riantorr recent comments

written 155 days ago
cherry

Great cover!

Rian Torr
New London Masquerade
www.ATstudio.ca view book

written 155 days ago
cherry

You use a lot of dialogue, which is good.

RianTorr
New London Masquerade view book

written 155 days ago
cherry

Lots of dialogue, well done.

RianTorr
New London Masquerade view book

written 155 days ago
cherry

Nice opening lines, love Sydney.
Rian Torr
In French's Forest view book

written 155 days ago
cherry

Nice details. RT view book

written 158 days ago
cherry

Great beginning, can't wait to read more!
Rian Torr
New London Masquerade view book

written 158 days ago
cherry

We have all been there, trying to sell too many turnips, caught late for coming home! Work smart, not hard fellow writers! Love the title.
Rian Torr
New London Masquerade view book

written 158 days ago
cherry

Such a great opening, so visual and kinetic. Begin with a baby crying and you cannot lose!
Rian Torr
New London Masquerade view book

written 158 days ago
cherry

I like the pacing and trim paragraphs. I'm glad such crisp writing is near the top where it should be.
Regards,
Rian Torr
New London Masquerade view book

written 159 days ago
cherry

Nice atmospheric setting, thoroughly fleshed out writing, good dialogue. Nice short paragraphs, good pace. RT view book

written 159 days ago
cherry

I like Chapter 3's opening line the best so far. RT view book

written 160 days ago
cherry

Great voice. Good subject matter. Strong opening. Five Stars. First person, historical--well balanced paragraphs. Steady pace. Well done.
Rian Torr,
In French's Forest view book

written 162 days ago
cherry

Great title! Perhaps shorten some paragraphs for faster pace. Love the historical roots.
Rian Torr
In French's Forest view book

written 162 days ago
cherry

Hi Velix Hollow, love your name. Book title Sprites is awesome. Ula character name interesting. Maybe break up paragraphs more for increasing pace.
Best, RT view book

written 163 days ago
cherry

Love the concept of animal books, one of my favorite genres. You pull it off with in depth contemplation on how the birds behave. The talking is great, a nice way to help round them out as human-like characters. Perhaps consider some shorter paragraphs to help speed up the pace, but that is just style subjectivity. Overall high stars! I understand it's probably better to weave in human stories, but I almost feel you should write a book entirely about animals. RT view book

written 163 days ago
cherry

Great first line! Sets instant suspense. Interesting book title too.

Rian Torr
New London Masquerade view book

written 185 days ago
cherry

I love any story with a self-help guru in it. Bravo!
Rian Torr
New London Masquerade view book

written 188 days ago
cherry

I like how the word 'Hollow' appears in the last line of the book.
Regards,
Rian Torr
New London Masquerade
www.ATstudio.ca view book

written 409 days ago
cherry

"Its destination was at a Halloween house party, forty-five minutes away."

Read it both ways and you will probably see what I mean.

Usually good to compact nouns as such to stay succinct.

Regards,
Rian Torr
New London Masquerade view book

written 415 days ago
cherry

WHITE MOUNTAIN by Sophie Tallis
- review for the Worldbuilders thread -

Good imagery. Writing is tight, fluid and descriptive. Plot is enticing enough and genre is clear. I scanned dozens of books before I found one I wanted to review for the Worldbuilders thread and yours was it.

My one constructive comment follows now ... Perhaps it is too descriptive at first. More dialogue and action from first jump might help the hook. Even something very minor like your character doing something really helps. You can even cut back out to the mountain-scape if you want, but starting at the mountain and working your way into the character, then describing the character in great detail before actually getting into the character's actions slows the pace greatly. It is usually better to begin with dialogue and/or action, then insert the descriptive details in short bursts, usually just adjectivally on the back of the action, as opposed to devoting entire paragraphs to pure detail. When you add motion and sound to your visuals, you exponentially bolster your hook. It is usually better to leave details out entirely if you are delaying the dialogue or action. Novels used to begin more you have here, but now in the movie age our brains have been hard-wired to crave the sound and motion.

Regards,
Rian Torr
New London Masquerade view book