspection, I noticed that several of the pages were manually glued in, evidencing my suspicions, though it still didn’t account for all of the missing pages. I was perfectly convinced that someone had played a cruel prank on me. It was not an explanation that I could ever have guessed, and it left me a little furious. It was the only sane explanation, other than the explanation that I was, or had been, insane. With that revelation, I threw the diary back down on the table and paced across the kitchen, back and forth a few times, fuming.

    On the third pass, I noticed a folded paper sticking out of the loose binding of the cover. On the outside, it had just two words, written in scroll: I'm sorry. "Aha!" I exclaimed to the empty kitchen. I looked at the little folded piece of paper and said, "I sure hope you are a confession letter." I opened it up, and was again sorely disappointed. It was not a confession letter, but had only one word written on it, which, I was sure to regret, I read out loud. "Dimittam?" 

    The book flew from my hand and landed open on the floor, the pages turning rapidly as if caught in a wild wind. The room filled with the smell of smoke and ashes, and my head blossomed with pain. For a split moment, I saw a dark figure form on the other side of the book, and in that moment, I passed out.

 

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Pollyanna Pilsbury wrote 392 days ago

A very well written, edited and polished book.
There's a lot of it, so I haven't read it all yet and I'm going to be away for a while. I thought I'd make my initial comments as I've had this book for a while.
This is not my kind of read anymore, due to having had my fill when I was younger.
That said, this is perfect for that young adult audience. There is a huge market waiting for this and it's one of the best fantasy/devil/demon books that I've read on this site.
You've put a lot of thought and hard work into this book, I wish you all the best of luck.
Pollyanna.

TaniaJohansson wrote 405 days ago

Devil in the Details
Tamara Hickman

I loved this book. The story draws you in immediately and keeps you reading. Your writing is clear and flows very smoothly. No real grammar/spelilng mistakes that I spotted. Your characterisation is strong and you quickly feel empathy for your main protagonist.
You set the scene extremely well. You give details about the surroundings through story telling as opposed to having a paragraph dedicated to explaining what the room looks like.
I loved this and I am sure you will do extremely well with it.

Best of luck
Tania Johansson
Book of Remembrance

Neville wrote 406 days ago

Devil in the Details.
By Tamara Hickman.


Riesa Grimshaw certainly got a shock as she as she arrived at the house her Grandad had left to her in his will.
It had always been well looked after while he was alive—a house to be proud of.
You describe well her feelings as she surveys what used to be her home as well as her Grandfather’s.
The out-of-bounds library...the secrecy of her Grandpa’s ways and his need for personal space where Riesla was concerned. That’s how I see him anyway, suddenly having to cope with a teenager around.
I like the way you take the reader around the house as Riesla removes the furniture covers and progresses up into the attic.
I was there as she delves into the chests and recovers items that she has no recollection of and yet can’t deny.
Photographs that are definitely her years ago, fail to register in her memory.
Then we have the diaries—her handwriting that’s for sure.
This is a story with a lot of mystery and suspense that’s only just starting with the first chapter.
It has an immense hook to it even at this early stage and that’s what counts if the book is to leave the bookshop shelves...I’m sure it will.
Many stars!!

Kind regards,

Neville. The Secrets of the Forest – The Time Zone.

Kenneth Edward Lim wrote 407 days ago

Tamara,
I found "Devil in the Details" an introspective book, long on narrative and short on dialogue, which goes well with the mood surrounding the story. Riesa, using the first person, takes us through a labyrinth of events unraveling the secrets of her grandfather's attic, in a way both engaging and intriguing. She is a sympathetic character one can only root for. Your conversational style is easy to digest and a delight to read. Thanks for sharing.

Kenneth Edward Lim
The North Korean

Su Dan wrote 186 days ago

l like your honest narrative style- first person; it works very well indeed...
...backed...
read SEASONS...

Jim Darcy wrote 195 days ago

Not my normal kind of read but the pitch intrigued me and the tale was well-written enough to engage me as a reader.

jemmamcalinden wrote 197 days ago

This book was great I could not stop reading!
I hope to see another installment ASAP
Jemma

Tod Schneider wrote 309 days ago

I really like the set up, and the writing overall. Your main character is an interesting, sympathetic character who I'm already rooting for. Your attention to detail make the locale come alive. You do a great job of planting curious information that we have to read on to find explanations for. Good stuff!
Tod
http://authonomy.com/books/40646/

Lena M. Pate wrote 336 days ago

Great story and really good lead up to the end of the first chapter. I have only read the first chapter but it has great potential for a first rate mystery and fantasy. Just a couple of suggestions. A few things bothered me but they were cosmetic at best. Like why if she is going to the house knowing her grandfather died on some mountain far away and not not bring groceries with her? Why is she dressed up in expensive heels when she was driving to the backwoods all alone? Also her moods don't seem to vary. She could have had a good cry or laughed after being startled by the cat from nervousness. Event though you mention she was angry at the boyfriend it doesn't come across. You described the outside of the house in detail but once inside we get very little feel of what she is seeing. Something like "As she removed an old blue sheet off of the hard backed sofa, memories of the yellow and green flowers with the multiple buttons and the intricate carved wooden back reminded me of the days when I sat here stiffly waiting for grandfather to finish in his library so that we could go for our weekly trip into town." Something to place her there and remembering life a bit since she hasn't been home for seven years. Also, there are several repetitive words within such as variations of the work pick are repeated in several places. Just suggestions. I'm by no means an expert. Many well deserved stars.

scoz512 wrote 364 days ago

Very vivid and detailed desriptions you give. I also enjoy Reisa's voice, casual and easily read. Nice intriguing plot, love the ending of chapter one, kept me reading on. I will have to come back for more later, just wanted to comment at this point. Will put it on my watchlist.

Sara
War of the Wastelands

kshaw wrote 367 days ago

Hi Tamara,
Wow, I like your concept and this is exactly the book that I love to read. I'm happy I put this on my bookshelf. I think your style is funny and engaging.
Here are my notes:
1. I get where you are coming from with the first two paras, but if you want to send this to an agent (which I think you should when you are ready :) ) you have to cut them. It opens with a cliche and you give us all the information in the second para.
That being said, I love the third para! "It was only fitting that it would be raining when I returned to Salem." That is a beautiful opening. Of course, you don't have to do that. I'm a copywriter so I can't help but notice beginnings of stories :)
2. There are a few cliches in here, especially when you describe Greg. Luxurious brown hair, baby blue eyes, etc.
3. There are also times when you use feel instead of describing the sensation. What I do to remedy that is go into the word document search for the word "feel" and highlight it. That way I can find them quickly and easily.
4. Great dialogue! I usually look for mistakes with dialogue tags and you don't have any, so great job.
5. I love the reference to black magic woman, that's one of my favorite songs and it created the exact mood you were trying to convey to the reader.
6. The hook at the end is wonderful! I will definitely be back to read more!

Frith,
Kayla Shaw
PS Thank you so much for your kind comments on Philosophia. That meant a lot to me and you captivated my book exactly in your comment.

Sue50 wrote 368 days ago

Your book was recommended by CC Brown author of Dark Side. I think you've got a hit here! Happy to place your work on my shelf. Good Luck!
Sue50

Oriax wrote 377 days ago

This is a story that will appeal to the vampire, Twilight fans, with its sparky heroine, the pacy dialogue, the setting of the dusty colonial house. You write well and fluently without any obvious glitches, though I did think you switch tense quite a lot in the opening chapter.
These are the few notes I took:
I don’t think a house can be downtrodden, that’s for people. Houses are run down.
Riesa yelps for very spurious reasons, a bird flying out of its nest, a cat on the porch. In chapter three she yelps again.
You use the word curmudgeon twice to describe the grandfather.

A criticism I would make is that the tone doesn’t change much with the circumstances you’re describing. Riesa uses the same rather irritated tone of voice to her boyfriend on the phone as she does to the demon. Irritated, weary and tongue in cheek. She seems to use the same criteria to judge the demon as she does her boyfriend – how much she fancies him. She also takes it incredibly calmly that she has a demon in her home, going to bed and leaving him to get on with it.
The pillow-throwing scene the next morning is a bit of a cliché, again as if she is just starting a new relationship with a new boyfriend.
Devil in the Details struck me as the kind of book that would appeal to a YA readership, though I maybe haven’t read far enough to get to the hot sex and violence scenes. Good luck with this, it’s the kind of book I can see being very popular.
Jane

Lady Midnight wrote 382 days ago

Hi, Tamara, read the first chapter of Devil in the details and thoroughly enjoyed it. It’s intriguing, well characterized and for the most part, flows well. I’ve outlined some suggestions, which I hope prove useful. If you get a chance would you have a look at the first chapter of Land of Midnight Days? I’d really appreciate any insights you have to offer. http://www.authonomy.com/books/40804/land-of-midnight-days/
The pitch is fine, apart from missing “her” from this sentence: Atlanta city girl, Riesa Grimshaw, has been estranged from {her} overbearing grandfather…
Sometimes, when life gives you lemons, you make lemonade. At other times, the lemon juice just gets into old wounds and stings like hell. **Great opening line**
He probably [had] wanted to keep everything in the family…**The bracketed word mars the flow of the sentence. Suggest deleting it and just have: He probably wanted…
[It was a four bedroom and two bath home] ** This doesn’t flow well, suggest: It contained four bedrooms and two bathrooms….
. **The paragraph beginning: I finally pulled into the drive and ending with: …he hadn’t been doing it here, is filled with great description, it paints an immediate picture. **
I was certain that I was going to get even dirtier before the day was [up] **Suggest replacing this with “over”**
and startled a bird that had been nesting under the eaves of the [ porch], confirming my suspicions that the [porch] **To avoid the repetition of “porch” so close together, suggest replacing the 2nd with “it”: …confirming my suspicions [it] had become…**
"Hey, baby! Did you make it to Salem alright?" I grinned. It was nice to hear my boyfriend's voice. Greg had one of those great voices that sounded like a deep purr every time he talked. I think he could have read me the phone book…. **Even though we can’t “see” Greg, the description of his voice gives the reader an insight of what he’s like**
I'm a sucker for blue eyes. I think it’s because I have blue eye envy. I was born a dirty blond with muddy brown eyes. I can bleach my hair, but the eyes? I can't really do much about them. **I love the way you describe the MC’s appearance without resorting to clichés, such as looking in a mirror, particularly as this is done from a 1st person pov.**
["You are] at the house already?" **This is a bit formal. In real life, speech is made up of abbreviations, unless something is perhaps being emphasized. Suggest you change this to “You’re”. **
"This house really is a mess, Greg. You should see it." I picked up my bag and dug through my purse, balancing the phone [on my] **Suggest changing to: …balancing the phone “against” my ear…**
I unlocked the door and tried to open it. It stuck a [bit], and a [bit] ** Suggest getting rid of the 2nd “bit”, you don’t really need it and the repetition jars. **
I stood in the doorway for a bit, watching the sunlight reflect off [of] **This might be down to the slight differences between UK and US English, but I don’t think you need the bracketed word. To me the “off” and “of” don’t flow well. Suggest just: …watching the sunlight reflect off …**.
"Oh, please. He died of a heart attack on a mountain in Tennessee. I don't think [that] not getting around was his problem." **You don’t need the bracketed word. Suggest: I don’t think getting around was his problem. Watch out for the word “that” it sneaks up on you when you least expect it. **
I opened a few doors as I passed them so that the rooms could [be airing out] ** I think this would flow better as: …so the rooms could air out…** while I checked out the kitchen.
"I still think it's odd that you don't know what was going on with your [grand dad] **one word: granddad. **
I felt a bit miffed by [that] statement. "You know, I really don't appreciate [that]. You know [that] **You have the word “that” 3 times in one sentence. This is an example of what I mean by this word sneaking up on you. Suggest rejigging along the lines of: I felt a bit miffed by his statement. “You know, I really don’t appreciate that. You know we didn’t talk…**
It's not my fault [that] **and again, suggest omitting it here, you don’t need it, just: It’s not my fault he didn’t call…*
I turned away from the dining room [and its ghostly furniture covers.] **Loved this description**
I didn't like talking about my grandfather, or my teenage years for that matter, [at all.] **Don’t need this. It’s clear from the phrase: I didn’t like talking about… that she doesn’t normally talk about the subject of her grandfather and her life with him. Little additions like this are what I call “tag lines”, which explain what’s already been said. **
I vaguely remember the blow-out argument [that] **Don’t need this. ** we had before I left home for good,
Even though we weren't the closest family, I felt a stab of regret that he hadn't wanted to call me and let me know [that] **Don’t need this. ** he was leaving…
I drew in a ragged breath, but I didn't cry, even though I really wanted to at that moment. Instead, I walked up the stairs and went to my old room to put away my things and change into some clothes [that] **Don’t need this. ** I didn't mind ruining with mud.

I was at least pleasantly surprised to find [that] **Don’t need this. ** the upholstery did not smell like dust and mildew and [that] **Don’t need this. ** the overall integrity of the house was still good. However, I was not so surprised to see [that] **Or this** my grandfather had not upgraded a single piece of furniture in the preceding years. Now [that] **Or this** everything was cleaned…
…but I was certain [that] **There’s that dreaded word again*** they were around somewhere…
I felt like an archaeologist who had just singlehandedly discovered a lost civilization. I found cedar chests, large and small, filled with old clothes, letters, and keepsakes. There was an old sewing machine that must have belonged to my grandmother, who had died before I was born. There was also an antique sewing form with strands of fake pearls and measure tapes strung across it. It still had push pins stuck into it. **Beautifully crafted description. You have a real talent for this. I could “see” this. **
…I was about thirteen years old, wearing a [long] blue jean dress. A [long] chain **Suggest changing the 1st “long” to “full length blue jean dress, to avoid the repetition. ** It was the same pendant that was sitting on top of the record player.
I put down the blanket and picked up the pendant, running my thumb across the stone. It was milky and iridescent, like a polished sea shell. [Even though I was holding it in my hand, it felt like a distant memory,] **Loved this. **
But I couldn't ignore [that] the objects in this box were telling me an entirely different story. An entire photo album depicted me with a grandfather [that] I did not remember, in places [that] I had no recollection of ever going to, doing things [that] I did not recall doing at all. It looked real, but it wasn't anything at all like I remembered.
**Okay, the dreaded word used 4 times in one paragraph; you only need one of them. But I couldn’t ignore that the objects in this box…depicted me with a grandfather I did not remember…in places I had no recollection of…doing things I did not recall…**
I closed the diary that I was currently reading and put my head in my hands, lacing my fingers in my hair [as an act of sheer frustration] **Do you really need this “tag line?” Her action of lacing her fingers in her hair speaks for itself. **
He [finished] and scampered off, leaving me to [finish] my sandwich alone. **Finished and finish are too alike, suggest changing the latter to”eat”. **
After cleaning up [from mine and the cat's lunches,] **Don’t really need this, as it’s obvious what she’s cleaning up**
…and paced across the kitchen, [back and forth] **Don’t need this, the fact she’s pacing is enough**

Kate LaRue wrote 384 days ago

Tamara,
I finished reading Devil in the Details last night. What a fast paced, edge of your seat book filled with unique characters. Riesa is a very relatable character who pops off the page. Phil is easy to like even though he's a demon. It is obvious as soon as the cat hisses at Greg that something is up with him, too.

There are just a few things I noticed throughout that could maybe be reworded to tighten up the narrative. If you've ever read Strunk & White's The Elements of Style, they say that the best dialogue tags are 'said' and 'asked' (my personal preference is to tag dialogue as little as possible). They also caution against using too many 'ly' adverbs. Typically you can find a better verb instead of attaching an 'ly' adverb to it. This is true when tagging dialogue too. I noticed once the tag was 'Gamori said seductively' or something like that, when it was obvious from her words and behavior that she was being seductive.

Another thing to watch for is use of cliches. I noticed several while reading. Try to find a new way to express tired old sayings. I think Authonomy even has a list of cliches to avoid at all costs.

There were typos such as duplicated words sprinkled throughout, so the whole manuscript could use a thorough read through to fix those.

Overall this was a very enjoyable read that pulled me along. I assume there is at least one more book with these characters. I'd be interested to see what happens to Riesa and Phil and the others. This is highly starred and in line for a spot on my shelf.
Kate


melissa_simonson wrote 389 days ago

Hi Tamara! Well I got through your first chapter (I can get to more, if you think I'm helpful at all, and if you want to do multi-chapter swaps....eh, just let me know) and took some notes down. They're mostly just worthless thoughts, and I know nothing about writing ayway, really, since I've never been formally trained and what not, so feel free to ignore any and all suggestions!

I think the opening paragraph could do with some re-writing. I get what you're going for, but I think it could be "tighter". Seems a little wordier than it needs to be. Maybe "Sometimes, life gives you lemons, and you make lemonade. And then sometimes the lemon juice seeps into open wounds and stings like hell." I think you should elminate the 'old wounds' because old wounds, I would think, would be healed, so the lemon juice wouldn't sting...?

The sentence ..."...It was now the week after..." seems too wordy -- I think "It had been a week" reads better.

The Salem, Alabama thing confused me. Of course it's possible that a town could be called Salem, aside from the one in Massachusetts, but it was a bit unbelievable to me. Just a thought.

I also found it hard to believe that orange could be "ghastly". I am thinking 'garish' would be a much better fit in that sentence.

I notice you use the word "stumbled" very close together, when your MC is walking up the porch. I would eliminate one of the 'stumbled's or simply *show* us she stumbled -- like, "I yelped when I tumbled to my knees on the porch". Ehh that's bad, don't use that line, but I hope you get what I'm driving at.

You mentioned the stray cat careened -- I think careened is an odd word there. I mean, it works, but it doesn't resonate with me. If anything, I would think it "streaked" across the porch.

During the phone conversation with Greg, he says "you are" where I think it should have been "you're". The you are just sounded a bit too formal for a phone conversation, and most people don't talk that way.

While I'm on the phone conversation, your MC's inner dialogue confused me a bit. She talks of wanting to smack him, give him the evil eye, etc, and it got a bit wearing. I know you want the reader to get that she's being teased, but I think you over-played it a tad.

I did, however, liked that you gave us information on your MC's relationship with her deceased grandfather through the conversation with Greg, instead of hitting us in the eyes with it and just flat - out stating the info.

Back to the phone conversation -- I think it's an odd choice to use the word 'purr' when describing a man's voice. I mean, I'm sure it happens, but 'purr' is almost too sexy. Was he trying to be sexy? And anyway, you mentioned the 'purr' twice, and I think one of them could do with changing.

The sentence, "...He had known he wasn't coming back." was good. It really made me wonder, why not? And want to keep reading.

After the scene change, you said, "...for a good nights rest" and it read awkwardly. I think it would read better if you said, "after a good nights rest".

I know we as writers hate hearing the show v. tell thing, but I think I have to say it -- toward the middle/end of chapter 1 there was a lot of it. "It hurt having no real family." "My head hurt." I think you could play those things up a little. A pang in her heart would tell us it hurt. A thudding in her head would show us her head throbbed.

One thing I didn't like was when you tacked on (when she's in the kitchen with the stray cat) "...Sorry, poor choice of words..." It felt like an intrusion on the narration. To me, anyway.

I'm sorry if you think this is full of nit-picks! I really do like it, but I thought I'd point out the flaws to make it better (I'd rather have an honest review than a pat on the back one). Hopefully you don't think I'm being harsh, because I really do feel it's got a lot of promise :)

Melissa

Spilota wrote 392 days ago

This is excellent reading. Thoroughly enjoying it and will read it all.

Pollyanna Pilsbury wrote 392 days ago
Pollyanna Pilsbury wrote 392 days ago

A very well written, edited and polished book.
There's a lot of it, so I haven't read it all yet and I'm going to be away for a while. I thought I'd make my initial comments as I've had this book for a while.
This is not my kind of read anymore, due to having had my fill when I was younger.
That said, this is perfect for that young adult audience. There is a huge market waiting for this and it's one of the best fantasy/devil/demon books that I've read on this site.
You've put a lot of thought and hard work into this book, I wish you all the best of luck.
Pollyanna.

Christian Bell wrote 397 days ago

Very informative narration of the history of Reece and her Grandfather. The discriptions of the property and landscape are very good and the storyline rolls on at good pace. I like your writing style and think that this could be very succesful on authonomy. I wish you the best of luck with this and rate it highly.
Christian

ForeverAnimetriss wrote 397 days ago

This is a very interesting book you have here! I'm not exactly sure if I'm a fan of Riesa just yet. She reminds me of a stuck up city girl who has forgotten her roots. I'm curious to see how this all turns out. Keep up the good work! :)

ForeverAnimetriss wrote 397 days ago

This is a very interesting book you have here! I'm not exactly sure if I'm a fan of Riesa just yet. She reminds me of a stuck up city girl who has forgotten her roots. I'm curious to see how this all turns out. Keep up the good work! :)

J C Michael wrote 402 days ago

Hi Tamara,
I've just read your first two opening chapters and think this is a solid start and an interesting story so far. The style of writing everything from the point of view of your main character works well, although you do need to watch out for repetition of "I" did this and "I" did that in consecutive sentances. There are also a couple of other places where the same word crops up repeatedly and I think the story would be improved if things were mixed up a little. One example if this is the word "remember", try "recall", or "bring to mind", as alternatives.
Having said that this is a good read and should play well to a young adult audience if it continues in this vein. With a little bit of polishing you could certainly get this to a high enough standard to shoot up the rankings and I hope to see you achieve that and build upon the promise of what you have so far.
Highly starred for the strong narrative elements if the story and potential that this story seems to have.
Best wishes,
James

KoriBates wrote 405 days ago

I started reading the first chapter, but I had to stop. I love what your book is about and after skimming through some of it, it really is well written and catches my attention, but the first few paragraphs did nothing to draw me in. I do like the way you described her reactions to her boyfriend on the phone call and the dialogue between the two. Of course, these are just my opinions and you can take them for what they're worth. You have a knack for writing. I'll keep this on my watch list and come back to it.

TaniaJohansson wrote 405 days ago

Devil in the Details
Tamara Hickman

I loved this book. The story draws you in immediately and keeps you reading. Your writing is clear and flows very smoothly. No real grammar/spelilng mistakes that I spotted. Your characterisation is strong and you quickly feel empathy for your main protagonist.
You set the scene extremely well. You give details about the surroundings through story telling as opposed to having a paragraph dedicated to explaining what the room looks like.
I loved this and I am sure you will do extremely well with it.

Best of luck
Tania Johansson
Book of Remembrance

Neville wrote 406 days ago

Devil in the Details.
By Tamara Hickman.


Riesa Grimshaw certainly got a shock as she as she arrived at the house her Grandad had left to her in his will.
It had always been well looked after while he was alive—a house to be proud of.
You describe well her feelings as she surveys what used to be her home as well as her Grandfather’s.
The out-of-bounds library...the secrecy of her Grandpa’s ways and his need for personal space where Riesla was concerned. That’s how I see him anyway, suddenly having to cope with a teenager around.
I like the way you take the reader around the house as Riesla removes the furniture covers and progresses up into the attic.
I was there as she delves into the chests and recovers items that she has no recollection of and yet can’t deny.
Photographs that are definitely her years ago, fail to register in her memory.
Then we have the diaries—her handwriting that’s for sure.
This is a story with a lot of mystery and suspense that’s only just starting with the first chapter.
It has an immense hook to it even at this early stage and that’s what counts if the book is to leave the bookshop shelves...I’m sure it will.
Many stars!!

Kind regards,

Neville. The Secrets of the Forest – The Time Zone.

Thomas C. wrote 407 days ago

Tamara, you have a writing style that is very clear and concise, much like Charlaine Harris. It hypnotizes you and brings you into the story with good narrative. My suggestion: see if you can pump up at the opening sentence, grabbing us by the collar and making us sit up in the seat earlier. I'm big lover of horror, thriller and paranormal and I'm sure its some creepy stuff in Grandpa's old house. that you can use as a device-creepy spiders, house sounds etc. String the tension a little longer. Wishing for the running water is okay, but would she freak about the many legs of a hairy spider crawling up her neck, or an unexplained bloodstain that leads to somewhere or. . . nowhere, thats up to you. Overall I like it and will be reading more.

Thomas C.

Kenneth Edward Lim wrote 407 days ago

Tamara,
I found "Devil in the Details" an introspective book, long on narrative and short on dialogue, which goes well with the mood surrounding the story. Riesa, using the first person, takes us through a labyrinth of events unraveling the secrets of her grandfather's attic, in a way both engaging and intriguing. She is a sympathetic character one can only root for. Your conversational style is easy to digest and a delight to read. Thanks for sharing.

Kenneth Edward Lim
The North Korean

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